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格哈特．里希特
《哥德堡變奏曲–來自「向克拉德斯致敬」（B.60）》
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- £40,000 - 60,000♠
£50,800
拍品詳情
獨版油畫 留聲機長放唱片（巴赫：《哥德堡變奏曲》：格倫古爾德，哥倫比亞廣播公司，1982 年）
1984年作
直徑 30.1 公分（11 7/8 英吋）
款識：簽名、日期、編號12/100（畫背）
共有100版獨版、20版藝術家試作版，由德國門興格拉德巴赫博物館協會出版，此為已裱獨版第12版。
共有100版獨版、20版藝術家試作版，由德國門興格拉德巴赫博物館協會出版，此為已裱獨版第12版。
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格哈特．里希特
German | 1932Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016.
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