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理查德．阿維頓
《披頭四作品集：約翰．連儂、林戈．斯塔爾、喬治．哈里森、保羅．麥卡特尼在倫敦》
- 估價
- £700,000 - 900,000‡
£809,000
拍品詳情
染料破壞沖印（1990年印）
1967年作
每組：54.9 x 44.1 公分 (21 5/8 x 17 3/8 英吋)
款識：簽名、編號 5/6、標題、日期（邊緣）
鈴印：版權信用、複印限制（邊緣）
共有6版、3版藝術家試作版，此作為第5版。其他版本藏於私人收藏。
鈴印：版權信用、複印限制（邊緣）
共有6版、3版藝術家試作版，此作為第5版。其他版本藏於私人收藏。
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理查德．阿維頓
American | B. 1923 D. 2004From the inception of Richard Avedon's career, first at Harper's Bazaar and later at Vogue, Avedon challenged the norms for editorial photography. His fashion work gained recognition for its seemingly effortless and bursting energy, while his portraits were celebrated for their succinct eloquence. "I am always stimulated by people," Avedon has said, "almost never by ideas." Indeed, as seen in his portraits — whether of famed movie stars or everyday people — the challenge for Avedon was conveying the essence of his subjects. His iconic images were usually taken on an 8 x 10 inch camera in his studio with a plain white background and strobe lighting, creating his signature minimalist style. Avedon viewed the making and production of photographs as a performance similar to literature and drama, creating portraits that are simultaneously intensely clear, yet deeply mysterious.
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