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"…through the skeletons, violent and innocent, their direct graphic forms depict our times which are extravagant and violent. Ours is a story uniting past and future, combining fiction and reality." —Job Smeets
After a visit to New York’s Museum of Natural History, Job Smeets of Studio Job decided to construct a series of furniture that at once takes graphic inspiration from the animal skeletons on view at the museum but also draws on production methods and aesthetics closely linked to Flemish decorative arts and furniture from the Art Deco period. This confluence of historical influences, paired with highly technical and labor-intensive production methods, characterizes Smeets’ larger design philosophy and aesthetic.
Left: Cabinet designed by Émile-Jacques Ruhlmann, circa 1925. Right: Cabinet by Willem de Rots, circa 1652 from the Rijksmuseum collection. Describing the “Perished” collection, to which the present screen belongs, Job Smeets has said, “…through the skeletons, violent and innocent, their direct graphic forms depict our times which are extravagant and violent. Ours is a story uniting past and future, combining fiction and reality.” The collection, which also consists of a table, screen, cabinet, and lamp, were all made from tropical woods that have been inlaid with laser-cut silhouettes of animal skeletons. Though aided by computer technology, this highly technical inlay process has antecedents routed in both Flemish decorative arts as well as in the luxurious inlaid Art Deco furniture by designers such as Émile-Jacques Ruhlmann.
來源
紐約 Moss 畫廊
紐約 Steven Learner Studio 畫廊（約2006年購自上述來源）
現藏者約於2007年購自上述來源文學
Job Smeets, Studio Job: The Book of Job, New York, 2010, pp. 104, 288
曼哈頓私人收藏
79
《四葉屏風–來自「滅亡」系列」
2006年作
孟加錫烏木紋質地飾面板 激光切割鳥眼楓木
完全擴展後：71 1/8 x 79 x 2 英吋 (180.7 x 200.7 x 5.1 公分)
款識：Job（其中一葉底部）
共有6版，此作品由荷蘭蒂爾堡史密茲工作室製造。
估價
$40,000 - 60,000
成交價$44,100
DesignNewYork@phillips.com
212-940-1268
設計
紐約拍賣2021年12月7日
