黃軒軒
\n香港二十世紀及當代藝術部副專家
\n+852 2318 2013
\nhinhinwong@phillips.com

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愛，

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我

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$\"\"$

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十幾歲的時候，我喜歡看日本的女生雜誌。情人節的時候，這些雜誌會教女孩們如何給喜歡的人送可愛、特別的糖果。她們都在表達自己的感受，這讓我很羨慕，因為與這些幻想相比，中學生活是如此無聊。我想要像雜誌上的女孩一樣。這件作品中的女孩代表了對於我來說，情人節所代表的那些愛、禮物，和不得不深藏心底的感情。

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我希望通過這件作品來捕捉青春的甜蜜感：一種對於付出愛的渴望，和表達對另一個人的愛慕和關懷的渴望。

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愛，

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我

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關於Lili Tae

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Lili Tae 是一名常駐泰國曼谷的插畫家。她從自己的潛意識中汲取創作靈感，通過柔和的筆觸和舒緩而充滿活力的色彩將自己的個人體驗轉化爲藝術作品。在獲得傳播設計學士學位後，Lili 做過平面設計師，並作為泰國藝術家入選參展2017年在大阪舉辦的「Unknown Asia」藝術展。由於她的作品獲得熱烈的反響，Lili 於2018年在大阪舉辦了她的首次個展。在此之後，她重返校園，於英國布萊頓獲得插畫/序貫設計碩士學位，現為一位插畫家。自從進入NFT 領域以來，Lili 的作品更是獲得越來越多的關注和追捧。

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$\"\"$

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以下條款為對針對管理此拍賣品的僅限網上拍賣的業務規定和 NFT拍品的附加業務規定作出補充。

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伴以此NFT，藝術家創建了包含NFT識別的數位藝術品資產的一個全解析度(full resolution)媒體檔（"媒體檔"）。請注意，媒體檔並不屬於本拍品，也不在富藝斯的著作保證範圍內。富藝斯對媒體檔不作任何陳述或保證，包括但不限於其性質，條件，描述，獨特性，功能，相容性，耐用性或本媒體檔的可用性，不論是現在還是將來，或者它是否將以藝術家預期的方式運行。

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\n買方可以書面形式要求富藝斯提供下載連結，以便買方下載媒體檔。買家必須在在線拍賣結束之日起30天內發出書面通知。富藝斯只會在收到拍賣品購買價款的全數付款后，才會安排及向買家提供下載連結。

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\n富藝斯在任何時候均不對媒體檔的任何損失或損壞向買方負責。

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除了以下補充條款，此拍品亦受僅限網上拍賣的業務規定，NFT拍品的附加業務規定及加密貨幣付款的附加業務規定約束。

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關於非同質化代幣（NFT）的更多資訊

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我將以什麼貨幣出價？

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拍賣會將以港幣（HKD）進行並開具發票。

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接受哪些付款方式？

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您可以以港元或任何一種富藝斯接受的加密貨幣（比特幣或乙太幣）支付NFT拍賣品。如果您希望以比特幣或乙太幣支付NFT拍賣品，您必須滿足適用於加密貨幣付款的附加銷售條件中規定的加密貨幣條件。

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您承認並同意比特幣和乙太幣的價格不穩定，並受到上下波動的影響。您承認富藝斯接受的加密貨幣與港元之間的轉換率將在拍賣期間和拍賣後發生變化，直到您支付拍賣品為止。富藝斯在拍賣期間並不會提供加密貨幣轉換功能。競拍人需負責在競價時自行計算貨幣換算。

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我共需要支付多少錢？

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如果您是NFT拍品的中標人，您必須支付該拍品的總購買價格（按網上拍賣的銷售條件所述計算）加上將NFT轉移到您的數位錢包所需的網路和其他費用）。

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如果您選擇以富藝斯可接受的加密貨幣（乙太幣或比特幣）支付NFT拍品並滿足我們的加密貨幣條件（見上文），則在買家使用我們將向您發出的QR碼或連結訪問Coinbase Commerce平臺付款時，發票上顯示的港元購買價格將根據Coinbase Commerce的匯率自動轉換為適用的富藝斯可接受的加密貨幣。

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轉售NFT時是否應向藝術家支付轉售版稅？

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如果轉售版稅在NFT的後續轉售中需支付給藝術家，這將在NFT拍品的智能合約中規定。如需支付，轉售版稅將為NFT轉售價格的百分比。因此，在競標之前，您必須審查（或尋求專業協助來審查）並了解NFT智能合約的運作（包括智能合約中包含的任何權利和限制）。

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根據NFT拍賣品的轉售地點，額外的藝術家轉售版稅和交易條件可能根據適用法律適用於交易。這些都是附加但不是替代NFT智能合約中施加的任何轉售版稅。

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通過註冊投標，您承認並同意如下

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您是在為自己競標，而不是代表任何其他人競標
如果您是中標者，您將僅是在購買NFT。您並不是在購買NFT識別的數位藝術品資產。欲瞭解更多詳情，請閱讀 NFT拍品的附加銷售條件
您有一個錢包能夠支援和接受NFT拍品描述中列出的NFT代幣類型
您只有在滿足適用於加密貨幣付款的附加銷售條件中規定的加密貨幣條件的情況下，才能以乙太幣或比特幣支付拍品。這些要求包括您付款時需：\n\t
- 從以您的名義註冊的單個數位錢包付款，並且該錢包需在以下平臺之一上持有：\n\t\t
  - \n\t\t\t
    Coinbase Custody Trust;
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    Coinbase, Inc.;
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  - \n\t\t\t
    Fidelity Digital Assets Services, LLC;
    \n\t\t\t
  - \n\t\t\t
    Gemini Trust Company, LLC;或
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  - \n\t\t\t
    Paxos Trust Company, LLC;
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  \n\t\t
- 使用從合法活動中獲得並屬於您的資金。
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我們不接受加密貨幣在以下情況下付款：

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來自在其他平台上持有的數位錢包或自託管的錢包;
來自多個數位錢包
如果（i）您居住在禁止或限制加密貨幣支付的國家或地區或受其法律的約束（例如中華人民共和國），或（ii）存在其他情況，而這些情況會使您或富藝斯通過完成加密貨幣交易後面臨潛在的法律或監管行動或被罰款。

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如果我們因上述或其他原因無法接受閣下以加密貨幣付款，閣下必須以港幣付款。

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請查看所有適用於此拍品銷售的完整條款，包括僅限網上拍賣的業務規定（香港），NFT拍品的附加業務規定及加密貨幣付款的附加業務規定。

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網上拍賣 2022年2月14-22日
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\n香港時間

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2022年2月14日下午9:00開始
\n2022年2月22日下午6:00結束
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\n受日本的可愛文化啟發，本次網上主題專拍期間貫穿西方情人節和亞洲元宵節。這星期以愛為題，在此期間，我們將會提供探索可愛、伴侣關係、自我欣賞和性別等主題的作品，當然也少不了鮮花的陪襯。
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\n可愛文化強調可愛的性質，融化心靈。此外，人類想要找到真愛，必先學會打從內心深愛自己，並且探索箇中哲理。
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\n所有競投在富藝斯網上拍賣業務規定下進行，可瀏覽如何參與競投獲取更多詳情。
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\n請注意網上拍賣正式開始後，所有出價不得取消。

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五木田智央，《假塞尚1號》，2017年作

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艾得佳·普連斯,《城中公園》

\n","1643217473",{"_453":1532,"_371":1533,"_1525":1534},"https://assets.phillips.com/auctions/HK090422/33_hi.jpg","

MR DOODLE,《破碎的心》，2018年作

\n","1643217548",{"_453":1536,"_371":1537,"_1525":1538},"https://assets.phillips.com/auctions/HK090422/34_hi.jpg","

劉建文，《12寸 TATTO（出自花園人系列）》，1998年作

\n","1643217565",{"_453":1540,"_371":1541,"_1525":1542},"https://assets.phillips.com/auctions/HK090422/35_hi.jpg","

吉娜·比弗斯，《終極煙熏妝》，2019年作

\n","1643217750",{"_453":1544,"_371":1545,"_1525":1546},"https://assets.phillips.com/auctions/HK090422/36_hi.jpg","

艾得佳·普連斯，《單車手》，2019年作

\n","1643217889",{"_453":1548,"_371":1549,"_1525":1550},"https://assets.phillips.com/auctions/HK090422/37a_hi.jpg","

五木田智央，《單調短語》，1999年作

\n","1643312380",{"_453":1552,"_371":1553,"_1525":1554},"https://assets.phillips.com/auctions/HK090422/39_hi.jpg","

奇蒂·納羅德，《觸碰》，2019年作

\n","1643218016",{"_453":1556,"_371":1557,"_1525":1558},"https://assets.phillips.com/auctions/HK090422/310_hi.jpg","

馬蒂亞斯·桑切斯，《無題》，2008年作

\n","1643218113",{},"articles",[1562,1585],{"_1563":1564,"_1565":97,"_1566":1567,"_371":1568,"_1569":1570,"_1571":1572,"_1573":1574,"_1575":1512,"_1576":342,"_1577":1578,"_333":342,"_1579":1580,"_1581":1582,"_1583":1584},"coverUrl","https://flockler.com/thumbs/sites/889/maciej-kuciara-7a5778ec-7a9e-425f-b790-6877c0b0cea6_s600x0.jpeg","section","summary","How Japanese animation inspired two digital artists in our My Kawaii Valentine sale.","In Conversation: Maciej Kuciara and Lili Tae on NFTs and Anime","body","

Maciej Kuciara, Her Body is Metal, 2022
\nLot 47, My Kawaii Valentine Online Sale, February 14-22

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中文閱讀

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Maciej Kuciara grew up in Poland watching cyberpunk anime on VHS tapes. Lili Tae traded Japanese magazines and sweets with friends as a teenager in bustling 2000s Bangkok. While both artists came of age in different worlds, both found inspiration in Japanese animation. Their digital works are part of our themed online sale My Kawaii Valentine.

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Kuciara, a renowned digital artist and director, has produced concept art for the Last of Us game series, Captain America: Civil War, the Avengers movie series, and Rupert Sanders’ Ghost in the Shell. For our sale, he has chosen Her Body is Metal, the second NFT from his long-form narrative series Showtime Universe about a highly cybernetic vision of the future.

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Tae is a Bangkok-based illustrator who was selected as one of the Thai artists to exhibit at Unknown Asia in Osaka in 2017. She had her first solo exhibition in the same city the following year. Her works are a soothing mixture of mellow strokes and vibrant colors. Since entering the NFT space, Tae has seen growing demand for her work.

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We sat down with both artists to discuss their work and how technology has influenced their creative process.

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PHILLIPS: Maciej, can you explain the relationship between Her Body is Metal and your long-form narrative Showtime Universe?

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MACIEJ KUCIARA: Her Body is Metal is an introduction to one of the main protagonists in Showtime Universe. The animation, alongside the written narrative, gives intimate insight into what it’s like to be living in this cyberpunk world and foreshadows how the story will reveal itself over time. It’s meant to create a standalone lens through which we can interpret technologies and AI’s impact on human nature, which is one of the main themes of Showtime Universe.

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P: Can you elaborate on those themes? How do they respond to some of our anxieties surrounding technology?

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MK: The best way to describe Showtime Universe is to imagine current-age problems of human nature and how they would manifest if they were hyper-accelerated by cybernetic technology and AI. It’s a vision of the world in which tech-driven amplified themes of human emotion, psychology, conflict, self-interest and complexity of decisions often lead to unforeseen results. What would love look like if dopamine were regulated by cybernetic bodies? How would information travel if it were entirely created by self-interested artificial intelligence? How would conflicts be resolved in a world where everyone’s body is a weapon?

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View this post on Instagram
A post shared by Maciej Kuciara (@maciejkuciara)

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P: What drew you to the cyperpunk anime style? Who are some of your influences?

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MK: Growing up in the era of VHS tapes, the first real art I was exposed to was ‘90s cyberpunk anime — Ghost in the Shell, Akira, Cowboy Bebop and more — which inspired and drove my artistic career. Anime opened a door into sci-fi worlds that I fell in love with. It made me discover fantastic worlds that I never dreamt of. I knew then and there that I wanted to make art and build my own universes with the goal to one day match the quality and depth delivered by the artistic masters I admired. It has been my lifelong pursuit for artistic excellence.

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Lili Tae, Love, Me, 2022
\nLot 49, My Kawaii Valentine Online Sale, February 14-22

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P: Lili, similarly, how did the environment in which you grew up influence your work?

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Lili Tae: I grew up in a Thai-Chinese household, where there was Chinese-style furniture, decorations and books with Asian prints around the house. I doodled a lot as a child, and this is one of the environments that inspired my style as I grew up.

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Another environment that I feel has influenced me a lot is fashion design. When I was young, I would wait for my aunt, who worked as a fashion brand manager, at her workplace after school. So I got to spend many hours looking at various fashion design collections back in the day.

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P: There are a lot of sweets, especially Japanese candies and cookies, in your piece. Can you explain some of these references?

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LT: For this piece, I was inspired by my surroundings during the 2000s. Japanese pop culture was very big in Thailand, and I was a teenager during that time, so I would say I grew up surrounded by everything Japanese. I remember watching anime every Saturday and Sunday morning, waiting for a Thai-translated Japanese magazine to come out and bringing cute, yummy Japanese candies to school. My conversations with friends were mostly related to Japanese culture.

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I find Japanese pop culture very refreshing. I was born and raised in Bangkok, which is a big city, but visiting Tokyo is even more overwhelming. I love how versatile things are in Japan and after taking in those elements throughout the years, that inspired my art and style through today.

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View this post on Instagram
A post shared by Lili Tae (@lili.tae)

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The candies in this piece are mostly inspired by what I remember having since childhood. Some of them are imaginary, and some might be familiar to people as some of the most popular Japanese sweets. I want people to be able to relate to this piece when they find a treat they know or have tried before. The shapes and forms are so unique that some might spot them right away, and I think that’s fun, almost like a photo hunt.

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P: With what medium did you start, and how did you expand into the digital realm and NFTs?

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LT: My work used to be detailed black ink on white paper. I personally like colors a lot, but I struggled with the process of painting. I only worked with ink because I thought it was what I did best, but it limited my creativity and I couldn’t fully translate what I had in mind, so I started making digital art. I experimented with colors and composition, and I have so much fun creating art when there are more possibilities.

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I created a lot of personal projects, so at first, I treated the NFT format as a portfolio where I could display and expand my work onto platforms apart from social media. The growth of this community has given me many different opportunities and allowed me to create fun projects with many different people from all over the world.

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Maciej Kuciara, 《金屬之軀》, 2022
\n拍品47, 《My Kawaii Valentine》網上拍賣, 2月14至22日

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Maciej Kuciara於波蘭長大，自小通過VHS錄影帶觀賞賽博朋克動畫；而Lili Tae則在2000年代的青少年時期，於繁華的曼谷街頭，與朋友交易日本雜誌和糖果。儘管兩位藝術家成長環境各有不同，他們都在日本動畫中找到靈感之泉，而他們的數位作品更是富藝斯網上專場拍賣《My Kawaii Valentine》的一部分。

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Kuciara 是著名的數碼藝術家和導演，曾為不少項目製作概念藝術，包括：《最後生還者》遊戲系列、《美國隊長3：英雄內戰》、《復仇者聯盟》電影系列和Rupert Sanders的電影《攻殼機動隊》等。他為拍賣帶來《金屬之軀》，也是他的長篇故事系列《秀場宇宙》中第二件NFT作品，而《秀場宇宙》描繪想像中一個被機器高度控制的未來。

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駐曼谷的插畫家Lili Tae曾於2017年獲選為大阪《未知亞洲藝術博覽會》參展藝術家。在舉辦首次個展後，她翌年再次獲邀參展。她的作品糅合柔和的筆觸，以及充滿活力的色彩。自從Tae轉戰NFT領域後，藏家對其創作的需求日益增長。

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我們專誠邀請兩位藝術家，討論他們的作品，以及科技如何影響創作過程。

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富藝斯：Maciej，可以介紹《金屬之軀》和你的長篇故事系列《秀場宇宙》之間的關係嗎？

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MACIEJ KUCIARA：《金屬之軀》介紹了《秀場宇宙》的其中一位主角，當中動畫和文字敘述一同深入探索活在賽博朋克世界之感，並且預示了故事將會隨著時間的推移而逐漸呈現。《金屬之軀》旨在創建一個獨立的視角，解釋科技和人工智能對人性的影響，也是《秀場宇宙》的主題之一。

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富藝斯：你能仔細解釋這些主題嗎？它們如何回應人類對科技的部分焦慮？

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MK：描述《秀場宇宙》的最佳方式是先去細想當代的人性問題，再想這些問題均被科技操控和人工智能推到極致的後果。在這個世界中，技術驅動人類情感、心理狀態、衝突、自利和決策複雜性等，往往導致無法預料的結果，而《秀場宇宙》正是對於如此世界的想像。假如多巴胺受到科技操控而調節，愛將會變成怎樣？如果訊息完全由自利的人工智能創造，信息將會如何傳播？如果人類身體本是武器，這個世界的衝突將會如何了斷？

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View this post on Instagram
A post shared by Maciej Kuciara (@maciejkuciara)

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富藝斯：賽博朋克動漫風格當初如何吸引到你？誰人對你影響尤其深遠？

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MK：我在VHS錄影帶的時代長大，首次接觸的真正藝術正是1990年代的賽博朋克動畫，包括：《攻殼機動隊》、《亞基拉》、《賞金獵人》等，其後更啟發和推動我的藝術生涯。動漫打開了一扇通往科幻世界的大門，令我發現夢寐以求的奇妙世界。我當下知道，我希望創作藝術，建立自己的宇宙。我的目標是有朝一日，個人作品質量和深度能與我所欽佩的藝術大師媲美，而這一直是我對卓越藝術的畢生追求。

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Lili Tae, 《愛，我》, 2022
\n拍品49, 《My Kawaii Valentine》網上拍賣, 2月14至22日

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富藝斯：承接上述問題，Lili，成長環境如何影響你的作品？

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Lili Tae：我在一個泰籍華裔家庭長大，家裡佈滿華人家具、裝飾和富有亞洲色彩的書籍等。我小時候經常塗鴉亂畫，也是成長過程中啟發個人風格的環境之一。

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另一個對我影響深遠的環境是時裝設計。小時候放學後，我會找擔任時尚品牌經理的阿姨，在其工作場所等侯她。因此，我過去也有不少時間查看各種時裝設計系列。

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富藝斯：你的作品充滿甜點，尤其是日式糖果和餅乾，可以解釋這些參考嗎？

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LT：我受到2000年代氛圍的啟發而創作這件作品。當時，日本流行文化在泰國非常盛行。那段時期，我還是青少年，所以我會說我是在一個濃厚日本文化環境中長大。我記得，當年每逢周末早上，我都在觀賞動漫，等待日本雜誌的泰文翻譯本，把可愛又美味的日本糖果帶到學校，而我和朋友的談話亦大多與日本文化有關。

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我認為日本的流行文化令人耳目一新。我在曼谷出生和長大，而曼谷也算是一個大城市。然而，當到訪東京後，我才感受到「大城市」的壓迫，讓我更欣賞日本的多樣性。經過多年累積吸收這些元素，時至今日，它們依然啟發著我的藝術和風格。

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A post shared by Lili Tae (@lili.tae)

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這件作品的糖果主要受到我的童年回憶所啟發，其中部分為虛構，部分可能是大眾熟悉的受歡迎日式甜點。我希望觀者每當找到熟悉甜點之時，皆能與這件作品連繫。這些糖果的形狀和形態十分獨特，部分觀者甚至可能當下認出它們。我認為這個過程非常有趣，就像在玩「找不同」遊戲一樣。

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富藝斯：你當初用甚麼媒材創作？如何擴展到數碼和NFT的領域？

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LT：有段時間，我傾向在白紙上以黑墨仔細作畫。我本人偏好色彩，但我在繪畫過程中對於顏色運用非常掙扎，致使我只用水墨，因為我認為這是自己最擅長的媒材。然而，它限制了我的創意，令我無法完全傳譯個人想法，所以我開始製作數碼藝術，也嘗試了多種顏色和構圖。當更多可能性出現時，我更為享受創作藝術的樂趣。

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其後，我創建了不少個人項目。一開始，我將NFT視為作品形式之一，可以在社交媒體以外的平台展示我的作品，擴大觀眾層面。這個社群的發展給我不同機會，讓我可以與來自世界各地的人一起製作趣味相投的項目。

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愛，

我

關於Lili Tae

關於非同質化代幣（NFT）的更多資訊

我將以什麼貨幣出價？

接受哪些付款方式？

我共需要支付多少錢？

轉售NFT時是否應向藝術家支付轉售版稅？

Lili Tae, Love, Me, 2022\nLot 49, My Kawaii Valentine Online Sale, February 14-22

Lili Tae, 《愛，我》, 2022\n拍品49, 《My Kawaii Valentine》網上拍賣, 2月14至22日

Lili Tae, Love, Me, 2022
\nLot 49, My Kawaii Valentine Online Sale, February 14-22

Lili Tae, 《愛，我》, 2022
\n拍品49, 《My Kawaii Valentine》網上拍賣, 2月14至22日

49

Lili Tae

《愛，我》

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完整圖錄內容

Lili Tae

《愛，
我》