Ballerina CP/03

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  • Condition Report

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  • Provenance

    ‘Better Out Than In’, Central Park, New York
    Acquired from the above by the present owner in October 2013

  • Catalogue Essay

    One of the most successful and world-renowned artists of his generation, Banksy works under the veil of anonymity to create works of visual audacity and satiric potency. With a background in graffiti, he elevated street art practices to widespread prominence, using the medium as a way of drawing attention to aspects of politics and society often left unpublished in mainstream media. As part of the artist’s Better Out Than In residency in 2013, a month-long show that took place in New York City where Banksy unveiled at least one work of art daily, Ballerina CP/03 was one of the authentic signed canvases that sold at a stall in Central Park.

    The artistic quality in the present lot cannot be overlooked. Banksy confronts and disrupts another icon in Ballerina CP/03, where he takes the silhouette of Princess Odette in one of the most prominent ballets composed by Pyotr Illyich Tchaikovsky, Swan Lake, and transforms the figure into a caricature, all the while retaining the sinister underlying emotions of the character's inevitable demise. The grace and poise of the ballerina en pointe in an arabesque is at once contrasted with the potentially disquieting text “FRAGILE” overlaid on the canvas rendered in red. Banksy’s use of the instantly-recognisable features of Princess Odette as a visual theme demonstrates his laser-sharp sense of satire. Using the story of Odette, a princess turned into a swan by an evil sorcerer’s curse and who is only able to break the spell by finding eternal love, Banksy points to the softness and delicacy of the character and implies that there is often more than what simply meets the eye. As part of the artist’s aesthetic vocabulary, he uses a stencil to create the figure of the ballerina while evidently keeping his style and control through his use of the spray can, applying his graffiti sensibilities on canvas.

    Ballerina CP/03 is at once a work of art that not only exhibits Banksy’s clean aesthetic but also recalls a distinctly transformative public art form unprecedented by any other artist of our time, further consolidating his position as an iconic artist of the contemporary age.

  • Catalogue Essay

    班克斯是當代全球極富盛名的藝術家,慣以匿名方式,創作出視覺大膽又充滿諷刺意味的作品。有著街頭塗鴉藝術的背景,他將街頭藝術提昇至另一個更具廣泛影響力的重要性指標,利用這個媒介,他把常被主流媒體忽略報導的冷門政治及社會議題,帶到人們的眼前,引起關注。藝術家在2013年進行了「Better Out Than In」駐村計畫,這個為期一個月於紐約的展覽中,每天會推出一件作品,《芭蕾舞伶 CP/03》即是他在中央公園設立一個攤位上,所賣出其中一件具真跡簽名的畫作。

    本件作品所呈現的藝術質感不容小覷,班克斯在此挑戰並拆解了另一個偶像符號。他從彼得・伊利里奇・柴可夫斯基最著名的芭蕾舞劇天鵝湖取材,將奧黛特公主的輪廓轉化成一幅嘲諷畫,同時卻保留了這角色所不可避免的死亡陰影,以及凶兆籠罩之下的潛在情緒。舞者標準呈現阿拉貝斯克舞姿(單腳站立並將另隻腳水平抬起)的優雅而平衡之美,與下方令人不安的「小心易碎」紅色字樣,立刻形成強烈對比。班克斯使用了十分輕易辨識的奧黛莉公主形象作為視覺主軸,突顯其鮮明的諷刺意識。公主受到邪惡巫師詛咒,變成了天鵝,唯有找到永恆真愛,才能打破魔咒。當班克斯借用了奧黛莉公主這個故事背景,他直指了這個角色的柔軟及纖弱,也暗喻著真相往往超越了我們直觀所見看似單純之表象。從藝術家獨特的美學語彙來分析,他沿用了以模板來噴繪芭蕾舞者形象的個人風格,並以高度純熟的技巧使用噴漆上色,將塗鴉特質詮釋在畫布上。

    《芭蕾舞伶 CP/03》這件作品不僅展現班克斯簡潔的美感,更再次揭露了一個沒有其他藝術家能及、如此具變革性的公共藝術形態,因而也更確立了他在當代藝術具指標性的地位。

  • Artist Bio

    Banksy

    British • 1975 - N/A

    Anonymous street artist Banksy first turned to graffiti as a miserable fourteen year old disillusioned with school. Inspired by the thriving graffiti community in his home city, Bristol, Banksy's works began appearing on trains and walls in 1993, and by 2001 his blocky, spray-painted works had cropped up all over the United Kingdom. Typically crafting his images with spray paint and cardboard stencils, Banksy is able to achieve a meticulous level of detail. His aesthetic is clean and instantly readable due to his knack for reducing complex political and social statements to simple visual elements.



    His graffiti, paintings and screenprints use whimsy and humour to satirically critique war, capitalism, hypocrisy and greed — with not even the Royal family safe from his anti-establishment wit.

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Banksy

Ballerina CP/03

2013
signed and numbered 'BANKSY CP/03' on the overlap
spray paint on canvas
40.7 x 30.5 cm. (16 x 12 in.)
Executed in 2013, this work is accompanied by a certificate of authenticity issued by Pest Control.

Estimate
HK$3,000,000 - 4,000,000 
€342,000-456,000
$385,000-513,000

Place Advance Bid
Contact Specialist
Isaure de Viel Castel
Head of Department, 20th Century & Contemporary Art

Charlotte Raybaud
Head of Day Sale, 20th Century & Contemporary Art

20th Century & Contemporary Art & Design Day Sale

Hong Kong Auction 26 May 2019