重要私人收藏
59
Gabriel Orozco
《百事可樂瓶》
- 估價
- £5,000 - 7,000•‡
£3,175
拍品詳情
染料破壞沖印（已裱）
款識：2/5（框背畫廊標籤）
圖像 31.4 x 47.6 公分（12 3/8 x 18 3/4 英吋）
相框 54.5 x 70.5 公分 (21 1/2 x 27 3/4 吋)
相框 54.5 x 70.5 公分 (21 1/2 x 27 3/4 吋)
1998年作，共有5版，此作為第2版。
專家
完整圖錄內容
來源
Gabriel Orozco
Mexican | 1954Gabriel Orozco's diverse practice, which includes sculpture, photography, painting and video, is centered on the rejection of the concept of a traditional studio. Alternatively, Orozco's conceptual process involves using quotidian objects as commentary on urban society. In the widely exhibited La DS (1993), Orozco cut a Citroën DS car into thirds, eliminating the central section and reconfiguring the remaining parts.
Another important motif in Orozco's lexicon is that of the colored ellipses. In his seminal series, Samurai Tree Invariants, the artist employs fragmented colored circles as the basis for geometric compositions, exploring the movements made by a knight on a chessboard. These not only represent Orozco's conceptual practices but illustrate his interest in both the geometric and organic world.
瀏覽藝術家Another important motif in Orozco's lexicon is that of the colored ellipses. In his seminal series, Samurai Tree Invariants, the artist employs fragmented colored circles as the basis for geometric compositions, exploring the movements made by a knight on a chessboard. These not only represent Orozco's conceptual practices but illustrate his interest in both the geometric and organic world.