日內瓦私人收藏
77
朗．阿拉德
《獨特茶几–來自「B.O.O.P.（Blown Out Of Proportion）」系列》
- 估價
- $22,000 - 28,000
$30,480
拍品詳情
拋光鋁
1998年作
15 x 56 1/4 x 36 1/2 英吋（38.1 x 142.9 x 92.7 公分）
款識：Ron Arad（側部）
此作由意大利科莫製造，荷蘭馬斯特里赫特 Mourmans 畫廊發行。
此作由意大利科莫製造，荷蘭馬斯特里赫特 Mourmans 畫廊發行。
專家
完整圖錄內容
圖錄文章
Phillips wishes to thank Caroline Thorman from Ron Arad Associates for her assistance with the cataloguing of the present lot.
文學
朗．阿拉德
Israeli | 1951Ron Arad's work and career is characterized by his movement between modes and constant experimentation. Arad was born in Tel Aviv, Israel in 1951 and studied at the Jerusalem Academy of Art before moving to London in 1973. He began his practice in London in the early 1980s and set up One Off Ltd, focused on limited edition objects, with his partner Caroline Thorman. A decade later he had moved to industrial production techniques and collaborations with large design firms such as Vitra and Kartell.
A persistent theme throughout his work is innovation and the idea of the "new." Still producing work today, Arad uses the latest technology to produce his designs and also integrates it within his pieces, such as his Lolita Chandelier (2004) that can receive and display text messages. Arad also continually experiments with materials and has an exceptional skill to coax volume and undulation out of them, with a particular affinity for metal. His works such as The Big Easy chair (1988) walk the line between design and sculpture. Once an outsider, Arad's relentless energy to design, build and collaborate has placed him firmly within the highest ranks of the design world.
瀏覽藝術家A persistent theme throughout his work is innovation and the idea of the "new." Still producing work today, Arad uses the latest technology to produce his designs and also integrates it within his pieces, such as his Lolita Chandelier (2004) that can receive and display text messages. Arad also continually experiments with materials and has an exceptional skill to coax volume and undulation out of them, with a particular affinity for metal. His works such as The Big Easy chair (1988) walk the line between design and sculpture. Once an outsider, Arad's relentless energy to design, build and collaborate has placed him firmly within the highest ranks of the design world.