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里奧羅拉.卡靈頓
四組作品:(i)《習作–蛇咬傷佛洛里蓬迪奧》; (ii)《習作–瑪雅人的魔法世界壁畫》; (iii)《無題》; (iv)《無題》
(ii) 款識:Leonora Carrington, March 1964(右下方)
(iv) 款識:Leonora Carrington, 1956(左下方)
(ii) 血虹 紙本
(iv) 油彩 鉛筆 水墨 紙本
(ii) 16 1/4 x 15 英吋 (41.3 x 38.1 公分)
(iv) 9 7/8 x 6 3/4 英吋 (25.1 x 17.1 公分)
(ii) 1964年作
(iii) /
(iv) 1956年作
鳴謝Salomon Grimberg博士為此作編錄圖錄。
完整圖錄內容
里奧羅拉.卡靈頓
British / Mexican | B. 1917 D. 2011At the core of Leonora Carrington's Surrealist oeuvre is a preoccupation with gender and feminist issues. Born to a wealthy family in Lancashire, England, Carrington demonstrated an interest in art at a young age and enrolled at Chelsea School of Art in London. Carrington first became interested in Surrealism after having attended the 1939 International Surrealist Exhibition, and later entered into a relationship with German Surrealist painter Max Ernst.
Like many European intellectuals and artists, Carrington fled war-torn Europe and settled in Mexico where she was greatly influenced by the cultural and religious syncretism. Carrington's unique Surrealist aesthetic is one that often features females as the central figure and includes fairytale-like imagery.