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格哈特．里希特
《冰球》;《巴格達》;《巴格達》;《宗教》(P8-P11)
- 估價
- £8,000 - 12,000♠
£12,065
拍品詳情
全套四組數位版畫印刷 裱於鋁合板（如出版所示）
2010/2014年作
冰球 (P8) 33 x 44 公分（12 7/8 x 17 3/8 英吋）
巴格達 (P9-P10) 50 x 40 公分（19 5/8 x 15 3/4 英吋）
宗教 (P11) 37 x 50 公分（14 5/8 x 19 5/8 英吋）
巴格達 (P9-P10) 50 x 40 公分（19 5/8 x 15 3/4 英吋）
宗教 (P11) 37 x 50 公分（14 5/8 x 19 5/8 英吋）
款識：不同編號（畫背）
共有500版無簽名版，由倫敦Serpentine畫廊出版。
共有500版無簽名版，由倫敦Serpentine畫廊出版。
專家
完整圖錄內容
文學
格哈特．里希特
German | 1932Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016.
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