





當代家族珍藏系列
259
Frank Stella
《路易斯·米格爾·多明金》;《阿維森納》來自–「鋁系列」(G. 219-220, A. 36-37)
1970年作
石版畫及絲印版畫 Arjomari紙本(全包邊)
《路易斯·米格爾·多明金》11 3/8 x 8 5/8 英吋(28.9 x 21.9 公分)
《阿維森納》9 x 8 1/2 英吋(22.9 x 21.6 公分)
紙本:16 x 22 英吋 (40.6 x 55.9 公分)
《阿維森納》9 x 8 1/2 英吋(22.9 x 21.6 公分)
紙本:16 x 22 英吋 (40.6 x 55.9 公分)
款識:簽名、日期、15/75、42/75
鈴印:洛杉磯Gemini G.E.L.畫廊(畫背)
尚有6版藝術家試作版,由洛杉磯Gemini G.E.L.畫廊出版,全為已裱。
鈴印:洛杉磯Gemini G.E.L.畫廊(畫背)
尚有6版藝術家試作版,由洛杉磯Gemini G.E.L.畫廊出版,全為已裱。
完整圖錄內容
"The titles of this series cover a broad range of references, from personalities (Islamic intellectuals, bullfighter, racecar driver, composer, poet) to historical events, all thought of a “literary or glamorous” by Stella. A color adjustment between the metallic-silver configurations and the white paper was achieved by first screenprinting the paper a pale gray. To simulate the reflective qualities of the metallic paint in the paintings (Stella’s first use of acrylic paint mixed with metallic powder), a flow varnish was applied over each metallic-silver configuration." - Richard Axsom, Frank Stella: Prints, p. 88
Frank Stella
American | B. 1936 D. 2024Frank Stella is recognized as the most significant painter that transitioned from Abstract Expressionism to Minimalism. He believed that the painting should be the central object of interest rather than represenative of some subject outside of the work. Stella experimented with relief and created sculptural pieces with prominent properties of collage included. Rejecting the normalities of Minimalism, the artist transformed his style in a way that inspired those who had lost hope for the practice.