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Frank Stella
《利馬諾拉–來自「虛構地方」(K. 775, A. 224)》
估價
$8,000–12,000
成交價
$10,320
1994年作
石版畫 蝕刻版畫 幼點腐蝕 浮雕 TGL手製紙本 （四周留邊）
I. 18 3/4 x 15 3/8 英吋 (47.6 x 39.1 公分)
S. 24 x 21 1/8 英吋 (61 x 53.7 公分)
S. 24 x 21 1/8 英吋 (61 x 53.7 公分)
款識：簽名、日期、編號35/75
鈴印：紐約州Tyler Graphics, Ltd.
共有75版、14版羅馬數字藝術家試作版，由紐約州 Tyler Graphics, Ltd.出版，美國印刷，此為已裱第35版。
鈴印：紐約州Tyler Graphics, Ltd.
共有75版、14版羅馬數字藝術家試作版，由紐約州 Tyler Graphics, Ltd.出版，美國印刷，此為已裱第35版。
完整圖錄內容
In Stella's series Imaginary Places of 1994–97, he continued to recycle and reinterpret his imagery while exploring new ways of composing — with the search as important as the result. The series combines many processes—lithography, screenprinting, etching, engraving, aquatint, relief, woodcut — printed on beautiful handmade, dyed papers, sometimes in rectangular formats and sometimes in circular ones. For this series, Stella took the titles for the individual prints from The Dictionary of Imaginary Places by Alberto Manguel and Gianni Guadalupi (New York: Macmillan, c 1980). - National Gallery of Australia
Frank Stella
American | B. 1936 D. 2024Frank Stella is recognized as the most significant painter that transitioned from Abstract Expressionism to Minimalism. He believed that the painting should be the central object of interest rather than represenative of some subject outside of the work. Stella experimented with relief and created sculptural pieces with prominent properties of collage included. Rejecting the normalities of Minimalism, the artist transformed his style in a way that inspired those who had lost hope for the practice.