[{"_1":2,"_3":-5,"_4":-5},"loaderData",{"_5":6,"_7":8},"actionData","errors","root",{"_638":639,"_640":641,"_642":19,"_643":644,"_645":19,"_646":647,"_648":649,"_650":651,"_652":653,"_654":655,"_656":657,"_658":659,"_24":660},"routes/($lang).detail.($maker).($seoName).($auctionCode).$lotOrObjectNumber",{"_9":10,"_11":-5,"_12":13,"_14":15,"_16":17,"_18":19,"_20":21,"_22":23,"_24":25},"lot",{"_369":58,"_533":534,"_91":92,"_535":536,"_537":538,"_371":372,"_515":519,"_539":540,"_541":107,"_542":109,"_543":544,"_196":545,"_60":61,"_546":547,"_517":76,"_548":193,"_549":19,"_550":19,"_551":19,"_552":553,"_554":555,"_556":19,"_138":19,"_139":124,"_557":19,"_558":19,"_559":124,"_131":124,"_560":19,"_119":120,"_561":562,"_563":564,"_565":566,"_567":568,"_569":570,"_571":572,"_573":574,"_575":576,"_577":578,"_93":94,"_148":579,"_137":124,"_580":-7},"sanityLotElc","auction",{"_91":92,"_93":94,"_95":96,"_97":49,"_98":99,"_100":101,"_102":103,"_104":105,"_106":107,"_108":109,"_110":111,"_112":113,"_114":113,"_115":116,"_117":118,"_119":120,"_121":19,"_122":19,"_123":124,"_125":19,"_126":19,"_127":19,"_128":124,"_129":19,"_130":19,"_131":124,"_132":124,"_133":124,"_134":19,"_135":19,"_136":19,"_137":124,"_138":19,"_139":124,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_48":150,"_151":152,"_153":154,"_155":156},"messageBanners",[],"title","André Butzer - 20th Century & Contemporary Art Day Sale, 倫敦 Thursday, October 13, 2022 at GMT+1 | Phillips","isPreview",false,"COOKIE_DOMAIN","phillips.com","conditionsOfSalePdfLinkConfig",{"_89":90},"metadata",[26,27,28,29,30,31,32,33,34,35,36,37],{"_16":83},{"_38":87,"_40":88},{"_38":60,"_40":81},{"_38":86,"_40":83},{"_38":85,"_40":81},{"_38":84,"_40":77},{"_78":82,"_40":83},{"_78":80,"_40":81},{"_78":79,"_40":77},{"_50":51},{"_42":43,"_44":45,"_46":47,"_48":49},{"_38":39,"_40":41},"name","apple-itunes-app","content","app-id=397496674","tagName","link","rel","canonical","href","https://www.phillips.com/zh/detail/andre-butzer/172485","location","London","script:ld+json",{"_52":53,"_54":55,"_38":56,"_57":58,"_59":47,"_60":61,"_62":63,"_64":65,"_66":67},"@context","https://schema.org","@type","Product","André Butzer - 20th Century & Contemporary Art Day Sale","sku","172485","url","description","《鄉村 (2)》","image",[77],"brand",{"_54":75,"_38":76},"offers",{"_54":68,"_69":70,"_71":72,"_73":74,"_59":47},"Offer","price",80000,"priceCurrency","GBP","availability","https://schema.org/SoldOut","Brand","André Butzer","https://dist.phillips.com/auction-assets/UK010722/172485_001.jpg?fit=cover&optimize=medium&width=1302","property","og:image","og:description","Discover André Butzer's 《鄉村 (2)》 featured in Phillips' 20th Century & Contemporary Art Day Sale Auction auction in London. Browse, bid, and explore art, design, and luxury at Phillips.","og:title","André Butzer 20th Century & Contemporary Art Day Sale","twitter:image","twitter:description","twitter:title","keywords","Phillips Auctioneers LLC, auction, Lot, André Butzer, 倫敦拍賣 2022年10月13日","NY080126","https://www.dist.phillips.com/content/web/docs/forms/NY_Conditions_of_Sale_NY080126.pdf","auctionId",1469,"auctionCode","UK010722","auctionName","20th Century & Contemporary Art Day Sale","auctionLocation","auctionTimezone","Europe/London","auctionStartDateTime","2022-10-13T11:00:00.000000Z","lowestEstimate",4000,"highestEstimate",550000,"auctionStatus","PAST","saleTypeId","Auction","bannerImage","https://dist.phillips.com/auction-assets/UK010722/UK010722.jpg?fit=cover&optimize=medium&width=1302","contactEmail","erossetto@phillips.com","conditionRequestEmail","auctionDetails","

拍賣 2022年10月13日英國夏令時間下午12:00
\n
\n倫敦伯克利廣場30號 W1J 6EX（地圖）
\n
\n預展 10月5至14日
\n星期一至六上午10:00-下午6:00
\n星期日下午12:00-下午6:00

\n","auctionDetailsSmall","倫敦拍賣 2022年10月13日","extraInfo","

Simon Tovey
\n二十世紀及當代藝術部副總監暨日間拍賣主管及專家
\n+44 20 7318 4084
\nstovey@phillips.com

\n","enableHighlightsView","enableOnlineCatalogue","endSale",true,"hideSoldLots","isChineseTranslate","isExhibition","isLiveAuction","isMixedAuction","makeLive","showAdvanceBidButton","showArtCollector","showBuyButton","showCatalogueDownloadLink","showInquireButton","showPrintCatalogueSection","showRegistrationLink","showSaleOffers","showSoldPrice","lots",[214,215,216,217,218,219,220,221,222,223,224,225,226,227,228,229,230,231,232,233,234,235,236,237,238,239,240,241,242,243,244,245,246,247,248,249,250,251,252,253,254,255,256,257,258,259,260,261,262,263,264,265,266,267,268,269,270,271,272,273,274,275,276,277,278,279,280,281,282,283,284,285,286,287,288,289,290,291,292,293,294,295,296,297,298,299,300,301,302,303,304,305,306,307,308,309,310,311,312,313,314,315,316,317,318,319,320,321,322,323,324,325,326,327,328,329,330,331,332,333,334,335,336,337,338,339,340,341,342,343,344,345,346,347,348,349,350,351,352,353,354,355,356,357,358,359,360,361,362,363,364,365,366,367,368],"viewing",{"_48":213},"articles",[176,177],"departments",[169],"auctionCurrency",{"_166":72,"_167":168},{"_157":158,"_159":160,"_161":162,"_163":49,"_164":165},"totalLotCount",155,"auctionMobilityAuctionRowId","1-6EPD5R","auctionUrl","https://www.phillips.com/auction/UK010722","countryName","United Kingdom","countryCode","GB","line1","30 Berkeley Square","city","postCode","W1J 6EX","currencyCode","currencySign","£",{"_170":171,"_172":173,"_174":175},"departmentId",1,"departmentName","Contemporary","departmentDisplayName","Modern & Contemporary Art",{"_178":203,"_180":175,"_181":204,"_16":205,"_184":206,"_186":207,"_188":208,"_190":191,"_192":193,"_194":209,"_196":193,"_197":210,"_199":211,"_201":212},{"_178":179,"_180":175,"_181":182,"_16":183,"_184":185,"_186":187,"_188":189,"_190":191,"_192":193,"_194":195,"_196":171,"_197":198,"_199":200,"_201":202},"coverUrl","https://flockler.com/thumbs/sites/889/baselitz-3b38e819-78a6-42ae-aa0d-0ad18722c855_s600x0.png","section","summary","Six artists from Phillips' London Evening & Day Sales who make historical conversations in the present tense. ","The Art of the Remix ","body","

Georg Baselitz, Dr. Dumouchel (Remix), 2007. 20th Century & Contemporary Art Evening Sale, London.

\n\n

Georg Baselitz

\n\n

Reflecting on his Remix paintings, Georg Baselitz has explained that “I try to retain one thing. The original stimulus. It was a different painter who did those earlier works. It was me, to be sure, but in a different spirit with a different intention.” Executed in 2007, the large-scale Dr. Dumouchel (Remix) is a key work from the series. Revisiting some of his most provocative compositions via photographs and catalogues, the German artist generated an innovative new body of work which addressed questions of permanence and change, originality and our relationship to history. This self-conscious approach to reference evokes an almost Hegelian approach to repetition: over time, and through the dialectic process of revisiting and recombining forms and negating others, Baselitz’s work continues to resolve itself. Featuring a caricature of Marcel Duchamp, Dr. Dumouchel (Remix) is an update of an earlier body of paintings, including Frisch verliebt – M. D, Melodie, and Im Walde von Blainville. In revising this motif over several iterations across the small series, Baselitz paired the amorous couple with patterned backgrounds that seem to nod to certain art historical touchstones: here, perhaps, a reference to another great self-revisionist, Edvard Munch, who returned to the purple-flecked wallpaper of his Weeping Women composition several times over his career.

\n\n

\n\n

Cecily Brown, Untitled, 2012. 20th Century & Contemporary Art Evening Sale, London.

\n\n

Cecily Brown

\n\n

Key to the musical concept of the remix is how the contemporary artist interprets their predecessors – something British painter Cecily Brown examines brilliantly in the dialogue struck between Untitled and a visual history of the female nude. As the artist explains, “You’ve got the same old materials – just oils and a canvas – and you’re trying to do something that’s been done for centuries. And yet, within those limits, you have to make something new or exciting.” The traditional nude ensemble gives Brown remarkable scope for a promiscuous blend of Old Master and Pop culture references, synthesized through the artist’s sensual textures. Taking clear pleasure in the physical properties of oil paint itself, Brown transforms her canvases into restless and shifting surfaces that hover between figuration and abstraction, producing fluid forms that combine the fleshy excess of Peter Paul Rubens and the gestural immediacy of Willem de Kooning. This approach eschews critical distance in favor of immediacy, encountering these traditional images and their creators head-on with new, reimagined significance.

\n\n

\n\n

Sarah Ball, Untitled, 2017. 20th Century & Contemporary Art Day Sale, London.

\n\n

Sarah Ball

\n\n

An underappreciated aspect of any remix is rediscovery, and a constituent element of that rediscovery stems from an artist finding the universal appeal of something which was previously forgotten, disused, or out of favor. It is often the process by which life returns to what never had time to become a ghost, and this alchemy is readily apparent in Sarah Ball’s phantasmic work. Her portraits of anonymous sitters feature evasive, implacable facial expressions. Her choice of muted palettes and monochrome backgrounds work in contrast to the presence of her subjects, which the artist often sources from newspaper archives and social media. This ambiguity between time and space, together with the way Ball renders their features – some in lifelike detail, some blended into the background – gives an otherworldly feel to her work, and yet, still retains the human elements that transcend their stillness. The male figure in Untitled comes to us from an old baseball card, a family photograph in the attic, or an immigration card, and his past and future are a mystery to the viewer, but given its almost archetypical style, we can layer our own narratives over the image, creating an identity that Ball’s practice compels us to confront – how the uncanny comes about is just as much a cultural reference point as how we interpret it.

\n\n

\n\n

Elizabeth Peyton, Evan at the Reading Festival 1993, 1997. 20th Century & Contemporary Art Evening Sale, London.

\n\n

Elizabeth Peyton

\n\n

A portrait of Evan Dando, the frontman of ‘90s grunge band the Lemonheads, Evan at the Reading Festival 1993 is emblematic of Elizabeth Peyton’s lyrical work. Incorporating sweeping brushwork, intimate sincerity, and emotional verve, the work collapses distinctions between realism and expressionist styles, and also between the public performance of celebrity and the deeply personal relationships that we forge with them. One of several portraits of Dando, he is shown here quietly contemplative, his long hair swept from his luminous face as he reads from the red book in his hands. Elbows leaning on crossed legs, his shoulders gently curved in concentration it is an image of quiet introspection and unguarded honesty that takes on the ethereal quality of a Pre-Raphaelite masterpiece. Using second-had images of our most iconic musicians, Peyton’s approach to her compositions suits this musical analogy, remixing her found material in new, personally meaningful ways. Peyton’s use of celebrities as idealized forms brilliantly discerns no real distinction between those she knows personally and those she knows from history. Classical art, particularly the mythmaking aspect of sublime but fictional subjects, creates larger-than-life fantasy, whereas Peyton brings the living legend – the rock star – and places them in their cultural milieu in a quiet, unshrouded manner, far from Andy Warhol’s fascination with celebrity, or the unimaginable perfection of the Pre-Raphaelite model in favor of history and its place in the now. “[People] are the way the world moves,” she explains, “and they contain their time.”

\n\n

\n\n

Emily Mae Smith, Raft on Siren Sea, 2017. 20th Century & Contemporary Art Evening Sale, London.

\n\n

Emily Mae Smith

\n\n

Placing itself in direct dialogue with the fin de siècle arts periodical The Studio through the appropriation of its title and typeface, Raft on Siren Sea highlights American artist Emily Mae Smith’s subversive response to established art historical narratives with another element of remixing that requires a mix of deft skill and clarity of purpose: the parody. The work blends the graphic quality of Surrealism and the Chicago Imagists in a manner that feeds into Smith’s distinctive brand of “feminist pop,” which employs sharp humor as a means of deflating and reframing assumptions related to women, class, and divisions between high and low culture. Smith notes: “ […] instead of going with whatever the canon of art history says, I actually just developed deeply personal relationships with specific paintings, giving them my read. In a sense my paintings are a response to these paintings and the web of social, cultural and emotional weight they carry instead of a reference to them.” Smith's siren is able to move across art historical space and time, parodying the narratives she finds there and rewriting them in her own visual style. Sailing under a silent moon, at first glance the ship here seems empty, the lapping waves driving it on. Upon closer inspection though, we see the sea itself contains the unmistaken forms of female bodies, the rise and fall of the waves echoing a feminine silhouette. Replacing the hero Odysseus and his all-male crew, Smith places a female protagonist at the helm, the literal and symbolic figurehead for an alternative version of this canonical story.

\n\n

\n\n

Ouattara Watts, Cosmic, 2002. 20th Century & Contemporary Art Day Sale, London.

\n\n

Ouattara Watts

\n\n

With Ouattara Watts’ work, the idea of remixing is baked into the conceptual basis of his practice – the Ivory Coast-born artist navigates a sea of cultures, symbols, patterns, numerals, and qualitative ideas not in search of, but rather in service to creating a universe on its own terms. “While I use identifiable pictorial elements to be better understood,” Watts notes, “this project is nevertheless about something much wider. I am painting the Cosmos.” There is a machine-like quality to the artist’s style, yet his figures of seemingly impractical items nurture a connective human aspiration, one that reveals the fundamental necessity of converging disparate images to create new landscapes. To Watts, the DJ and the metaphysician are exploring the same ideas; as are the skull or the chandelier or the flower in the artist’s system of objects. In Cosmic, Watts diagrams a darkened, mysterious figure with humanlike dimensions and several points of output with labels such as “Vision” and “Manifest” – and there is an unidentified input source, marked by its direction but its prompt just out of the scope of the canvas, coming from elsewhere in Watts’ interconnected macrocosm, almost in the form of an unsolved formula. There is always an unknown quantity which invites the remix to occur in the first place, and the artist experiments with any and all possibilities in order to arrive at the latest reach of the cosmos.

\n\n

Discover More from 20th Century & Contemporary Art >

\n\n

Recommended Reading

\n\n

The Rothko Effect: Why Does Art Move Us? >

\n\n

New Now's Artists to Watch >

\n","publishDate","2022-10-04T17:39:50.000000Z","authorCredit","Arian Murati","coverPosX",50,"coverPosY",0,"articleUrl","https://www.phillips.com/article/105195287/the-art-of-the-remix","displayOrder","auctionEditorialID",1653,"editorialID",3977,"flocklerID",105195287,"https://flockler.com/thumbs/sites/889/artists-to-watch-london-7-57c24ff6-dbb2-4c69-b928-a2486ebb5af7_s600x0.jpg","Introducing six of the most sought-after emerging artists in our London Evening and Day Sales.","Artists to Watch: In Demand in London","

Austyn Weiner, Working Through Not Knowing A Damn Thing About Any Thing, 2020. 20th Century & Contemporary Art Evening Sale, London.

\n\n

Austyn Weiner

\n\n

Executed on a monumental scale, Working Through Not Knowing a Damn Thing About Anything marks the Evening Sale debut of artist Austyn Weiner. With a background in photography, Weiner works across a wide range of mediums — including oil paint, crayon, and charcoal — to deconstruct physicality and feeling into sensual forms. Driven by an autobiographic urge, her supercharged palette references the richly saturated colors of her childhood in Miami. Weiner studied photography and painting at the University of Michigan before relocating to Los Angeles in 2016, where her painterly language embraced a more expressive mode of abstraction. "Most of the time, I approach a painting with no idea as to what it will be," she says. "But once in a while it hits like an arrow, and I know exactly what this work needs to become." Weiner’s work has been the subject of several solo shows, including her first solo show at Journal Gallery in New York in 2019, and most recently at Carl Kostyál in London and Bill Brady Gallery in Miami.

\n\n

\n\n

Left: Issy Wood, General Sphinx, 2019. 20th Century & Contemporary Art Day Sale, London. Right: Issy Wood, The butter, 2019. 20th Century & Contemporary Art Evening Sale, London.

\n\n

Issy Wood

\n\n

An interdisciplinary artist at the vanguard of the 21st century’s revival and reinterpretation of Surrealist themes and motifs, London-based Issy Wood specializes in making the familiar strange. At once utterly contemporary and out of time, her canvases make surprising juxtapositions between temporalities, compounded by the artist’s use of her grandmother’s ornaments, old auction catalogues, iPhone photographs, and music as her source material. "Both painting and producing music deal with layers, scrapping the parts you don’t want, and happy accidents," she says. A child of the 1990s, she is well-schooled in the constant flow of decontextualized images and information that characterizes the digital age, resulting in darkly imaginative paintings that have brought notable critical acclaim. Wood earned her BA in Fine Art and History of Art at Goldsmith’s in 2015 and an MA from the Royal Academy Schools in 2018, during which time she staged her first solo show at Carlos/Ishikawa in 2017. Wood's work has since been shown at Beijing’s X Museum, as well as in a solo show at JTT in New York in 2020.

\n\n

\n\n

Michaela Yearwood-Dan, Coping Mechanisms, 2021. 20th Century & Contemporary Art Evening Sale, London.

\n\n

Michaela Yearwood-Dan

\n\n

Diaristic and deeply personal, British artist Michaela Yearwood-Dan’s paintings record her reflections on race, class, and gender, and environmentalism. She incorporates botanical motifs and forms in lush, all-over environments that are as contemplative as they are visually compelling. Seen here, Coping Mechanisms is a work of high intensity that combines text and gestural mark-making in exuberant and expressive passages of vibrant color. Yearwood-Dan’s large-scale canvases nod to the all-over compositions of Cy Twombly, although where Twombly’s references looked back to a classical past, Yearwood-Dan’s are rooted firmly in the present moment, incorporating song lyrics, drafted notes of text messages never sent, and her "conversations" with Apple’s virtual assistant, Siri. "I’m most proud of my choice to move away from figurative work, to integrate text and make my vulnerability visible to my audience," she says. Yearwood-Dan has been celebrated with several solo exhibitions between New York and London. This year, Tiwani Contemporary celebrated the artist with a solo exhibition, and in 2021 she was the subject of another solo exhibition at Marianne Boesky Gallery.

\n\n

\n\n

Cristina BanBan, Melting away, 2018. 20th Century & Contemporary Art Day Sale, London.

\n\n

Cristina Banban

\n\n

Spanish artist Cristina BanBan’s evocative portrayal of the female form celebrates women and the spaces they occupy. Depicting her subject’s bodies as enveloping the entirety of the canvas, BanBan subverts established notions of patriarchy and confronts the traditional male gaze. Her works combine classical training from the University of Barcelona with an interest in Japanese Anime to stylize and enlarge aspects of the body in an expressive representation of complex emotions. "Hands are my favourite part of the human body, after the teeth," she says. "Playing with hands brings movement into the painting. It doesn’t matter if the subjects are in relaxed positions, hands always create a dynamic composition." Currently based in New York City, BanBan has quickly attracted international praise with exhibitions worldwide, including multiple solo exhibitions at Perrotin in Shanghai in 2021 and Perrotin in Paris in 2022. BanBan recently set her personal auction record at Phillips's March 2022 auction in London.

\n\n

\n\n

Julian Pace, Kanye, 2021. 20th Century & Contemporary Art Evening Sale, London.

\n\n

Julian Pace

\n\n

Based in Los Angeles, self-taught artist Julian Pace's interrogates themes of celebrity worship, identity, and self-absorption through large-scale portraiture. In both their treatment and content, Pace’s portraits clearly demonstrate his deep interest in art history and the figure of the artist, underpinned by several formative years spent in Florence. Working primarily in traditional mediums and within the historical contexts of the genre, Pace places his portraits of contemporary celebrities alongside reinterpretations of some of the most immediately recognizable images from the Western art historical canon. "I think I’m more interested in the human form and the people rather than who they are necessarily," Pace says. Marking the artist’s auction debut, the present work portrays Kanye West through Pace’s characteristically exaggerated proportions, bold angularity, and highly textured application of paint. Included in his recent exhibition "Julian Pace: Some Paintings" at Simon Simchowitz Gallery in October 2021, Pace’s portrait of West captures both the graphic quality of his practice and the intersection of traditional conventions of portraiture and mass media.

\n\n

\n\n

Antonia Showering, I'm Not Saying, 2017. 20th Century & Contemporary Art Day Sale, London.

\n\n

Antonia Showering

\n\n

Stylistically recalling the dreamlike landscapes of Hurvin Anderson and Peter Doig, British artist Antonia Showering’s paintings play with personal memories, merging meaningful moments over into shifting emotional landscapes. "My paintings try and explore how memory works through stacking lots of recollections on top of one another," she says. Built up in velvety layers, her paintings often feature figures drawn from her family and those she has loved, not reflecting a physical likeness but recording the impressions of deep feelings and desires. Disarmingly intimate and pervaded by a poignant nostalgia, Showering balances emotion with an interpretative openness, endowing her figures with ambiguity. Living and working between London and Somerset, Showering earned an MFA from the Slade School of Art, London in 2018 and a BA (Hons) from City and Guilds of London Art School in 2016. Recent exhibitions of Showering’s work include an online solo presentation with White Cube in 2020 and this year's solo exhibition "Mixed Emotion" at the Timothy Taylor gallery.

\n\n

Discover More from 20th Century & Contemporary Art >

\n\n

Recommended Reading

\n\n

The Rothko Effect: Why Does Art Move Us? >

\n\n

New Now's Artists to Watch >

\n\n

\n","2022-09-27T17:20:52.000000Z","Phillip Crook","https://www.phillips.com/article/104680976/in-demand-in-london-artists-to-watch",1647,3973,104680976,{"_157":158,"_159":160,"_161":162,"_163":49,"_164":165},{"_369":532,"_371":372},{"_369":531,"_371":372},{"_369":530,"_371":372},{"_369":529,"_371":372},{"_369":528,"_371":372},{"_369":527,"_371":372},{"_369":526,"_371":372},{"_369":525,"_371":372},{"_369":524,"_371":372},{"_369":523,"_371":372},{"_369":520,"_371":372,"_515":521,"_517":522},{"_369":58,"_371":372,"_515":519,"_517":76},{"_369":514,"_371":372,"_515":516,"_517":518},{"_369":513,"_371":372},{"_369":512,"_371":372},{"_369":511,"_371":372},{"_369":510,"_371":372},{"_369":509,"_371":372},{"_369":508,"_371":372},{"_369":507,"_371":372},{"_369":506,"_371":372},{"_369":505,"_371":372},{"_369":504,"_371":372},{"_369":503,"_371":372},{"_369":502,"_371":372},{"_369":501,"_371":372},{"_369":500,"_371":372},{"_369":499,"_371":372},{"_369":498,"_371":372},{"_369":497,"_371":372},{"_369":496,"_371":372},{"_369":495,"_371":372},{"_369":494,"_371":372},{"_369":493,"_371":372},{"_369":492,"_371":372},{"_369":491,"_371":372},{"_369":490,"_371":372},{"_369":489,"_371":372},{"_369":488,"_371":372},{"_369":487,"_371":372},{"_369":486,"_371":372},{"_369":485,"_371":372},{"_369":484,"_371":372},{"_369":483,"_371":372},{"_369":482,"_371":372},{"_369":481,"_371":372},{"_369":480,"_371":372},{"_369":479,"_371":372},{"_369":478,"_371":372},{"_369":477,"_371":372},{"_369":476,"_371":372},{"_369":475,"_371":372},{"_369":474,"_371":372},{"_369":473,"_371":372},{"_369":472,"_371":372},{"_369":471,"_371":372},{"_369":470,"_371":372},{"_369":469,"_371":372},{"_369":468,"_371":372},{"_369":467,"_371":372},{"_369":466,"_371":372},{"_369":465,"_371":372},{"_369":464,"_371":372},{"_369":463,"_371":372},{"_369":462,"_371":372},{"_369":461,"_371":372},{"_369":460,"_371":372},{"_369":459,"_371":372},{"_369":458,"_371":372},{"_369":457,"_371":372},{"_369":456,"_371":372},{"_369":455,"_371":372},{"_369":454,"_371":372},{"_369":453,"_371":372},{"_369":452,"_371":372},{"_369":451,"_371":372},{"_369":450,"_371":372},{"_369":449,"_371":372},{"_369":448,"_371":372},{"_369":447,"_371":372},{"_369":446,"_371":372},{"_369":445,"_371":372},{"_369":444,"_371":372},{"_369":443,"_371":372},{"_369":442,"_371":372},{"_369":441,"_371":372},{"_369":440,"_371":372},{"_369":439,"_371":372},{"_369":438,"_371":372},{"_369":437,"_371":372},{"_369":436,"_371":372},{"_369":435,"_371":372},{"_369":434,"_371":372},{"_369":433,"_371":372},{"_369":432,"_371":372},{"_369":431,"_371":372},{"_369":430,"_371":372},{"_369":429,"_371":372},{"_369":428,"_371":372},{"_369":427,"_371":372},{"_369":426,"_371":372},{"_369":425,"_371":372},{"_369":424,"_371":372},{"_369":423,"_371":372},{"_369":422,"_371":372},{"_369":421,"_371":372},{"_369":420,"_371":372},{"_369":419,"_371":372},{"_369":418,"_371":372},{"_369":417,"_371":372},{"_369":416,"_371":372},{"_369":415,"_371":372},{"_369":414,"_371":372},{"_369":413,"_371":372},{"_369":412,"_371":372},{"_369":411,"_371":372},{"_369":410,"_371":372},{"_369":409,"_371":372},{"_369":408,"_371":372},{"_369":407,"_371":372},{"_369":406,"_371":372},{"_369":405,"_371":372},{"_369":404,"_371":372},{"_369":403,"_371":372},{"_369":402,"_371":372},{"_369":401,"_371":372},{"_369":400,"_371":372},{"_369":399,"_371":372},{"_369":398,"_371":372},{"_369":397,"_371":372},{"_369":396,"_371":372},{"_369":395,"_371":372},{"_369":394,"_371":372},{"_369":393,"_371":372},{"_369":392,"_371":372},{"_369":391,"_371":372},{"_369":390,"_371":372},{"_369":389,"_371":372},{"_369":388,"_371":372},{"_369":387,"_371":372},{"_369":386,"_371":372},{"_369":385,"_371":372},{"_369":384,"_371":372},{"_369":383,"_371":372},{"_369":382,"_371":372},{"_369":381,"_371":372},{"_369":380,"_371":372},{"_369":379,"_371":372},{"_369":378,"_371":372},{"_369":377,"_371":372},{"_369":376,"_371":372},{"_369":375,"_371":372},{"_369":374,"_371":372},{"_369":373,"_371":372},{"_369":370,"_371":372},"objectNumber","172687","lotType","AuctionLot","176445","177390","177113","176857","177139","174260","177302","177301","173714","176756","177314","174094","173004","176918","176917","177308","175408","177142","177114","171628","169860","175923","174616","176986","177215","176735","157504","174614","177141","173538","173730","176634","174630","175363","176519","173173","173174","173175","174606","175586","176882","175228","175139","172748","171999","171535","174704","174468","174261","176693","170481","176777","176692","175240","174188","175632","176377","174095","177053","175898","177134","176987","176931","177140","174292","175578","177136","176731","174615","176569","174703","174466","171359","174912","175973","176657","175585","177047","176648","174867","177135","176876","176862","176407","175580","176930","175906","174182","176796","174737","176523","176684","176914","176621","177052","177051","177083","177143","174797","174795","174796","174793","174798","176337","175981","175980","175452","175583","174607","174872","175587","175588","176872","176870","176871","174366","176869","169104","174428","172019","176881","176350","176912","177036","176672","176318","176639","177137","176183","176968","176716","176398","174613","176457","176625","177118","176514","174293","176333","174937","177049","176443","lotNumberFull","114","makerName","Jordy Kerwick","113","175937","112","莎華·曉斯","176387","177077","174733","174258","175747","176622","176412","176384","173192","176966","lotNumber",113,"estimate",{"_605":606,"_607":608},"detailLink","https://www.phillips.com/detail/andre-butzer/172485","lotStatus","Sold","parentAuctionStatus","parentAuctionType","auctionMobilityLotRowId","1-6I9NHE",13,"makerId",5574,"executedBidCount","currentlyEligibleForBids","priorityBiddingEnabled","reserveMet","startBidAmount",60000,"soldPrice",107100,"isNoReserve","is360View","isNoLot","showSoldLabel","isPremiumLot","artistInscription","款識：\"Ländlich\" (2) A. Butzer '22（畫背）","dimensions","244 x 203 公分 (96 1/8 x 79 7/8 英吋)","medium","壓克力畫布","sigEdtMan","2022年作","provenance","巴黎Max Hetzler畫廊\r\n現藏者購自上述來源","mainImagePath","https://dist.phillips.com/auction-assets/UK010722/172485_001.jpg","estimateSymbols",[603,604],"enhancedLotComponents",[581,582],"conditionReport","The canvas and stretcher are in good condition. The work has been examined under ultraviolet light and no restoration appears. There are no apparent condition issues with this work.",{"_166":72,"_167":168},"additionalImagePaths",{"_583":124,"_584":585,"_586":597,"_16":598,"_589":599},{"_583":124,"_584":585,"_586":587,"_16":588,"_589":590},"isActive","componentType","RichText","componentId",10831,"DETAIL-HEADER-DISABLED 78460","componentItems",[591],{"_583":124,"_592":593,"_594":595,"_596":-7},"componentItemId",14285,"htmlCaption","

"I name the future with the past and again the other way around. I believe that all chapters are constantly being written and that we must bear witness to everything."
\n—André ButzerRendered in André Butzer’s iconic cartoon-meets expressionist style, Landlich (2) portrays a single, female protagonist set against a painterly green background. At first figurative in sense, her non-representational features, such as ballooned head and rounded shoulders, err more on the side of abstraction, a quality further accentuated by the more biomorphic forms, a lack of a nose and ears. Her eyes recall Japanese animé, and a small welcoming smile brings life to her limited features, bursting with life and connection. Whilst the backdrop of the piece is empty, her interactive gaze goes beyond the limits of the canvas, creating imagined depth. The viewer is encouraged to contemplate the world of Nasaheim, a fictitious planet created by the artist whose name combines NASA with the city of Anaheim, where Disneyland is located. The central figure, or “golden woman” as Butzer likes to call her, appears in many of his canvases, accompanying various other characters from this imagined utopia who play different roles. In this case, she acts as a mediator between the mundanity of contemporary life and Nasaheim, bringing chromatic joy into the world with her stark white shirt collar which stands out against the rich green surroundings, or her green and yellow chequered jumper which could be an abstract canvas in itself.

\n\n

Standing in contrast to Butzer’s earlier ‘N-Bilder’ paintings, which are darker in colour and more reduced in form, Landlich (2) builds on Butzer’s earlier Nasaheim works created whilst living in Los Angeles. The present work symbolises a significant moment in Butzer’s practice, reconciling with the return to his German homeland and personal feelings of displacement, and his colourful and joyful practise from his time living in California. After moving to Los Angeles as a young child, he became preoccupied with themes of isolation and deracination after he found himself lost and unfulfilled with the realities of his childhood dreams. ‘Landlich,’ which means ‘rural’ in German, thus reflects the return to his birthplace. The expressive handling of colour is highly emotive; the thinly applied greens surrounding the character blend with her correspondingly coloured shirt, as they become one and the same, reflecting Butzer’s reintegration. His earlier work, Untitled, created in Los Angeles in 2019, features the same character but enveloped within a blue background, contrasted against her yellow and orange shirt, colours more synonymous with California. This comparison highlights Butzer’s position as an expressive colourist, attesting to his employment of colours potential not only to describe the outside world through pathetic fallacy but moreover to describe the intricacies of the inner human condition in the modern world. Nasaheim is the vehicle for this exploration as ‘a non-place where colours are stored for eternity.’ⁱ

\n\n

"There is no choice with colour. It's all about colour or it's nothing. Nothing is not so good."
\n—André Butzer

\n\n

Combining 20th Century art history with 20th Century mass culture, Butzer’s style has become globally recognised as a product of one of the most important contemporary Neo-Expressionists. His inspiration ranges from the most eminent Expressionist painters of the 20th century, notably Edvard Munch and Philip Guston, and earlier figures such as Piero della Francesca, to early animations of Walt Disney, comic books, and western mass culture. Pulled together they amalgamate into a wholly unique artistic language. Butzer calls his style “Science-Fiction Expressionism,” an intensely dynamic arrangement of chromatic figurations, gestural brushstrokes, and childlike, nostalgic imagery. These elements, which are incorporated into large canvases, comment on the light and dark of contemporary culture and society, simultaneously fluttering between figuration and abstraction, past and future, existing within a realm of their own. Various juxtapositions are brought to play; isolation and togetherness, joy and gloom, intergalactic space exploration and closeness to home, life and death.
\n
\nIn this vein, Landlich (2) is representative of solitude and belonging. Alone in an expanse of green but looking with interest to one of her fellow inhabitants of a cosmic world, the figure personifies Butzer’s sentiments, feelings which are relatable to anyone who has experienced cultural or geographic uprooting, a sense of otherness, or re-establishment. Landlich (2) is one of Butzer’s most recent works executed in this unparalleled approach to painting and must be considered a centrepiece within his oeuvre and overall artistic expression.
\n
\nSince his 2003 debut at Galerie Max Hetzler, Butzer has been the subject of countless international solo exhibitions. Most recently, he has had solo shows at major institutions including the Kestnergesellschaft, Hannover; Kunsthalle Nuremberg; and the Yuz Museum, Shanghai. His work forms part of the collections of Carré d’art, Nîmes; the Hamburger Bahnhof, Berlin; MONA, Tasmania; the Rubell Family, Miami; MOCA, Los Angeles; and the Marciano Collection, Los Angeles, among various others. Last year, a major monograph of his work was published by Taschen.

\n\n

ⁱ Galerie Max Hetzler, André Butzer, Paris, March - April 2017, online.

\n","imageUrl",9427,"DETAIL-HEADER-DISABLED 8174",[600],{"_583":124,"_592":601,"_594":602,"_596":-7},12743,"

Born in Stuttgart in 1973, André Butzer is renowned for his joyful chromatic figures embodying early European expressionism and western popular culture. Since the 1990s Butzer has sought to interrogate the human condition, through his caricature-like paintings. Inspired by the early animations of Walt Disney and comic books, Butzer’s works offer a glimpse into NASAHEIM, a utopian universe inspired by Disneyland and NASA, what the artist calls ‘a non-place where colours are stored for eternity.’ⁱ

\n\n

Inspired by art historical masters such as Paul Cézanne, Edvard Munch and Henri Matisse,
\nButzer seeks to satirise contemporary society. He echoes child-like imagery with exaggerated wide eyes and enlarged faces couple with a whimsical colour scheme of bright blues, acidic yellows, and flashy greens. Digging deep into hidden themes within innocent-like storylines, Butzer subtly motions to covert violence and stringent relationships enacted by cartoons. By balancing this playful act, the artist alludes to the nuanced significance of human relationships within quotidian life. Painted in 2022, Ländlich (2) presents the protagonist as the main subject of the canvas. As the central character throughout Butzer’s body of work, it plays an important part of the artist’s fictious Si-Fi expressionist universe of NASAHEIM thus acting as a bridge between the imagined and the real world.

\n\n

'[The Wanderer] becomes a symbolic embodiment of human existence constantly situated between earthly finiteness and the infinite generosity of the spirit.'
\n—André ButzerPertaining to the Wanderer series, Ländlich symbolises a significant moment in Butzer’s oeuvre, reconciling the return to Germany and his personal feelings of displacement. Having moved to California in 2001, Butzer encountered a sense of unfamiliarity where his dreams of the proverbial land was not fulfilled but rather encountered with disappointment in the reality. The jovial use of rounded forms and vivid colours intentionally contrasts the inspiration for this series. The Wanderer has evolved from Butzer’s reinterpretation of Edvard Munch’s The Scream and Honky- the skull cover of the Melvins- the artist’s favourite rockband album cover from 1997. By visually defining the hero in his narrative with such strong contradictions from the root source and from his true feelings, Butzer seeks to reconcile his balked expectations and a desire to move onwards to new experiences.

\n\n

Being a star artist represented by Galerie Max Hetlzer, André Butzer opened for the gallery’s new space in Berlin from May – August 2020. Since then, he was celebrated with his first solo show in Asia hosted by the YUZ Museum in Shanghai, Light, Colour and Hope exhibited between September 2020 to January 2021. Most recently, the artist is being acclaimed at the Friedrichs Foundation, Weidingen between May – August 2022. Furthermore, Wanderer is also being shown at Galerie Max Hetzler, London between June – July 2022.

\n\n

Art Historian and Curator, Christian Malycha on André Butzer’s body of work following his relocation to California

\n\n

ⁱ Galerie Max Hetzler, André Butzer, Paris, 2017, online

\n","‡","♠","mainEstimate",{"_166":72,"_616":168,"_618":637,"_620":70},"otherEstimates",[609,610,611,612,613,614],{"_166":72,"_616":168,"_618":637,"_620":70},{"_166":634,"_616":634,"_618":635,"_620":636},{"_166":630,"_616":631,"_618":632,"_620":633},{"_166":626,"_616":627,"_618":628,"_620":629},{"_166":622,"_616":623,"_618":624,"_620":625},{"_166":615,"_616":617,"_618":619,"_620":621},"HKD","currencySymbol","HK$","highEstimate",1040000,"lowEstimate",694000,"SGD","S$",191000,127000,"EUR","€",137000,91100,"USD","$",133000,88400,"CHF",132000,88300,120000,"ENV",{"_956":957,"_958":959,"_960":961,"_962":963,"_964":965,"_966":967,"_968":969,"_970":971,"_972":973,"_20":21,"_974":-7,"_975":976,"_977":978,"_979":124,"_980":976,"_981":124,"_982":19,"_983":984,"_985":986,"_987":124,"_988":989,"_990":991,"_992":993,"_994":986,"_995":996},"locale","zh","sanityPreview","messageBannerData","","hideSiteFurniture","upcomingAuctions",[728,729,730,731,732,733,734,735,736,737],"flagHash","c9290920dff8e8ddcbdd8eceb9ad15d0138b93e7990c35c8ad0ce32b97843851","serverKey","6b33ea2b-beeb-44b4-945a-033c09597adf","priorityBiddingConfig",{"_717":718,"_719":720,"_721":722,"_723":124},"soldPriceConfig",{"_708":554,"_709":710,"_711":710,"_712":713,"_714":713,"_715":554,"_716":554},"imagePathConfig",{"_703":704,"_705":704,"_706":704,"_707":704},"globalJsonLd",{"_52":53,"_664":665},[661,662],{"_42":43,"_44":45,"_46":47},{"_38":39,"_40":663},"app-id=6742061430","@graph",[666,667],{"_52":53,"_54":691,"_692":693,"_38":694,"_59":690,"_695":696,"_697":698},{"_52":53,"_54":668,"_669":670},"BreadcrumbList","itemListElement",[671,672,673,674,675],{"_54":676,"_677":171,"_38":689,"_679":690},{"_54":676,"_677":686,"_38":687,"_679":688},{"_54":676,"_677":683,"_38":684,"_679":685},{"_54":676,"_677":680,"_38":681,"_679":682},{"_54":676,"_677":678,"_38":58,"_679":47},"ListItem","position",5,"item",4,"Andre Butzer","https://www.phillips.com/zh/detail/andre-butzer",3,"Detail","https://www.phillips.com/zh/detail",2,"Zh","https://www.phillips.com/zh","Home","https://www.phillips.com","Organization","@id","https://www.phillips.com/#organization","Phillips","foundingDate","1796","sameAs",[699,700,701,702],"https://www.instagram.com/phillipsauction/","https://www.linkedin.com/company/phillips/","https://www.facebook.com/phillipsauction/","https://x.com/phillipsauction","highlightsSource","fastly","lotImagesSource","saleBannersSource","ELCsSource","plpLotCard","saleroomBidStream","hammerPrice","saleroomResultsRail","accountBids","hammerPricePlusBP","accountFavorites","pdpBidForm","pdpDetailsRail","floorAmount","priority-activated","priorityBidColors",{"_724":725,"_726":727},"uiMode","priority","enabled","activated","#00CC3A","default","#6F4EEA",{"_93":945,"_91":946,"_95":947,"_97":49,"_106":948,"_98":99,"_155":949,"_100":950,"_798":951,"_146":952,"_128":19,"_110":953,"_137":124},{"_93":920,"_91":921,"_95":922,"_97":741,"_106":903,"_98":743,"_155":923,"_100":924,"_798":925,"_146":926,"_128":124,"_110":927,"_137":124,"_142":928,"_829":929,"_48":930},{"_93":910,"_91":911,"_95":912,"_97":741,"_106":903,"_98":743,"_155":913,"_100":914,"_798":915,"_146":916,"_128":19,"_110":917,"_137":124},{"_93":900,"_91":901,"_95":902,"_97":741,"_106":903,"_98":743,"_155":904,"_100":905,"_798":906,"_146":907,"_128":19,"_110":908,"_137":124},{"_93":883,"_91":884,"_95":885,"_97":49,"_106":823,"_98":99,"_155":886,"_100":887,"_146":888,"_128":124,"_110":889,"_137":124,"_142":890,"_48":891},{"_93":854,"_91":855,"_95":856,"_97":794,"_106":823,"_98":795,"_155":857,"_100":858,"_798":859,"_146":860,"_128":124,"_110":861,"_137":124,"_142":862,"_829":863,"_48":864},{"_93":820,"_91":821,"_95":822,"_97":794,"_106":823,"_98":795,"_155":824,"_100":825,"_146":826,"_128":124,"_110":827,"_137":124,"_142":828,"_829":830,"_48":831},{"_93":791,"_91":792,"_95":793,"_97":794,"_106":742,"_98":795,"_155":796,"_100":797,"_798":799,"_146":800,"_128":19,"_110":801,"_137":124,"_142":802},{"_93":776,"_91":777,"_95":778,"_97":741,"_106":742,"_98":743,"_155":779,"_100":780,"_146":781,"_128":124,"_110":782,"_137":124,"_142":783,"_48":784},{"_93":738,"_91":739,"_95":740,"_97":741,"_106":742,"_98":743,"_155":744,"_100":745,"_146":746,"_128":124,"_110":747,"_137":19,"_142":748,"_48":749},"NY011526",2021,"Modern & Contemporary Art: Morning Session","New York","HIGHLIGHTS_ONLY","America/New_York","https://www.phillips.com/auction/NY011526","2026-11-20T15:00:00.000000Z",[775],"https://assets.phillips.com/image/upload/t_Website_AuctionPageHero/v1/auctions/NY011526/NY011526.jpg",{"_756":757,"_758":759,"_48":760,"_761":762},{"_157":750,"_159":751,"_161":752,"_163":741,"_164":753,"_754":755},"United States","US","432 Park Avenue","10022","province","NY","startDateTime","2026-11-07T05:00:00.000000Z","endDateTime","2026-11-19T05:00:00.000000Z",{"_157":750,"_159":751,"_161":752,"_163":741,"_164":753,"_754":755},"hourRanges",[763,764],{"_765":772,"_767":773,"_768":774,"_770":771},{"_765":766,"_767":766,"_768":769,"_770":771},"dayEnd","Sunday","dayStart","startTime","12:00:00","endTime","17:00:00","Saturday","Monday","10:00:00",{"_170":171,"_172":173,"_174":175},"NY010726",2043,"Modern & Contemporary Art Evening Sale","https://www.phillips.com/auction/NY010726","2026-11-18T22:00:00.000000Z",[790],"https://assets.phillips.com/image/upload/t_Website_AuctionPageHero/v1/auctions/NY010726/NY010726.jpg",{"_756":757,"_758":785,"_48":786,"_761":787},{"_157":750,"_159":751,"_161":752,"_163":741,"_164":753,"_754":755},"2026-11-18T05:00:00.000000Z",{"_157":750,"_159":751,"_161":752,"_163":741,"_164":753,"_754":755},[788,789],{"_765":772,"_767":773,"_768":774,"_770":771},{"_765":766,"_767":766,"_768":769,"_770":771},{"_170":171,"_172":173,"_174":175},"CH060326",2088,"Geneva Jewels: Online Auction","Geneva","Europe/Zurich","https://www.phillips.com/auction/CH060326","2026-11-04T09:00:00.000000Z","auctionEndDateTime","2026-11-12T13:00:00.000000Z",[814,815],"https://assets.phillips.com/image/upload/t_Website_AuctionPageHero/v1/auctions/CH060326/CH060326.jpg",{"_756":803,"_758":804,"_761":805},"2026-11-03T23:00:00.000000Z","2026-11-11T23:00:00.000000Z",[806,807,808],{"_765":812,"_767":813,"_768":774,"_770":811},{"_765":766,"_767":772,"_768":809,"_770":811},{"_765":773,"_767":773,"_768":809,"_770":810},"09:00:00","13:00:00","19:00:00","Friday","Wednesday",{"_170":680,"_172":818,"_174":819},{"_170":816,"_172":817,"_174":817},24,"Online","Jewelry","Jewels","CH060426",2089,"The Geneva Jewels Auction: VII","READY","https://www.phillips.com/auction/CH060426","2026-11-09T14:00:00.000000Z",[853],"https://assets.phillips.com/image/upload/t_Website_AuctionPageHero/v1/auctions/CH060426/CH060426.jpg",{"_756":803,"_758":847,"_48":848,"_761":849},"sessions",[838,839],{"_157":832,"_159":833,"_161":834,"_835":836,"_163":794,"_164":837},"Switzerland","CH","Hôtel Président","line2","Quai Wilson 47","1201",{"_756":825,"_841":845,"_843":846},{"_756":840,"_841":842,"_843":844},"2026-11-09T15:00:00.000000Z","lotNumberStart","330","lotNumberEnd","426","301","329","2026-11-08T23:00:00.000000Z",{"_157":832,"_159":833,"_161":834,"_835":836,"_163":794,"_164":837},[850,851,852],{"_765":812,"_767":813,"_768":774,"_770":811},{"_765":766,"_767":772,"_768":809,"_770":811},{"_765":773,"_767":773,"_768":809,"_770":769},{"_170":680,"_172":818,"_174":819},"CH080426",1988,"The Geneva Watch Auction: XXIV","https://www.phillips.com/auction/CH080426","2026-11-07T13:00:00.000000Z","2026-11-08T19:00:00.000000Z",[880],"https://assets.phillips.com/image/upload/t_Website_AuctionPageHero/v1/auctions/CH080426/CH080426.jpg",{"_756":803,"_758":874,"_48":875,"_761":876},[867,868],{"_157":832,"_159":833,"_161":865,"_835":836,"_163":794,"_164":866},"Hotel President Wilson","1211",{"_756":858,"_841":872,"_843":873},{"_756":869,"_841":870,"_843":871},"2026-11-08T13:00:00.000000Z","108","221","1","107","2026-11-07T23:00:00.000000Z",{"_157":832,"_159":833,"_161":865,"_835":836,"_163":794,"_164":866},[877,878,879],{"_765":812,"_767":813,"_768":774,"_770":811},{"_765":772,"_767":772,"_768":809,"_770":811},{"_765":766,"_767":766,"_768":809,"_770":810},{"_170":881,"_172":882,"_174":882},12,"Watches","UK050226",2019,"Design","https://www.phillips.com/auction/UK050226","2026-11-04T14:00:00.000000Z",[899],"https://assets.phillips.com/image/upload/t_Website_AuctionPageHero/v1/auctions/UK050226/UK050226.jpg",{"_756":892,"_758":893,"_48":894,"_761":895},{"_157":158,"_159":160,"_161":162,"_163":49,"_164":165},"2026-10-29T00:00:00.000000Z","2026-11-04T00:00:00.000000Z",{"_157":158,"_159":160,"_161":162,"_163":49,"_164":165},[896,897],{"_765":772,"_767":773,"_768":774,"_770":898},{"_765":766,"_767":766,"_768":769,"_770":898},"18:00:00",{"_170":683,"_172":885,"_174":885},"NY011726",2107,"Rema Hort Mann Fund 30th Anniversary Auction: Launching Artists Living With Cancer Grant","LIVE","https://www.phillips.com/auction/NY011726","2026-10-19T16:00:00.000000Z","2026-10-29T02:00:00.000000Z",[909],"https://assets.phillips.com/image/upload/t_Website_AuctionPageHero/v1/auctions/NY011726/NY011726.jpg",{"_170":171,"_172":173,"_174":175},"NY031026",2098,"Editions & Works on Paper: No Reserve Online Auction","https://www.phillips.com/auction/NY031026","2026-10-20T16:00:00.000000Z","2026-10-28T16:00:00.000000Z",[918],"https://assets.phillips.com/image/upload/t_Website_AuctionPageHero/v1/auctions/NY031026/NY031026.jpg",{"_170":678,"_172":919,"_174":919},"Editions","NY030726",2045,"Editions & Works on Paper","https://www.phillips.com/auction/NY030726","2026-10-22T21:00:00.000000Z","2026-10-24T16:00:00.000000Z",[944],"https://assets.phillips.com/image/upload/t_Website_AuctionPageHero/v1/auctions/NY030726/NY030726.jpg",{"_756":938,"_758":939,"_48":940,"_761":941},[931,932],{"_157":750,"_159":751,"_161":752,"_163":741,"_164":753,"_754":755},{"_756":924,"_841":936,"_843":937},{"_756":933,"_841":934,"_843":935},"2026-10-24T15:00:00.000000Z","178","302","101","177","2026-10-15T04:00:00.000000Z","2026-10-23T04:00:00.000000Z",{"_157":750,"_159":751,"_161":752,"_163":741,"_164":753,"_754":755},[942,943],{"_765":772,"_767":773,"_768":774,"_770":898},{"_765":766,"_767":766,"_768":769,"_770":898},{"_170":678,"_172":919,"_174":919},"UK010826",2046,"Modern & Contemporary Art: Online Auction, London","CLOSING_SOON","https://www.phillips.com/auction/UK010826","2026-10-13T11:00:00.000000Z","2026-10-23T13:00:00.000000Z",[954,955],"https://assets.phillips.com/image/upload/t_Website_AuctionPageHero/v1/auctions/UK010826/UK010826.jpg",{"_170":171,"_172":173,"_174":175},{"_170":816,"_172":817,"_174":817},"MODE","production","websocketConfig",{"_59":1009,"_1010":1011,"_1012":1013},"authConfig",{"_1004":1005,"_1006":1007,"_1008":957},"ONE_TRUST_SCRIPT_ID","da236391-c57c-40f8-a671-294df558fa4c","GLOBAL_CDN_URL","https://www.dist.phillips.com/content/web/","GLOBAL_ASSET_URL","https://www.dist.phillips.com/static-assets/","THEOPLAYER_LICENSE_KEY","sZP7IYe6T6P60ohoIDC_3OzzTufcFSar0oB-CDIlImkeISbzTDaiCLbcIQB6FOPlUY3zWokgbgjNIOf9flRr3DCLCo0cFSeZIS5-3u1e3mk63uI1FS0iISI60Kht3u5rIOfVfK4_bQgZCYxNWoryIQXzImf90Sb_3SeZ3u5i0u5i0Oi6Io4pIYP1UQgqWgjeCYxgflEc3LhZ0lhc3uCt3uRrFOPeWok1dDrLYtA1Ioh6TgV6v6fVfKcqCoXVdQjLUOfVfGxEIDjiWQXrIYfpCoj-fgzVfKxqWDXNWG3ybojkbK3gflNWf6E6FOPVWo31WQ1qbta6FOPzdQ4qbQc1sD4ZFK3qWmPUFOPLIQ-LflNWfK1zWDikfgzVfG3gWKxydDkibK4LbogqW6f9UwPkImi6IK41Uw4ZIY06Tg-Uya","DOLBY_STREAMING_ACCOUNT_ID","BYwFZf","LAUNCHDARKLY_CLIENT_SIDE_ID","68aefc0f2547850ac0505b8d","POLLING_INTERVAL","FETCH_TIMEOUT",5000,"WS_REFRESH_JITTER_MAX_MS",2000,"ENABLE_SLOW_BROWSER_PERFORMANCE_PROBE","SLOW_TELEMETRY_THRESHOLD_MS","ENABLE_BROWSER_DOCUMENT_LOAD_TRACING","BROWSER_DOCUMENT_LOAD_IGNORE_NETWORK_EVENTS","BROWSER_DOCUMENT_LOAD_RESOURCE_SPANS","slow","BROWSER_LONG_TASK_MIN_DURATION_MS",100,"ENABLE_BROWSER_ROUTE_TRANSITION_TRACING","CORALOGIX_APP_PUBKEY","cxtp_ZonPe8vXSpl7Sbn2e9lrxdxOLJQFof","CORALOGIX_SEND_YOUR_DATA_API_KEY","cxtp_j2JgJ8zS2kCYRwUSWE5ZsBnzIMxbrj","OTEL_SERVICE_NAME","remix","CORALOGIX_SESSION_SAMPLE_RATE","sanityConfig",{"_997":998,"_999":957,"_1000":1001,"_1002":1003},"projectId","o6wj5zo6","dataset","apiVersion","2025-03-09","studioUrl","http://localhost:3334","authClientId","76af4ad3-83f1-485c-9242-9621d986dd70","authSyncContext","customer","authEnv","ws.phillips.com","apiKey","YNg99gZHWH8V2TK41OyvHaH9lbSyo0WF14DooTlH","heartbeatInterval",300]

113

André Butzer

《鄉村 (2)》

更多資訊

完整圖錄內容

André Butzer