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Trenton Doyle Hancock

《再見,再見(九幅悲傷蝕刻版畫)》

2002年作
全套九幅蝕刻版畫,其中七幅手工上色,Twinrocker手製紙本(四周留邊,散裝如出版所示)附有標題頁和版權頁,全部存於原裝藝術家設計黑色布面作品集。
all I. 9 3/4 x 7 7/8 in. (24.8 x 20 cm)
all S. 17 1/8 x 14 in. (43.5 x 35.6 cm)
portfolio 18 x 14 5/8 x 1 1/4 in. (45.7 x 37.1 x 3.2 cm)
款識:簽名、編號23/24
共有24版、4版藝術家試作版,由達拉斯 Dunn & Brown Contemporary畫廊和紐約 James Cohan畫廊聯合出版,美國印刷。此為第23版。

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Trenton Doyle Hancock

American | 1974

For almost two decades, Trenton Doyle Hancock has been constructing fantastical narratives of the battle between good and evil. Hancock pursues his singular vision and distinctive means of storytelling across a variety of media, including painting, collage, sculpture, print and the performing arts. Featured in the 2000 and 2002 Whitney Biennial, Hancock was one of the youngest artists in history to participate in the museum’s prestigious survey at the time and has garnered acclaim for his exuberant worlds suffused with autobiography and fantasy.

Hancock's complex mythological battles at once recall biblical stories that the artist learned as a child from his family and local church community, comic-strip superhero battles, and medieval morality plays – all conveyed through a visual language that merges disparate influences such as pulp fiction, comic books, abstract painting with references to forebears as varied as Hieronymus Bosch, Max Ernst, and Philip Guston.

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