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  • Artist Bio

    Rodney Graham

    Canadian • 1949

    Rodney Graham pulls from cultural and intellectual history through photography, film, music, performance and painting. He presents narratives with puns and references to literature and philosophy, including Sigmund Freud and Kurt Cobain, with a sense of humor that contradicts his residence in the post-punk scene of late 1970s Vancouver.

    In his film trilogy Vexation Island (1999), How I Became a Ramblin' Man (1999) and City Self/Country Self (2001), the artist plays characters like a castaway and a cowboy caught in repetitive cycles of actions and gestures. Such unconscious dream states are further explored in Graham's series of upside-down photographs of oak trees, which are hung to mimic camera obscura.

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269

School of Velocity: 24 Hours of Music Divided into fifteen Minute Intervals

1993
The complete set of fifteen unique screenprints in red and offset printing, on wove paper, with full margins,
all I. 15 3/8 x 9 3/8 in. (39.1 x 23.8 cm);
all S. 17 3/8 x 12 1/2 in. (44.1 x 31.8 cm)

one signed and annotated `14:44:38.4599-14:59:37.5234' in black ink (from the series of 48, each sheet representing one minute, each portfolio representing fifteen minutes of music), published by Patrick Painter Editions, Los Angeles, with Lisson Gallery, London, all in very good condition, all unframed.

Estimate
$12,000 - 18,000 

Editions

8 June 2010
New York