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Damien Hirst
《圈圈重逢–來自「在旋轉中，世界對事物的作用，第一卷」》
- 估價
- £1,000 - 1,500♠
£1,032
拍品詳情
蝕刻版畫 Hahnemühle紙本（四周留邊）
2002年作
圖像：45.3 x 29.9 公分 (17 7/8 x 11 3/4 英吋)
紙本：91.3 x 71.1 公分 (35 7/8 x 27 7/8 英吋)
紙本：91.3 x 71.1 公分 (35 7/8 x 27 7/8 英吋)
款識：簽名
共有68版及12版藝術家試作版，由倫敦The Paragon Press出版，英國印刷，此為已裱無編號簽名版。
共有68版及12版藝術家試作版，由倫敦The Paragon Press出版，英國印刷，此為已裱無編號簽名版。
專家
完整圖錄內容
文學
Damien Hirst
British | 1965There is no other contemporary artist as maverick to the art market as Damien Hirst. Foremost among the Young British Artists (YBAs), a group of provocative artists who graduated from Goldsmiths, University of London in the late 1980s, Hirst ascended to stardom by making objects that shocked and appalled, and that possessed conceptual depth in both profound and prankish ways.
Regarded as Britain's most notorious living artist, Hirst has studded human skulls in diamonds and submerged sharks, sheep and other dead animals in custom vitrines of formaldehyde. In tandem with Cheyenne Westphal, former Chairman of Phillips, Hirst controversially staged an entire exhibition directly for auction with 2008's "Beautiful Inside My Head Forever," which collectively totalled £111 million ($198 million).
Hirst remains genre-defying and creates everything from sculpture, prints, works on paper and paintings to installation and objects. Another of his most celebrated series, the 'Pill Cabinets' present rows of intricate pills, cast individually in metal, plaster and resin, in sterilized glass and steel containers; Phillips New York showed the largest of these pieces ever exhibited in the United States, The Void, 2000, in May 2017.
瀏覽藝術家Regarded as Britain's most notorious living artist, Hirst has studded human skulls in diamonds and submerged sharks, sheep and other dead animals in custom vitrines of formaldehyde. In tandem with Cheyenne Westphal, former Chairman of Phillips, Hirst controversially staged an entire exhibition directly for auction with 2008's "Beautiful Inside My Head Forever," which collectively totalled £111 million ($198 million).
Hirst remains genre-defying and creates everything from sculpture, prints, works on paper and paintings to installation and objects. Another of his most celebrated series, the 'Pill Cabinets' present rows of intricate pills, cast individually in metal, plaster and resin, in sterilized glass and steel containers; Phillips New York showed the largest of these pieces ever exhibited in the United States, The Void, 2000, in May 2017.