109
綜合藝術家
Re-Object/Mythos
- 估價
- £15,000 - 20,000♠
£13,750
拍品詳情
The complete set of 8 prints in various media and on various supports, the full sheets and with margins.
2007
all I. various sizes
all S. approx. 81 x 61 cm (31 7/8 x 24 in.) one horizontal
all S. approx. 81 x 61 cm (31 7/8 x 24 in.) one horizontal
Five prints signed and seven numbered 'HC 1/5' in pencil or black felt-tip pen on the front or reverse (an hors commerce set, the edition was 45 plus 5 in Roman numerals and 6 artist's proofs), published by Edition Schellmann, Munich and New York, on the occasion of the exhibitions Re-Object and Mythos at Kunsthaus Bregenz, all framed, lacking Merz folder and text.
專家
完整圖錄內容
圖錄文章
Including Marcel Duchamp Marcel Duchamp in the exhibition... 1965/2007, Joseph Beuys Tram Stop 1976, Douglas Gordon Forty, Damien Hirst Untitled, Jeff Koons Girl with Lobster 2009, Matthew Barney Untitled, Gerhard Merz Untitled, and Cy Twombly Untitled (Detail of Painting) 2002/2007
Please see department for full cataloguing details.
"The exhibitions Re-Object and Mythos were dedicated to two essential sources of today's artistic practice, the object and the myth. For Re-Object selected works by Marcel Duchamp represented the thematic base. As the father of the Ready-made he was extremely influential to the artistic strategies of Jeff Koons, Damien Hirst, and Gerhard Merz. In the exhibition Mythos it was Joseph Beuys with his work who assumed that role for work statements by Mathew Barney, Douglas Gordon, and Cy Twombly. The portfolio was published to celebrate these two exhibitions."
- Jörg Schellmann, ed., Forty Are Better Than One, Munich/New York, 2009, p. 422
Please see department for full cataloguing details.
"The exhibitions Re-Object and Mythos were dedicated to two essential sources of today's artistic practice, the object and the myth. For Re-Object selected works by Marcel Duchamp represented the thematic base. As the father of the Ready-made he was extremely influential to the artistic strategies of Jeff Koons, Damien Hirst, and Gerhard Merz. In the exhibition Mythos it was Joseph Beuys with his work who assumed that role for work statements by Mathew Barney, Douglas Gordon, and Cy Twombly. The portfolio was published to celebrate these two exhibitions."
- Jörg Schellmann, ed., Forty Are Better Than One, Munich/New York, 2009, p. 422
文學