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紐約Carole與Alex Rosenberg伉儷珍藏系列

145

傑蘇斯.拉斐爾.索托

《向人類致敬–來自「美國肖像 1776-1976年 第1卷」》

1975年作
絲網印刷木材和金屬浮雕複製品 存於原裝「美國肖像 1776-1976年」奶油色皮革裝訂文件夾盒
19 3/8 x 26 x 5 英吋(49.2 x 66 x 12.7 公分)
款識:簽名、編號 XL/L
鈴印:紐約Transworld Art
共有175版、50版羅馬數字版、25版藝術家試作版,由紐約Transworld Art於1976年出版,此為未裱第30版羅馬數字版。

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傑蘇斯.拉斐爾.索托

Venezuelan | B. 1923 D. 2005

Jesús Rafael Soto was born in Ciudad Bolívar and studied at the School of Visual and Applied Arts in Caracas. During this period he became acquainted with Los Disidentes, a group of artists that included Alejandro Otero and Carlos Cruz-Diez. In addition to his fellow compatriots, Soto’'s work was influenced by Kazimir Malevich and Piet Mondrian.



The main artistic tenets evinced in Soto's works are pure abstraction, vibrations, progressions and geometric rigor. They can be seen through the use of lines and superimposed squares in his sculptures, made with paint and a series of industrial and synthetic materials. He spent much time in Europe, becoming a key member of the Group Zero movement, which included such artists as Lucio Fontana, Gunther Uecker and Yves Klein. As a result, Soto's work also incorporates modernist concepts such as light, time, movement, color manipulation and space. All of these facets place him as an important figure within the Kinetic and Op Art movements.

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