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12Ο

威廉.艾格斯頓

《洛斯阿拉莫斯作品集》

估價
$2,000,000 - 3,000,000
$1,875,000
拍品詳情
孟菲斯:攝影師信託基金
101組染料轉印(1965-1974年攝,2001-2007年印)
2002年作
每組圖像 12 x 17 5/8 英吋(30.5 x 44.8 公分)
每組紙本 15 7/8 x 19 7/8 英吋(40.3 x 50.5 公分)
款識:簽名(邊緣)
鈴印:《洛斯阿拉莫斯作品集》版權信用、複印限制(邊緣)
共有7版與3版樣本作,此作為印刷商試作版。其中75組轉印,分為五頁,每頁均有標題頁、圖版目錄和版權頁,按 1-5 連續編號,並註明「PP」;分頁1附有 Walter Hopps 撰寫的印刷介紹;另外26組以《表親》和《失物招領》之名發行,乃為完整母版集。

這是《洛斯阿拉莫斯作品集》(包括《表親》和《失物招領》,合共101組獨立染料轉印)首次展出或亮相拍賣。

更多資訊

威廉.艾格斯頓

American | 1939
William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.

At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.
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