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Online Auction 23 November - 10 December

450 Park Avenue, New York (map)
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Viewing 30 November - 5 December
\nMonday-Saturday 10am-6pm
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Sunday 12pm-6pm

","auctionDetailsSmall","Online Auction 23 November - 10 December 2018","extraInfo","Susan Abeles
\nHead of Department, Americas and Senior International Specialist
\nNew York
\n+1 212 940 1383
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A tourmaline, sapphire and gold brooch by Buccellati

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by Anne Mock, Associate Specialist

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Mario Buccellati, founder of Buccellati, began his career in 1903 as apprentice to the goldsmiths Beltrami e Besnati. Having descended from a family of renowned goldsmiths and jewelers including eighteenth-century jeweler Contardo Buccellati, Mario's expertise and skills set him apart from his jewelry-making contemporaries. Both his jewelry and silver objects became recognizable by their distinct textures and finishes. The Buccellati hallmark, '15 MI', is one of the oldest in Milan. Today, more than 1600 stamps have been issued, but there are only three surviving companies with stamps lower than 15.

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During his life, Buccellati created jewels for the most important collecting families across Europe, including papal figures. In 1919, he took over Beltrami and opened a string of boutiques under his own name in Rome, Florence and New York. When Mario passed away in 1965, the business was inherited by his children, Gianmaria and Federico, and today the house continues its tradition of unmistakable design and quality under the management of Andrea Buccellati, Gianmaria's son.

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A silver and gold ring by Buccellati

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One of the qualities that characterizes every piece by Buccellati is the meticulous care given to every inch of its surface, even if it is not visible to the naked eye. What makes their jewelry so unique is their signature engraving techniques that seemingly transform precious metals into fine fabrics such as tulle, linen, silk or lace. The rigato technique, illustrated in this silver and gold ‘Prestigio’ ring, requires cutting parallel lines onto the surface of the metal to obtain a sheen effect.

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A gold 'Thistle' brooch by Buccellati

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The gold ‘Thistle’ brooch, signed ‘M. Buccellati’, is a perfect representation of the ornato technique, which uses decorations based on forms found in nature such as animals, leaves and flowers. It incorporates rigato in the stem and segrinato – engraving in multiple directions, creating overlapping textures – in the leaves. Ornato and rigato are often seen together in works by Buccellati, giving the jewels the illusion of having sparkling diamonds, when in reality, there are no stones at all.

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The tulle technique, a process exclusive to Buccellati, creates beautiful lacework perforations and damascening, the art of inlaying different metals into one another, in the metal. Each individual cell of ‘fabric’ is created by piercing a sheet of metal and finishing it by hand, followed by hand engraving mountings for each individual stone as illustrated in this gold and ruby ring.

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A gold and ruby ring by Buccellati

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Other techniques include telato (a texture obtained by fine cross-hatched lines), modellato (the reproduction of several designs chiseled in three dimensions on a small scale) and graffito (the process through which small ornamental motifs are engraved on an object.

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The jewelry of Buccellati descends from a legacy of great Renaissance artists, including Lorenzo Ghiberti, Bassio Bandinelli and Benvenuto Cellini, all of whom were goldsmiths before gaining notoriety as painters and sculptors. These craftsmen believed that fashioning precious objects is a necessary part of creating universal art and that art is a supreme form of awareness of the world and its beauties.

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The Buccellati family applied the same approach to their jewelry in order to make each piece a perfect example of their aesthetic. The Buccellatis find inspiration in anything that strikes their imagination, and when reproduced, they succeed in creating a beautiful piece of jewelry on both a visual and tactile level.

\n","publishDate","2018-11-20T21:22:59.000000Z","coverPosX",50,"coverPosY",0,"articleUrl","https://www.phillips.com/article/38741372/buccellati-modern-design-rooted-in-renaissance-tradition","displayOrder",2,"auctionEditorialID",452,"editorialID",493,"flocklerID",38741372,"https://flockler.com/thumbs/sites/889/152_008-a1101c5f-318f-416c-9a23-b5030bf95fce_s600x0.jpg","This season, Phillips relaunches its Jewels category in New York along with our first-ever online-only jewelry sale. Just in time for holiday shopping, our team offers some of their favorite finds, for any budget.","Splurge vs. Steal: A Holiday Gift Guide ","

A Fancy Intense Yellow Diamond Ring from Jewels

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This season, Phillips officially relaunched the Jewels category in New York, featuring our first live auction in December alongside an online-only companion sale, Jewels & More. Together, these sales offer a diverse collection of objects for both seasoned collectors looking for investment pieces and jewelry enthusiasts looking for a beautiful bargain.

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On the left, a gorgeous 5.27 carat stone (Lot 183, Estimate $80,000-120,000) rests in its original Belle Époque mounting. Nearly colorless and with VS2 clarity, this piece commands an impressive premium at auction. Only slightly smaller at 3.02 carats, the Art Deco piece on the right (Lot 29, Estimate $6,000-9,000) can be purchased for about a tenth of the price—largely owing to the faint color and I clarity.

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Size matters, but minute differences in color can have a huge impact on the price of jewelry. The beautiful Burmese sapphire on the left (Lot 184, Estimate $120,000-150,000) is a splurge due to the rarity of the stone. The color of the other sapphire (Lot 41, Estimate $1,000-1,500) is arguably just as beautiful, at a much more attainable estimate!

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Classic Thai rubies (Lot 143, Estimate $25,000-35,000) are exceedingly rare. If you're willing to compromise on a gem's place of origin, a similarly styled piece (Lot 34, Estimate $2,000-3,000) nets a huge difference in price.

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Again, we see the impact sheer size can have on a piece's price point. Though both rings feature fancy intense yellow diamonds (framed by even more diamonds), the massive size of the piece on the left (Lot 152, Estimate $350,000-550,000) makes it cost about 90 times as much as the ring on the right (Lot 231, Estimate $4,000-6,000) from our online sale.

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Cocktail rings bring a dramatic size and flair often reserved for costume jewelry. The price difference here isn't the most drastic on this list, if only because these pieces are so very similar. Both are signed rings featuring an aquamarine surrounded by diamonds: on the left, Schlumberger for Tiffany & Co. (Lot 112, Estimate $8,000-12,000); on the right, Christian Dior (Lot 238, Estimate $5,000-7,000).

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Similar concept, executed with two distinct aesthetics. Both are signed rings but popular designers, Cartier (Lot 165, Estimate $12,000-14,000) and Buccellati (Lot 167, Estimate $700-1000). One has diamonds and one is silver and gold. Either can be dressed up or worn with jeans and a t-shirt.

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Rivière necklaces (long favored by legendary editor Anna Wintour) are so named for the way they elegantly drape a continuous flow of jewels around the neck. The necklace on the left (Lot 173, Estimate $30,000-50,000) totals 38.00 carats of diamonds while the example on the right (Lot 218, Estimate $6,000-8,000) totals 14.65 carats.

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On the left, a D (colorless)/IF (internally flawless) stone—the top grading from GIA—is extremely desirable (Lot 172, Estimate $160,000-260,000), but you can get the Graff heart look for a lot less with this pave-set diamond pendant (Lot 257, Estimate $4,000-6,000).

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Both of these stunning pairs of diamond earrings put a modern spin on the classic cascade shape. Go for a heavier, more substantial feel on the left (Lot 171, Estimate $15,000-20,000), or keep things sleek and feminine on the right (Lot 250, Estimate $2,500-3,500).

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Each of these Art Deco brooches brings forth classic Hollywood glamour. An asymmetric, more organic shape on the left (Lot 41, Estimate $6,000-8,000) contrasts with staid geometric symmetry on the right (Lot 17, Estimate $1,500-2,500).

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A gold Cartier 'Love' bracelet (Lot 162, Estimate $3,000-4,000) is a wardrobe staple—timeless, versatile and effortless in its simplicity. But when the time comes for a piece with more to say, this David Webb cuff on the left (Lot 75, Estimate $30,000-50,000), decorated with diamonds and coral, just may be worth the splurge.

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Dress cufflinks are one of the few opportunities a man has to make his unique mark on standard black-tie attire. Both examples here feature gold and sapphires, but a gorgeous azure blue enamel and accent diamonds make the cufflinks on the left (Lot 83, Estimate $6,000-8,000) about double the cost compared to the gold and sapphire Tiffany & Co. set on the right (Lot 43, Estimate $3,000-5,000).

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For all these pieces and many more, browse Jewels and Jewels & More: Online Auction.

\n","2018-11-20T21:22:57.000000Z","https://www.phillips.com/article/38713091/splurge-versus-steal-a-holiday-gift-guide",1,458,494,38713091,"https://flockler.com/thumbs/sites/889/2018_jewelry-install_066-f3100a98-a82e-4d92-9a51-818cd5221de1_s600x0.jpg","Our Jewels team in New York shares some of their favorite pieces up for auction and reflects on how they found their passion in the world of fine jewelry.","All Eyes on New York Jewels","

Pieces from our New York Jewels sale and Jewels & More: Online Auction are on display at 450 Park Avenue until 6 December

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Susan Abeles, Head of Department and Senior International Specialist

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Like any form of adornment, there is a personal connection with jewelry. Today, I feel connected to these lots, tomorrow I will find others that attract my attention. What today's picks have in common are their modernity, wearability and unusual form.

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A Sapphire and Diamond Twin Ring, Lot 170 in New York Jewels

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For instance, lot 170 from the live auction calls to me. Initially, I found the mounting odd, despite the gem quality twin sapphires and diamonds. I was even resistant to trying the ring on because it was different. Yet, and surprisingly so, the ring looks great and its uniqueness makes it stand out. I call this ring "the Daphne Guinness" because it is bold, sexy and commanding. Most jewelers would have mounted the sapphires as a pair of earrings, yet this design is daring, challenging the classic style. Additionally, the sapphires are well-matched in color, clarity, brilliance and proportion, all adding value to the unique design. In terms of value, finding matched Madagascar sapphires is a plus—but still in the ranking of sapphire origin, not yet fully appreciated. Although not as coveted as sapphires from Kashmir, Burma or Ceylon, Madagascar sapphires have been used by the famous jewelry houses — Van Cleef & Arpels, Cartier, Jahan, Bulgari and others — beginning in the last quarter of the twentieth century. I embrace their beauty based on their gem characteristics (rich even color, brilliance and clarity) and, in the same way, the stand-out-and-be-noticed modern design that this ring offers.

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A Jean Dinh Van for Cartier Ring, Lot 136 in Jewels & More: Online Auction

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I also adore the Jean Dinh Van for Cartier ring—lot 136 from the online sale. It represents a bold modernity from the collaboration of Dinh Van and Cartier dating to the 1960s and is recognizable by the iconic square shank. Personally, I identify this work with my mother, who was an art history professor and historian, industrial designer and a collector of contemporary American artists. She loved his work and gifted me her favorite rings by him. My mother preferred to collect art over jewelry; therefore, these rings that I now have from her represent small but important works of art, like sculptures. Not only do I have an appreciation of Dinh Van's works but an intimate relationship born from a love of jewelry and the contemporary, as well as private family and spiritual references.

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I grew up in a George Nelson house constructed on a beautiful hill on Long Island. It was my mother's relationship with Nelson (and Chadwick) and her love of simple, elegant and open design that permeated my life. After studying chemistry and behavior, I was still unsure of what I wanted to do in life. Luckily I answered an ad in The New York Times and found my first job at an auction house. Only by accident did my path lead to jewelry, which I have worked with for more than 30 years. Research and design have always been my interest. Therefore, I am at home here at Phillips celebrating jewelry and art.

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Nazgol Jahan, International Specialist

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My fascination with gems and jewels began when, as a young girl, I would explore the scintillating treasures in my mother's jewelry trove. Growing up in a family of jewelers, I would often spend a day off from school going to work with my father. My eyes would glisten sifting through the arranged trays of colorful, flawless gems and extraordinary jewels — some taking form in the workshop. Armed with my own loupe and guided by my father's expertise, I would assist in selecting the gems with infinite care.

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A Graff Fine Diamond Pendant Necklace, Lot 172 in New York Jewels

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I was most captivated by the mesmerizing sparkle of diamonds and their rarity. Miraculously formed a billion years ago, a diamond originated and emanated from deep within the earth, surging closer to the surface through volcanic eruptions. A symbol of love and romance, a diamond must be cut with precision to unlock its magical beauty. Over the past decade of working at Phillips, I have been fortunate to come across some of the most exquisite diamonds. One fine example being offered this sale is the glinting heart-shaped diamond by Graff Diamonds. Graff is known for their masterful cutting and handling of some of the most important diamonds in the world. Weighing 5.39 carats, with D color and Internally Flawless, this impeccable and luminous diamond needs no embellishment other than to be suspended from a simple platinum chain, appearing to float on the wearer's chest.

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A David Webb Coral, Diamond and Gold Bracelet, Lot 75 in New York Jewels

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Shifting to my affinity for statement jewels in the collection, I am drawn to the unique and sculptural David Webb coral diamond and gold bangle bracelet for the designer's bold use of color and volume. David Webb is an iconic American jewelry designer known for his expressive jewels featuring carved stones, enamel and diamonds. Webb's distinctive designs were sought-after by both celebrities and jewelry enthusiasts including the Duchess of Windsor, Jackie Kennedy and Elizabeth Taylor, to name a few.

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Eva Violante, Senior Specialist

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I am inspired by design-forward, sculptural jewels and Eastern motifs. My favorite period is arte moderne, and the most courageous jeweler of that era is, in my opinion, Suzanne Belperron.

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A Mixed Metal Ojime Bead Necklace, Lot 16 in New York Jewels

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One of my favorite pieces in the live auction is this Ojime bead necklace. The beads date back to the Meiji period in the second half of the nineteenth century. Though Ojime were not historically worn together on a strand, I like the thoughtful selection of hand-carved beads and the way that they compliment each other as a collection in this necklace. This example is comprised of a variety of metals, but what makes the piece so desirable are the two highly-coveted gold ojime beads. One gold cylindrical bead depicts a "rakan" or holy man, while the other gold bean-shaped ojime opens to reveal a clandestine hand-carved erotic scene, making this bead the most unusual ojime on the strand.

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A George L'Enfant for Rolex Watch, Lot 62 in New York Jewels

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My other favorite piece in our Jewels sale is this George L'Enfant for Rolex watch from the Optical Collection. An excellent illustration of L'Enfant's distinctively recognizable "Tissu Milanais" technique, this style of finish contrasts rows of alternative textured matte against a polished finish in a pressed wavelike pattern. Varying circular and twist motifs, finely woven textures and combinations of different colors of gold are all signature combinations of L'Enfant creations. These modernist designs are chic statement pieces, which are easy to build a collection around.

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Anne Mock, Associate Specialist, GG

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My passion for fine jewelry and gemstones began at a young age. My mom likes to joke that I began my career in the industry as a two-year-old jewel thief trying to pick diamonds out of her friends' engagement rings.

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A Fine Burmese Sapphire and Diamond Ring, Lot 184 in New York Jewels

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Growing up in New England, many of these treasures were classically mounted three stone rings, consisting of diamonds, and more often than not, sapphires. You wouldn't want the diamond to get lonely, would you? I consider my mother's three stone diamond and sapphire engagement ring as the gold standard — it's the design I hope to mimic one day in my own ring. This similar Burmese sapphire and diamond ring is one of my favorite pieces in the sale: it's the epitome of classic jewelry. As a Graduate Gemologist, I appreciate the liveliness in the stone that is not typically seen in Burmese sapphires. The gem's attractive saturation and remarkably fine purity, along with its unheated nature, makes it exceedingly rare. From the three stone setting to the step-cut sapphire, it's a timeless ring. And what can I say? It reminds me of home.

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A Buccellati Silver and Gold Ring, Lot 167 in Jewels & More: Online Auction

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I lived in Florence for a year in college and I would frequently visit the Ponte Vecchio after my internship at the nearby Uffizi Gallery. It was there, by the infamous bridge, that I was first introduced to Buccellati. Their jewelry is worthy of great Renaissance artists, which, having received my BA in Art History with a concentration in Italian Renaissance art, makes me appreciate it even more. As a former quality control analyst at Harry Winston and someone whose attention to detail is boarder-line manic, I relish the meticulous care that is given to every inch of Buccellati's creations. At first glance, this ring appears to have a simple silver and gold design, but upon closer inspection, you see their signature engraving techniques that seemingly transform precious metals into fine fabrics such as tulle, linen, silk or lace.

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A Cartier Emerald and Diamond Ring, Lot 158 in New York Jewels

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Though my personal style tends to be more classic and conservative, this beautiful diamond and emerald ring made by Oscar Heyman & Brothers for Cartier has had me salivating from the moment it came across my desk. Oscar Heyman is known as "the jewelers' jeweler," creating fabulous pieces for some of the world's elite houses such as Cartier, Van Cleef & Arpels and Tiffany & Co. This particular ring is a fine example of their work, with its expertly matched, high-quality stones and attention to detail. Though many would presumably wear this beauty with cocktail attire, I would rock it every day if given the opportunity.

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My love of jewelry has ultimately led me to a career at Phillips, where I am lucky enough to view incredible pieces of jewelry every day. Outside of work, I have my own fine jewelry line, Annie James, whose mission is to promote awareness and raise funds for thyroid cancer — I'm a survivor. I also design engagement rings and other custom pieces for private clients, while maintaining my own jewelry appraisal business.

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