Awol Erizku - Photographs from the Martin Z. Margulies Foundation New York Thursday, April 4, 2024 | Phillips

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  • “I want the [Art History] conversation to be louder and amongst as many people as possible.”
    —Awol Erizku
    Ethiopian-American artist Awol Erizku’s visual language centers around questions of identity and inclusion as well as the wealth of 'a global Afropolitan perspective.' Here, he documents the elaborate ways men style their hair into unique headdresses, each set against a striking red background. For the artist, photography becomes an uplifting means to celebrate the everyday creativity that articulates contemporary African social and cultural life. He understands that for beauty to be recognized in a museum, it must first be recognized in culture at large. In discussing the work of his contemporary predecessors, Erizku noted, 'The artists that came before me who are critiquing the system were and are only concerned about raising these issues and talking about them to other artists. As much as I find that interesting and necessary, it is far more important to me that the work is accessible to a larger audience—and that they come to see it.'

    • 來源

      紐約Hasted Kraeutler畫廊(2014年)

    • 過往展覽

      The New Black Vanguard: Photography between Art and Fashion, Aperture, New York, 24 October 2019 - 19 January 2020; Bunjil Place, Narre Warren, Australia, 21 March – 27 September 2020; Maryland Institute College of Art, Baltimore, 29 January – 14 March 14

    • 文學

      Aperture, Awol Erizku: Mystic Parallax, pp. 125-128

63

《頭首》

2013年作
9組數位版畫印刷
每組:10 1/2 x 8 英吋(26.7 x 20.3 公分)
整體:41 3/8 x 33 5/8 英吋

款識:簽名、印刷標題、日期、編號 1/3(其一裱背攝影師標籤)

Full Cataloguing

估價
$10,000 - 15,000 

成交價$27,940

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Photographs from the Martin Z. Margulies Foundation

紐約拍賣 2024年4月4日