無底價
318
威廉．艾格斯頓
Untitled (Santa Claus on window, Memphis)
- 估價
- £2,000 - 3,000•
£1,806
拍品詳情
pigment print
signed in ink 'William Eggleston' lower right margin; stamped with the Eggleston Artistic Trust copyright credit reproduction limitation stamp and numbered '2/7' on the reverse
image 42.2 x 63.4 cm (16 5/8 x 24 7/8 in.)
sheet 55.9 x 71.1 cm (22 x 27 7/8 in.)
sheet 55.9 x 71.1 cm (22 x 27 7/8 in.)
Executed in 2004 and printed in 2009, in the United States, this work is number 2 from an edition of 7.
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威廉．艾格斯頓
American | 1939William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.
At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.
瀏覽藝術家At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.