Gerhard Richter - INTERSECT: Online Auction Hong Kong Monday, March 22, 2021 | Phillips

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    • 2006/2020

    • numbered '125/200' with the publisher's stamp on the reverse

    • chromogenic print, flush mounted to aluminium with metal strainer on the reverse (as issued)

    • 100 x 100 cm. (39 3/8 x 39 3/8 in.)

    • Published by HENI Editions, London in 2020, this work is number 125 from an edition of 200.

  • 來源

    倫敦,HENI Editions
    現藏著購自上述來源

  • 藝術家簡介

    格哈特‧里希特

    German • 1932

    Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. 

    Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016. 

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《基治(P19-1)》

2006/2020年作
款識:125/200 (出版社壓印)(畫背)
水晶裱數位版畫 鋁塑板
100 x 100 公分 (39 3/8 x 39 3/8 英寸)
由倫敦HENI Editions於2020年出版,共有200版,此為第125版。

估價
HK$50,000 - 70,000 
€5,300-7,400
$6,400-9,000

成交價HK$302,400

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INTERSECT: Online Auction

網上拍賣 2021年3月23-30日