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網上拍賣
\n2021年3月23-30日

\n\n

開始00:00 香港時間，2021年3月23日
\n結束18:00 香港時間，2021年3月30日

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精選拍品香港預展

\n\n

2021年3月23-26日，早上9時至晚上6時
\n2021年3月29-30日，早上9時至晚上6時
\n

\n\n

只限預約

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請電郵至clientserviceshongkong@phillips.com進行預約。

\n\n

由香港專家團隊策劃的跨門類網上專拍，呈獻一系列當代藝術、時尚時計和精緻珠寶珍品。

\n\n

\n所有競投在富藝斯網上拍賣業務規定下進行，可瀏覽如何參與競投獲取更多詳情。

\n\n

如閣下成功投得拍賣品，總支付金額將包含拍賣品成交價和買家應支付酬金。買家應支付酬金將按照拍賣品成交價，以下列比率作累進式計算：

\n\n

拍賣品成交價首5,000,000港元之26% ；

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加逾5,000,000港元以上至50,000,000港元部分之21% ；

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加逾50,000,000港元之餘款部分的14.5%

\n\n

網上專拍競投指南

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頁面上的倒數計時器顯示首件拍品的結束時間，其他拍品將按1分鐘間隔順序結束。若在截止接受競投前最後3分鐘有人出標，競投時限將會被延長。最後出標與結束時間之間會一直維持3分鐘的間隔，直至3分鐘內無人再出標，競投即會結束。

\n\n

請注意網上拍賣正式開始後，所有出價不得取消。

\n","auctionDetailsSmall","網上拍賣 2021年3月23-30日","extraInfo","

黃軒軒

\n\n

香港二十世紀及當代藝術部初級專家

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+852 2318 2013

\n\n

hinhinwong@phillips.com

\n\n

彭偉時

\n\n

鐘錶部亞洲區主管

\n\n

+852 2318 2001

\n\n

WatchesHK@phillips.com

\n\n

劉詠儒

\n\n

香港珠寶部門主管
\n+852 2318 2039
\nJewelleryHK@phillips.com

\n","enableHighlightsView","enableOnlineCatalogue","endSale",true,"hideSoldLots","isChineseTranslate","isExhibition","isLiveAuction","isMixedAuction","makeLive","showAdvanceBidButton","showArtCollector","showBuyButton","showCatalogueDownloadLink","showInquireButton","showPrintCatalogueSection","showRegistrationLink","showSaleOffers","showSoldPrice","lots",[209,210,211,212,213,214,215,216,217,218,219,220,221,222,223,224,225,226,227,228,229,230,231,232,233,234,235,236,237,238,239,240,241,242,243,244,245,246,247,248,249,250,251,252,253,254,255,256,257,258,259,260,261,262,263,264,265,266,267,268,269,270,271,272,273,274,275,276,277,278,279,280,281,282,283,284,285,286,287,288,289,290,291,292,293,294,295,296,297,298,299,300,301,302,303,304,305,306,307,308,309,310,311,312,313,314,315,316,317,318,319,320,321,322],"articles",[173,174],"departments",[156,157,158,159],"auctionCurrency",{"_153":70,"_154":155},"totalLotCount",114,"auctionMobilityAuctionRowId","1-4B5L69","auctionUrl","https://www.phillips.com/auction/HK090121","auctionResultsFile","https://www.dist.phillips.com/content/web/auction-results/auctionResultsFile_HK090121.pdf","currencyCode","currencySign","HK$",{"_160":170,"_162":171,"_164":172},{"_160":167,"_162":168,"_164":169},{"_160":165,"_162":166,"_164":166},{"_160":161,"_162":163,"_164":163},"departmentId",24,"departmentName","Online","departmentDisplayName",12,"Watches",4,"Jewelry","Jewels",1,"Contemporary","Modern & Contemporary Art",{"_175":200,"_177":172,"_178":201,"_16":202,"_181":203,"_183":204,"_185":186,"_187":188,"_189":190,"_191":205,"_193":190,"_194":206,"_196":207,"_198":208},{"_175":176,"_177":172,"_178":179,"_16":180,"_181":182,"_183":184,"_185":186,"_187":188,"_189":190,"_191":192,"_193":170,"_194":195,"_196":197,"_198":199},"coverUrl","https://flockler.com/thumbs/sites/889/lesliesun_cover-9c948fe7-02c8-4285-a5de-ee7def8537be_s600x0.png","section","summary","孫怡(Leslie Sun) 成為《VOGUE Taiwan》總編輯只有短短時間，已成功以跨界別跨門類的嶄新手法為傳統紙媒注入新能量，完美結合藝術和時尚文化，把雜誌轉化成別具價值的收藏品。","孫怡專訪：暢談跨界創新的重要性","body","

《VOGUE Taiwan》總編輯孫怡(Leslie Sun)。圖片來源: Leslie Sun Instagram (sunles)

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本身活躍於藝術和時尚界的孫怡(Leslie Sun) 去年成為《VOGUE Taiwan》的總編輯，回想當日康泰纳仕（Condé Nast ）宣佈Leslie為新任總編，雜誌和時尚界都表現興奮，原因是當大眾對紙媒發展抱有懷疑的時候，Leslie憑其獨特背景空降這本有20多年歷史的時裝雜誌，特別令人期待她如何為這個傳統行業帶來一番新景象。

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以探索和開創精神打破既有模式，運用創新形式帶來新體驗，Leslie的風格與富藝斯的理念都很相似。Leslie的近期佳作是邀請美國藝術家丹尼爾·阿瑟姆 (Daniel Arsham)操刀三月號封面故事，其實自從Leslie入主《VOGUE Taiwan》後一直不斷實驗把藝術和時尚結合。而另一邊廂，富藝斯亦致力展現跨門類和嶄新形式在現今拍賣市場的重要性。由香港專家團隊策劃的「Intersect 網上拍賣 – 藝術、鐘錶、珠寶」也來到第二季，115件當代藝術、鐘錶和珠寶拍品為藏家提供更多選擇，把藝術和時尚匯聚於同一平台。我們趁著Intersect 舉行期間，特別找來Leslie分享她對藝術和時尚的獨特觀點，以及如何連結兩者為讀者帶來全新體驗。

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Intersect 網上拍賣焦點拍品: 丹尼爾·阿瑟姆《青銅侵蝕朱庇特》，拍品105，估價70,000 - 90,000港元；小泉悟《搖動的地面》，拍品50，估價80,000 - 150,000港元；喬治·康多《微笑的小丑構圖》，拍品25，估價150,000 - 250,000港元。©2021 George Condo / Artists Rights Society (ARS), New York
\n勞力士，「Submariner, Kermit, Flat 4」型號16610LV，精鋼自動鏈帶腕錶，約2003年製，拍品17，估價 70,000-120,000港元；黃色鑽石配鑽石手鏈，拍品41，估價250,000-350,000港元；黃色鑽石配鑽石耳環，拍品44，估價100,000-200,000 港元。5.01克拉淡黃色鑽石配鑽石戒指/ 吊墜，拍品13，估價250,000-350,000 港元。

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PHILLIPS: 你會如何形容自己的時尚風格?

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LESLIE SUN : 簡約而經典，但會加入當季的流行元素，例如那季流行長褸，我也會為自己添置一件。整體來說，我的風格傾向簡單，不會有誇張的顏色和圖案。

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\nP：誰是你的靈感繆斯?

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LS：近年已經沒任何靈感繆斯了，我對自己已很了解，知道穿什麼會好看和最舒適。若果要我真的選一位，那會是蒂妲史雲頓（Tilda Swinton），她充滿自信，毫不費力地演繹時尚，並很優雅。

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\nP：在瞬息萬變的數碼世界，你如何獲取最新資訊和靈感？

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LS：作為傳媒的一份子，我經常收到還未於市場發布的最新資訊，而在社交媒體看到東西也是最快最新，最終可能變成資訊氾濫，讓人感到麻木。有時我會刻意抽離，並花點時間去觀察外面的真實世界，讓自己有喘息空間去吸收更多新訊息。

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P：你認為現今時尚界有哪些潮流元素？

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LS：時尚大趨勢不再關於外表，1980、90年代可能流行闊膊和闊腳褲這些實質服裝特式。但今天人們著重的卻是價值理念。時裝品牌想盡辦法把可持續性概念融入產品，有意識的消費模式亦成為新的購物方向。多元共融也是盛行信念，它改變了時尚界的審美觀，模糊了性別界線，審美標準不再單靠外表，反而更在乎身心健康。另外，以前的社會主張融入社群，現在的年青一代則重視表現個人特式。

\n\n

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Leslie的收藏品味也隨著時間和成長進化。圖片來源: Leslie Sun Instagram (sunles)

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\nP：除了時尚潮流，你也熱衷於收藏和藝術，可否與我們分享你的收藏世界?

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LS：我主要收藏當代藝術，開始於在美國加州藝術學院修讀平面設計碩士課程時。那時我的工作室就在藝術創作室旁邊，慢慢我與一群藝術學生成為朋友。我經常與他們聊天，碰到感興趣的作品時，我會追問創作構思，甚至考慮購藏。這些作品於當時的價格也不會太高，我也會提議交換作品，例如我替他們設計名片，換來的是他們的藝術品。當時我很天真地想，我只會收藏藝術家朋友的作品，作為友誼的見證。成長後當然便打消了此念頭，因為我不認識沃爾夫岡‧提爾曼斯（Wolfgang Tillmans) ，但仍然很想擁有他的作品。

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P：你收藏了哪些藝術家的作品？

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LS：丹尼爾·阿瑟姆、沃爾夫岡‧提爾曼斯、梅爾·波切內爾(Mel Bochner)和林亦軒等。

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丹尼爾·阿瑟姆《青銅侵蝕朱庇特》，2020年作，鑄銅手工蒂芙尼銅綠鏽，30.5 x 20.2 x 16.5 cm。
\n拍品105，估價70,000 - 90,000港元。

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P：對於收藏，你有沒有一套哲學和方向？

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LS：我沒有任何購藏準則，我收藏能與我連繫的作品，當然價格也是考慮因素。近年我也開始檢視個人收藏習慣，發現原來自己傾向一些富字體元素的作品，這可能與我修讀平面設計有關，令我很想知道藝術家如何透過字體表達訊息，早期收藏還包括題材幽默的藝術品。然後我開始對具備對比材質的作品感興趣，我喜歡丹尼爾·阿瑟姆《Crystal Toys.》水晶泰迪熊的鮮明對比效果，泰迪熊應該是軟棉棉的，但藝術家卻用了火山岩鑄成作品。當我想到其概念是關於未來遺跡，就更加覺得題材有趣可愛。至於近年，我發現自己逐漸傾向充滿詩意的極簡風格作品。

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Leslie收藏了梅爾·波切內爾和丹尼爾·阿瑟姆的作品。圖片來源: Leslie Sun Instagram (sunles)

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P：對於新晉藏家，你有沒有任何收藏建議？

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LS：我的建議是要「多看」，不只是別人介紹的東西，任何出現在身邊的東西都應該要留意。當你對收藏變得認真時，就要清楚知道自己的收藏目的，是純為興趣抑或投資甚至兩者兼備，收藏方式都可以很不同。

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P：藝術和時尚聯乘是近年的大趨勢，《VOGUE Taiwan》三月號破天荒找來丹尼爾·阿瑟姆操刀封面故事，你能與我們分享這次合作嗎？
\n
\nLS：藝術一向是奢華時尚的一種表達，只不過概念上可能較為抽象。今天，兩者都成為生活一部分，它們的結合就變得理想當然。我早在去年3月已開始實驗以不同方式為雜誌加入藝術形態，20年5月號誕生了第一個《VOGUE》的全CGI電腦繪圖封面，內容上亦加入了很多文化專題。

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至於今次與阿瑟姆合作，我們差不多花了半年時間來討論和準備，原本打算在1月推出，後來因為疫情和製作所需時間變成了3月，其實3月是個不錯月份，象徵新一季的開始。封面故事由阿瑟姆和其團隊全程負責，攝影師和模特都是他們親自挑選，在紐約進行拍攝。除了限量封面設計，他更為今次合作特別以樹脂製成透明顏色封面。我認為這次跨界實驗很成功，印證了藝術和時裝融合的可能性，重新定義時裝雜誌，原來時尚雜誌也可以成為收藏品。

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由美國藝術家丹尼爾·阿瑟姆操刀的《VOGUE Taiwan》三月號封面故事。

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P：最後，可否在今次的Intersect 網上拍賣中挑選3件最吸引你的拍品。
\n

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LS：拍品8，百達翡麗，型號5070G-001，18K白金計時腕錶，我本身就很喜歡計時碼錶。
\n 拍品47，丹尼爾·阿瑟姆 X 迪奧《未來遺物侵蝕時鐘》，同時具有裝飾和時鐘的效果，相當有趣。
\n 拍品12，設計簡約的鑽石手鏈。

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Intersect 網上拍賣焦點拍品: 六角彩子，《穿著綠色裙子的女孩》，2006年作，拍品7，估價100,000 – 160,000港元。肯尼·沙夫，《1號》，2006年作，拍品57，估價100,000 – 150,000港元。© 2021 Kenny Scharf / Artists Rights Society (ARS), New York . 丹尼爾·阿瑟姆 X 迪奧，《未來遺物侵蝕D.I.O.R.字母》，2020年作，拍品91，估價60,000 – 80,000港元。丹尼爾·阿瑟姆 X 迪奧，《未來遺物侵蝕時鐘》，2020年作，拍品47，估價100,000 – 150,000港元
\n愛彼，「Royal Oak Offshore Chronograph」型號26402CB.OO.A010CA.01，白色陶瓷自動計時腕錶，備日期顯示，約2014年製。拍品26，估價170,000 – 320,000港元。F.P. Journe，「Chronomètre Bleu」型號，鉭金小三針腕錶，備鉻藍色錶盤，約2014年製。拍品2，估價190,000– 350,000港元。
\n格拉夫，紅寶石配鑽石耳環一對，拍品22，估價160,000 – 260,000港元（無底價拍品）。格拉夫，紅寶石配鑽石項鏈，拍品24，估價50,000 – 80,000港元（無底價拍品）。坦桑石配鑽石項鏈，拍品97，估價50,000 – 80,000港元。鑽石手鏈，拍品12，估價100,000 – 200,000港元。

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「Intersect 網上拍賣 – 藝術、鐘錶、珠寶」網上拍賣於即日至3月30日舉行，立即瀏覽及競投一系列當代藝術、珠寶及鐘錶精品。

\n\n

\n\n

申延閱讀

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專家洞察 | 2021年收藏市場趨勢 >

\n\n

蘇琬婷專訪：拍賣場上的指揮家 >

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\n","publishDate","2021-03-19T04:56:07.000000Z","authorCredit","Veronica Chow","coverPosX",50,"coverPosY",0,"articleUrl","https://www.phillips.com/article/72006183/leslie-sun-intersect-lifestyle-cn","displayOrder","auctionEditorialID",1145,"editorialID",3420,"flocklerID",72006183,"https://flockler.com/thumbs/sites/889/lesliesun_cover-24455cf1-848c-4c1d-8023-60e0cd9d31ec_s600x0.png","Since her appointment as Editor-in-Chief of \"VOGUE Taiwan,\" Leslie Sun has successfully transformed one of the oldest printed media types into an exquisite collectible through crossing the boundaries between art and fashion.","For Leslie Sun, Collecting is Collaborating","

Leslie Sun, Editor-in-Chief of VOGUE Taiwan.Photo credit: Leslie Sun Instagram (sunles)

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中文閱讀

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Renowned in both the art and fashion industries, Leslie Sun was appointed Editor-in-Chief of VOGUE Taiwan last year. It was undeniably a big news for both the publication and fashion industries when Condé Nast announced the appointment, in spite of the overflowing doubts about the future of printed media. There was a certain level of expectations on how Leslie’s unique background could help to revitalize a magazine with over 20 years of history.

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Explorative, pioneering, visionary are some of the adjectives to describe Leslie's style of direction, echoing the philosophy of Phillips. With her refined taste on art and fashion, Leslie has been demonstrating the intimate connection between these two aspects with different types of experimental editorial content since she heads VOGUE Taiwan , and the cover story of the March 2021 issue by American artist Daniel Arsham delicately illustrates her vision in particular. Coincidentally, Phillips also put a specific focus on mixing different categories and offering innovative sale formats to resonate with the current collecting trend. Curated by our specialist team in Hong Kong, the second season of the Intersect Online Auction - Art, Watches, Jewels will be presented with a total of 115 lots, offering collectors a wider choice and embodies the idea of art-meets-luxury in one platform. Just before the auction, we invited Leslie to share her distinctive views on art and fashion, as well as creating fresh new experiences for magazine readers.

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Daniel Arsham, Bronze Eroded Jupiter, 2020, Estimate: 70,000-90,000; Satoru Koizumi, Shaking Ground, 2013, Estimate: HK$80,000-150,000; George Condo, Laughing Clown Composition, 2020, Estimate: HK$150,000-250,000; Rolex, A fine and rare stainless steel diver’s wristwatch with center seconds, date, bracelet, guarantee and presentation box. Circa 2003, Estimate: HK$ 70,000-120,000; A Yellow Diamond and Diamond Bracelet, Estimate: HK$250,000-350,000; A Yellow Diamond and Diamond Earrings, Estimate: HK$100,000-200,000; A Coloured Diamond and Diamond Ring/Pendant, Estimate: HK$250,000-350,000.

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PHILLIPS: How would you describe your style?

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Leslie Sun: I would describe my style as minimal and classic. But I will try to incorporate the silhouette of the current season into my wardrobe. For example, if long jackets are in season, I would have one in the closet just to be updated with the trend. It would never be too fancy or colorful with patterns.

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P: Do you have a muse who inspires you?

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LS: I don’t really have a muse in recent years. I already got to a point where my self-understanding is deep enough to know what looks good on myself and what makes me feel comfortable. If I have to name somebody, I love how Tilda Swinton carries herself. She is always able to show fashion in a confident, effortless, and elegant way.

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P: In this dynamic, fast-paced digital landscape, how do you keep yourself updated and inspired?

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LS: As part of the media community, it is easy to gain access to first-hand information, such as the never-before-seen press releases and the latest updates from social media. Often we are overloaded with information and it feels a bit tone-deaf. By taking a step away, I am able to observe the real world, which helps me to recharge and create space for more new stuff.

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P: From your point of view, what are the key trends shaping the luxury world today?

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LS: The current trend is no longer about just the outfit itself. It might be true back in the 80s and 90s when certain silhouettes like wide shoulder and bell-bottom were in seasons. Nowadays, there are bigger ideas behind these fashion trends. For example, a lot of fashion brands emphasize sustainability. Conscious consumption becomes a huge trend. Diversity is definitely another huge trend, changing the current beauty standard and blurring the gender boundary. It is not only about outlooks anymore, but also personal wellbeing. As opposed to how to blend in, the younger generation favors standing out as an individual.

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Leslie’s collection evolves as time goes by. Photo credit : Leslie Sun Instagram (sunles)

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P: On top of fashion, you have a passion for collecting art. Would you mind sharing your journey of art collecting with us?

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LS: I collect contemporary art mainly and I started collecting when I pursued my Master’s Degree in Graphic Design at Cal Art. My studio was next to an art studio that housed a number of young artists. I was really inspired just by talking to these artists. When I was interested in a particular work, I would ask them about the idea behind the work and even want to make a purchase. The prices were quite reasonable because they were at the very beginning stage of their career. Alternatively, I would design business cards for them as an exchange for their works. Naively back then, I thought collecting was only a token of friendship. But as time goes by, this thought no longer serves me because I would love to own a work by Wolfgang Tillmans, though I don’t know him personally.

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P: Can you name a few artists that you are collecting?

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LS: Daniel Arsham, Wolfgang Tillmans, Mel Bochner, Lin Yi-Hsuan and more.

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Daniel Arsham Bronze Eroded Jupiter , 2020, Estimate HK$70,000 - 90,000.

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P: Do you have any direction or philosophy in collecting?

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LS: I don’t have any specific direction in terms of collecting. I only collect works which I really gravitate towards, budget is always one of my consideration as well. Lately, I have often been asked about my collecting philosophy. To my surprise, I mostly resonate with the works composed of typographic elements due to my background. I am particularly interested in how artists use typography to translate a message. In the beginning of my collecting journey, I also gravitate towards works with a sense of humor. I gradually shift my collecting focus to the sculptures composed of contrasting materials. This is also the motive behind collecting Daniel Arsham’s Crystal Toys – a teddy bear is supposed to be soft and fluffy but his choice of hydrostone as the materials forms such an immense contrast to our perception of teddy bears. And the fact that this work is filled with futuristic ideas makes it even more interesting. Recently I am drawn to minimal, poetic and romantic works.

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Leslie enjoys the works by Daniel Arsham and Mel Bochner. Photo credit: Leslie Sun Instagram (sunles)

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P: Do you have any advice for new collectors?

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LS: First and foremost, check out a lot of things. Try to browse as much as you can and not just the stuff that people ask you to see. Think about the purpose of buying works if you become more serious about collecting – whether it is for the sake of investment, passion or both, since this could make a huge difference for your approach.

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P: Art-meets-luxury has become a major trend in recent decades, as illustrated in the collaboration between Daniel Arsham and the March 2021 issue of VOGUE Taiwan. Could you share the story behind?

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LS: Art has always been part of the luxury world conceptually and both of them are essential components of our daily life, which makes sense for such a cross-breeding collaboration. Since last March, we have been experimenting with different art forms in the publication, such as a full-on CGI cover in May, with an extensive addition of elaborative sections about art and culture.

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For the collaboration with Daniel Arsham, we started our discussion over 6 months ago. We planned to have it published in January originally, but it was postponed to March due to COVID. March marks the start of a new season so it makes a great month for such a special publication. The cover story was produced and shot by Arsham and his team in New York. He also selected the photographer and the model on his own. On top of the white cover, the artist also made another vibrant translucent cover created from resin as an alternative. We were not sure about the market reception before the release, but the robust response exemplified that it is indeed a successful redefinition of how print media can become, allowing a publication to become a collectable.

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A vibrant translucent alternative of the cover and limited edition cover, both by Daniel Arsham.

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P: Can you pick the top three items from our Intersect Online Sale that catch your attention?

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LS: Lot 8, Patek Phillippe Ref. 5070G-001 – I am a huge fan of chronographs.
\nLot 47, Daniel Arsham’s Dior Clock – It can be served as a functional clock and decoration at the same time, which makes it extremely interesting.
\nLot 12, Diamond bracelet – I always have a soft spot for minimal designs.

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Ayako Rokkaku, Girl in green dress, 2006, Estimate: HK$100,000 - 160,000. Kenny Scharf, Number 1, 2006, Estimate: HK$100,000 - 150,000. Daniel Arsham x Dior, Future Relic D.I.O.R. Eroded Letters, 2020, Estimate: HK$60,000-80,000. Daniel Arsham x Dior, Future Relic Eroded Clock, 2020, Estimate: HK$100,000-150,000. Audemars Piguet, white ceramic chronograph wristwatch, Circa 2014, Estimate: HK$ 155,000-312,000. F.P. Journe, Chronomètre Bleu tantalum wristwatch, Circa 2014, Estimate: HK$ 190,000-350,000. GRAFF, A Pair of Ruby and Diamond Ear Pendants, Estimate: HK$160,000-260,000 (offered with no reserve). GRAFF, A Ruby and Diamond Pendent Necklace, Estimate: HK$ 50,000-80,000 (offered with no reserve). A Tanzanite and Diamond Pendant Necklace, Estimate: HK$ 50,000-80,000. A Diamond Bracelet, Estimate: HK$100,000 – 200,000.

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PHILLIPS presents Intersect Online Auction - Art, Watches, Jewels until 30th March 2021. Bid now.

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Leslie的收藏品味也隨著時間和成長進化。圖片來源: Leslie Sun Instagram (sunles)

丹尼爾·阿瑟姆《青銅侵蝕朱庇特》，2020年作，鑄銅 手工蒂芙尼銅綠鏽，30.5 x 20.2 x 16.5 cm。\n拍品105，估價70,000 - 90,000港元。

Leslie收藏了梅爾·波切內爾和丹尼爾·阿瑟姆的作品。圖片來源: Leslie Sun Instagram (sunles)

由美國藝術家丹尼爾·阿瑟姆 操刀的《VOGUE Taiwan》三月號封面故事。

Leslie’s collection evolves as time goes by. Photo credit : Leslie Sun Instagram (sunles)

Daniel Arsham Bronze Eroded Jupiter , 2020, Estimate HK$70,000 - 90,000.

Leslie enjoys the works by Daniel Arsham and Mel Bochner. Photo credit: Leslie Sun Instagram (sunles)

A vibrant translucent alternative of the cover and limited edition cover, both by Daniel Arsham.

丹尼爾·阿瑟姆《青銅侵蝕朱庇特》，2020年作，鑄銅手工蒂芙尼銅綠鏽，30.5 x 20.2 x 16.5 cm。
\n拍品105，估價70,000 - 90,000港元。

由美國藝術家丹尼爾·阿瑟姆操刀的《VOGUE Taiwan》三月號封面故事。