Irving Penn - Photographs New York Friday, April 5, 2024 | Phillips

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  • “The studio became, for each of us, a sort of neutral area. It was not their home, as I had brought this alien enclosure into their lives; it was not my home, as I had obviously come from elsewhere, from far away. But in this limbo there was for us both the possibility of contact that was a revelation to me and often, I could tell, a moving experience for the subjects themselves, who without words – by only their stance and concentrations – were able to say much that spanned the gulf between our different worlds.”
    —Irving Penn

     

     

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    • 來源

      拉霍亞攝影畫廊(1986年)

    • 文學

      The Metropolitan Museum of Art, Irving Penn: Centennial, p. 229

    • 藝術家簡介

      艾榮.佩恩

      American • 1917 - 2009

      Arresting portraits, exquisite flowers, luscious food and glamorous models populate Irving Penn's meticulously rendered, masterful prints. Penn employed the elegant simplicity of a gray or white backdrop to pose his subjects, be it a model in the latest Parisian fashion, a famous subject or veiled women in Morocco.

      Irving Penn's distinct aesthetic transformed twentieth-century elegance and style, with each brilliant composition beautifully articulating his subjects. Working across several photographic mediums, Penn was a master printmaker. Regardless of the subject, each and every piece is rendered with supreme beauty. 

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人像 + 形態:攝影私人珍藏系列

327

《戴彩繪眼鏡的新幾內亞男子》

1970年作
鉑鈀沖印(1979年印)
20 x 20 英吋(50.8 x 50.8 公分)
款識:簽名、標題、日期、編號 24/50、註釋
鈴印:Condé Nast 版權信用、複制限印、版本(裱背)

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估價
$20,000 - 30,000 

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紐約拍賣 2024年4月5日