Fiona Banner - Editions New York Tuesday, June 8, 2010 | Phillips

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  • Catalogue Essay

    Much of Banner's work is influenced by feature films; including Point Break (1991), The Desert (1994) and particularly The Nam (1997), a 1,000 page book which describes the plots of six Vietnam films in their entirety, i.e., Apocalypse Now, Born On The Fourth of July, The Deer Hunter, Full Metal Jacket, Hamburger Hill and Platoon.
    Don’t Look Back subject is D. A. Pennebaker’s 1967 documentary of the same name about Bob Dylan’s 1965 trip to England.
    Banner’s Don’t Look Back is a portrait of a portrait of the young Dylan as an angry young man just finding a public voice and a mass audience.
    Nancy Princethal, Art on Paper, June 2000


Don't Look Back

The complete set of ninety-nine screenprints, comprised of two tile copies (48 sheets on Fredrigoni Splendorlux Metal Argento 250 gsm, an installation copy on 48 sheets of 80 gsm paper and one single sheet copy on 3 sheets of 250 gsm paper), the full sheets,
33 1/2 x 27 in. (85.1 x 68.6 cm).
signed, dated `1999' and numbered 11/25 in pencil on the colophon (there were also 6 artist's proofs in Roman numerals), co-published by the Frith Street Gallery, London and The Visual Research Center, Dundee, occasional soft handling creases, otherwise in very good condition, each set contained in printed folder, all contained in original white fabric covered portfolio (scuffing, soiling, splitting at spine).

$10,000 - 15,000 


8 June 2010
New York