重要日本私人收藏
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法蘭西斯·培根
《仿「約翰．愛德華斯畫像」–來自「三聯畫」（仿1986-1987年《三聯畫》） (S. 6, T. 22)》
- 估價
- HK$50,000 - 70,000€6,000 - 8,300$6,400 - 9,000
HK$44,450
拍品詳情
蝕刻版畫 幼點腐蝕 Arches紙本（全包邊）
1986-1987年作
圖像：65.3 x 48.9 公分（25 3/4 x 19 1/4 英吋）
紙本：89.6 x 62.7 公分（35 1/4 x 24 5/8 英吋）
紙本：89.6 x 62.7 公分（35 1/4 x 24 5/8 英吋）
款識：簽名、編號 40/99
共有99版、15版羅馬數字藝術家試作版，由巴塞隆拿Ediciones Polígrafa, S.A.畫廊出版，此為已裱第40版。
共有99版、15版羅馬數字藝術家試作版，由巴塞隆拿Ediciones Polígrafa, S.A.畫廊出版，此為已裱第40版。
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法蘭西斯·培根
Irish-British | B. 1909 D. 1992Francis Bacon was a larger-than-life figure during his lifetime and remains one now more than ever. Famous for keeping a messy studio, and even more so for his controversial, celebrated depictions of papal subjects and bullfights, often told in triptychs, Bacon signified the blinding dawn of the Modern era. His signature blurred portraits weren't murky enough to stave off his reputation as highly contentious—his paintings were provocations against social order in the people's eye. But, Bacon often said, "You can't be more horrific than life itself."
In conversation with yet challenging the conventions of Modern art, Bacon was known for his triptychs brutalizing formalist truths, particularly Three Studies for Figures at the Base of a Crucifixion, which Bacon debuted in London in 1944, and Three Studies of Lucian Freud, which became famous when it set the record for most expensive work of art at auction at the time it sold in 2013.
瀏覽藝術家In conversation with yet challenging the conventions of Modern art, Bacon was known for his triptychs brutalizing formalist truths, particularly Three Studies for Figures at the Base of a Crucifixion, which Bacon debuted in London in 1944, and Three Studies of Lucian Freud, which became famous when it set the record for most expensive work of art at auction at the time it sold in 2013.