無底價

462

Robert Motherwell

Untitled (Black), from London Series I; and Untitled (Blue/Pale Blue), from London Series II (E. & B. 89 & 96)

$1,000–2,000•︎
(2次出價)
$200
1971
Two screenprints, one in colors, on J.B. Green mould-made Double Elephant paper, with full margins and the full sheet.
London Series I
I. 36 1/8 x 24 in. (91.8 x 61 cm)
S. 40 1/8 x 28 1/2 in. (101.9 x 72.4 cm)
London Series II
S. 28 1/8 x 41 in. (71.4 x 104.1 cm)
Both signed, one with initials, and numbered 28/150 and 12/150 in pencil respectively (London Series I there were also 10 artist's proofs, London Series II there was also an unrecorded number of artist's proofs), published by Marlborough Graphics, Inc., New York (with the artist's blindstamp), printed in the United Kingdom, one framed.

Robert Motherwell

American | B. 1915 D. 1991

One of the youngest proponents of the Abstract Expressionist movement, Robert Motherwell rose to critical acclaim with his first solo exhibition at Peggy Guggenheim's Art of This Century gallery in 1944. Not only was Motherwell one of the major practicing Abstract Expressionist artists, he was, in fact, the main intellectual driving force within the movement—corralling fellow New York painters such as Jackson Pollock, Willem de Kooning, Hans Hoffman and William Baziotes into his circle. Motherwell later coined the term the "New York School", a designation synonymous to Abstract Expressionism that loosely refers to a wide variety of non-objective work produced in New York between 1940 and 1960.

During an over five-decade-long career, Motherwell created a large and powerful body of varied work that includes paintings, drawings, prints and collages. Motherwell's work is most generally characterized by simple shapes, broad color contrasts and a dynamic interplay between restrained and gestural brushstrokes. Above all, it demonstrates his approach to art-making as a response to the complexity of lived, and importantly felt, experience.

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