



66
彼得.雨果
Mallam Mantari Lamal with Mainasara, Nigeria from The Hyena and Other Men
- 估價
- £20,000 - 30,000‡
拍品詳情
Chromogenic print, mounted.
2005
Image: 152 x 152 cm (59 7/8 x 59 7/8 in.)
Frame: 176 x 176 cm (69 1/4 x 69 1/4 in.)
Frame: 176 x 176 cm (69 1/4 x 69 1/4 in.)
Signed, titled, dated and numbered 2/7 in ink on an artist label affixed to the reverse of the frame.
專家
完整圖錄內容
圖錄文章
For his seminal series The Hyena and Other Men, renowned South African photographer Pieter Hugo documented Nigeria’s ‘hyena men’, a group of travelling performers who work with hyenas, monkeys and snakes. In his 2009 monograph, Hugo describes his image-making process:
In Abuja we found them living on the periphery of the city in a shantytown – a group of men, a little girl, three hyenas, four monkeys and a few rock pythons. It turned out that they were a group of itinerant minstrels, performers who used the animals to entertain crowds and sell traditional medicines. The animal handlers were all related to each other and were practising a tradition passed down from generation to generation. I spent eight days travelling with them.
The spectacle caused by this group walking down busy market streets was overwhelming. I tried photographing this but failed, perhaps because I wasn't interested in their performances. I realised that what I found fascinating was the hybridisation of the urban and the wild, and the paradoxical relationship that the handlers have with their animals – sometimes doting and affectionate, sometimes brutal and cruel. I started looking for situations where these contrasting elements became apparent. I decided to concentrate on portraits. I would go for a walk with one of the performers, often just in the city streets, and, if opportunity presented itself, take a photograph…
The Metropolitan Museum of Art, New York, holds another print from this sold-out edition of 7 + 2 APs.
In Abuja we found them living on the periphery of the city in a shantytown – a group of men, a little girl, three hyenas, four monkeys and a few rock pythons. It turned out that they were a group of itinerant minstrels, performers who used the animals to entertain crowds and sell traditional medicines. The animal handlers were all related to each other and were practising a tradition passed down from generation to generation. I spent eight days travelling with them.
The spectacle caused by this group walking down busy market streets was overwhelming. I tried photographing this but failed, perhaps because I wasn't interested in their performances. I realised that what I found fascinating was the hybridisation of the urban and the wild, and the paradoxical relationship that the handlers have with their animals – sometimes doting and affectionate, sometimes brutal and cruel. I started looking for situations where these contrasting elements became apparent. I decided to concentrate on portraits. I would go for a walk with one of the performers, often just in the city streets, and, if opportunity presented itself, take a photograph…
The Metropolitan Museum of Art, New York, holds another print from this sold-out edition of 7 + 2 APs.
來源
文學