Waldhaus (P18)

Create your first list.

A way to share and manage lots.

Cancel
  • Condition Report

    Request Condition Report
  • Provenance

    Fondation Beyeler, Riehen
    Acquired from the above by the present owner

  • Artist Bio

    Gerhard Richter

    German • 1932

    Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. 

    Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016. 

    View More Works

250

Waldhaus (P18)

numbered '162/200' on the reverse
Giclée print on paper mounted on aluminium
142 x 98 cm (55 7/8 x 38 5/8 in.)
Executed in 2018, this facsimile object is number 162 from an edition of 200 plus 2 artist's proofs, published by Heni Productions, London.

Estimate
£6,000 - 8,000 

Place Advance Bid
Contact Specialist
Tamila Kerimova
Specialist, Head of Day Sale
+ 44 20 7318 4065
tkerimova@phillips.com

20th Century & Contemporary Art Day Sale

London Auction 28 June 2019