重要美國遺產管理委員會珍藏
443
威廉．艾格斯頓
《無題：田納西州孟菲斯（陽光下的棕色房子）》
- 估價
- $6,000 - 8,000
$7,620
拍品詳情
染料轉印（2004年印，來自「塵鈴第二卷」）
約1971-1974年作
11 7/8 x 17 5/8 英吋（30.2 x 44.8 公分）
款識：簽名（邊緣）
鈴印：攝影師信託基金版權信用、複印限制（邊緣）
共有15版，此作為第12版。
鈴印：攝影師信託基金版權信用、複印限制（邊緣）
共有15版，此作為第12版。
專家
完整圖錄內容
來源
威廉．艾格斯頓
American | 1939William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.
At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.
瀏覽藝術家At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.