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163

亨利.卡蒂爾—佈雷松

《法國奧爾日河畔尤維西附近》

1955年作
銀鹽照片(後印)
9 5/8 x 14 1/8 英吋 (24.4 x 35.9 公分)
款識:簽名、致 Igor Bakht(邊緣)
鈴印:版權信用(邊緣)
Igor Bakht, to whom this print is inscribed, was a master photographic printer, best known for his longtime collaboration with André Kertész and other photographers who valued the high quality of his work.

亨利.卡蒂爾—佈雷松

French | B. 1908 D. 2004

Candidly capturing fleeting moments of beauty among the seemingly ordinary happenings of daily life, Henri Cartier-Bresson's work is intuitive and observational. Initially influenced by the Surrealists' "aimless walks of discovery," he began shooting on his Leica while traveling through Europe in 1932, revealing the hidden drama and idiosyncrasy in the everyday and mundane. The hand-held Leica allowed him ease of movement while attracting minimal notice as he wandered in foreign lands, taking images that matched his bohemian spontaneity with his painterly sense of composition.

Cartier-Bresson did not plan or arrange his photographs. His practice was to release the shutter at the moment his instincts told him the scene before him was in perfect balance. This he later famously titled "the decisive moment" — a concept that would influence photographers throughout the twentieth century. 

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