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Francis Bacon
《仿「仿安格爾的俄狄浦斯和獅身人面像」，1983年 (S. 18, T. 17)》
- 估價
- £5,000 - 7,000♠
£5,334
拍品詳情
石版畫 Arches紙本（四周留邊）
1984年作
圖像：116.5 x 85.7 公分 (45 7/8 x 33 3/4 英吋)
紙本：127.3 x 89.9 公分 (50 1/8 x 35 3/8 英吋)
紙本：127.3 x 89.9 公分 (50 1/8 x 35 3/8 英吋)
款識：簽名、編號43/150
共有150版、數版藝術家試作版，由巴黎Éditions de la Différence畫廊出版，法國印刷，此為未裱第43版。
共有150版、數版藝術家試作版，由巴黎Éditions de la Différence畫廊出版，法國印刷，此為未裱第43版。
專家
完整圖錄內容
文學
Francis Bacon
Irish-British | B. 1909 D. 1992Francis Bacon was a larger-than-life figure during his lifetime and remains one now more than ever. Famous for keeping a messy studio, and even more so for his controversial, celebrated depictions of papal subjects and bullfights, often told in triptychs, Bacon signified the blinding dawn of the Modern era. His signature blurred portraits weren't murky enough to stave off his reputation as highly contentious—his paintings were provocations against social order in the people's eye. But, Bacon often said, "You can't be more horrific than life itself."
In conversation with yet challenging the conventions of Modern art, Bacon was known for his triptychs brutalizing formalist truths, particularly Three Studies for Figures at the Base of a Crucifixion, which Bacon debuted in London in 1944, and Three Studies of Lucian Freud, which became famous when it set the record for most expensive work of art at auction at the time it sold in 2013.
瀏覽藝術家In conversation with yet challenging the conventions of Modern art, Bacon was known for his triptychs brutalizing formalist truths, particularly Three Studies for Figures at the Base of a Crucifixion, which Bacon debuted in London in 1944, and Three Studies of Lucian Freud, which became famous when it set the record for most expensive work of art at auction at the time it sold in 2013.