Named "the world's most popular artist" in 2015, it's not hard to see why Yayoi Kusama continues to dazzle contemporary art audiences globally. From her signature polka dots—"fabulous," she calls them—to her mirror-and-light Infinity Rooms, Kusama's multi-dimensional practice of making art elevates the experience of immersion. To neatly pin an artistic movement onto Kusama would be for naught: She melds and transcends the aesthetics and theories of many late twentieth century movements, including Pop Art and Minimalism, without ever taking a singular path.
As an nonagenarian who still lives in Tokyo and steadfastly paints in her studio every day, Kusama honed her punchy cosmic style in New York City in the 1960s. During this period, she staged avant-garde happenings, which eventually thrust her onto the international stage with a series of groundbreaking exhibitions at the Museum of Modern Art in the 1980s and the 45th Venice Biennale in 1993. She continues to churn out paintings and installations at inspiring speed, exhibiting internationally in nearly every corner of the globe, and maintains a commanding presence on the primary market and at auction.
2012年作 全套一組絲印版畫及一組 Lambda 版畫 Somerset 紙本 富士水晶數位紙本（全包邊，存於數位地毯）附《劉易斯．卡羅爾的愛麗絲夢遊仙境》訂裝本 存於原裝紅布文件夾，連絲網印刷的白點和藝術家名字 文件夾：30 1/2 x 21 1/2 x 2 3/4 英吋 (77.5 x 54.6 x 7 公分) 書本：9 x 7 1/2 x 1 英吋 (22.9 x 19.1 x 2.5 公分) 絲印版畫圖像：14 1/2 x 11 5/8 英吋 (36.8 x 29.5 公分) Lambda 版畫紙本：25 1/2 x 16 3/4 英吋 (64.8 x 42.5 公分) 款識：簽名、編號 由路易威登出版。