After Pablo Picasso - Editions New York Monday, June 7, 2010 | Phillips

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  • Literature

    Susan Greenberg Fisher, Picasso and the Allure of Language, Yale University Art Museum, New Haven, 2009, illustrated page 230

  • Catalogue Essay


    This work is based after the oil on canvas, Le peintre, from March 30, 1963, 36 1/4 x 28 3/4 in. listed in Volume XXIII of Christian Zervos’ catalogue raisonne number 198, p. 93.
    It is common to use the term ‘after’ when referring to prints that were created based on an already existing painting. Picasso painted the oil on canvas referenced above and then worked with a master printmaker/publisher (Guy Spitzer) to reproduce the print in order to sell commercially. The edition sizes tend to be larger and the techniques more mechanical, but it is done with the artist’s involvement and final hand signature on the work.

116

Le peintre

1963
Collotype with pochoir in colors, on Arches paper, with margins,
I. 29 3/4 x 23 3/8 in. (75.6 x 59.4 cm);
S. 36 3/4 x 28 1/8 in. (93.3 x 71.4 cm)

signed in blue crayon, numbered 313/350 in pencil, with the Guy Spitzer blindstamp, pale light-staining, pencil lines in the margins, glue along the sheet edges, laid down to the support, framed

Estimate
$5,000 - 7,000 

Sold for $11,250

Editions

8 June 2010
New York