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威廉．艾格斯頓
《孟菲斯（綠色浴室）》
- 估價
- $80,000 - 120,000
$82,550
拍品詳情
染料轉印（2015年印）
約1971年作
圖像 26 3/4 x 17 3/8 英吋（67.9 x 44.1 公分）
紙本 29 7/8 x 20 1/2 英吋（75.9 x 52.1 公分）
紙本 29 7/8 x 20 1/2 英吋（75.9 x 52.1 公分）
款識：簽名（邊緣）
鈴印：攝影師信託基金版權信用、複印限制（邊緣）
共有10版與3版藝術家試作版，此作為印刷商試作版。
此作為該圖像的最大尺寸染料轉印品，也是該圖像首次以此尺寸亮相拍賣。
鈴印：攝影師信託基金版權信用、複印限制（邊緣）
共有10版與3版藝術家試作版，此作為印刷商試作版。
此作為該圖像的最大尺寸染料轉印品，也是該圖像首次以此尺寸亮相拍賣。
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來源
文學
威廉．艾格斯頓
American | 1939William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.
At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.
瀏覽藝術家At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.