164
Keith Haring
《無題（近期工作邀請）》
- 估價
- £2,000 - 3,000
£6,350
拍品詳情
獨特繪畫 黑色氈尖筆 顏料印刷編織卡片（全包邊）
1988年作
圖像：13.7 x 9.3 公分 (5 3/8 x 3 5/8 英吋)
紙本：14.3 x 10.2 公分 (5 5/8 x 4 英吋)
紙本：14.3 x 10.2 公分 (5 5/8 x 4 英吋)
款識：簽名、日期、致George Mulder Fine Arts畫廊的George
此為1988 年 12 月 3 日至 1989 年 1 月 7 日在紐約托尼沙夫拉齊畫廊舉行的近期作品展已裱邀請函。
此為1988 年 12 月 3 日至 1989 年 1 月 7 日在紐約托尼沙夫拉齊畫廊舉行的近期作品展已裱邀請函。
專家
更多資訊
完整圖錄內容
來源
Keith Haring
American | B. 1958 D. 1990Haring's art and life typified youthful exuberance and fearlessness. While seemingly playful and transparent, Haring dealt with weighty subjects such as death, sex and war, enabling subtle and multiple interpretations.
Throughout his tragically brief career, Haring refined a visual language of symbols, which he called icons, the origins of which began with his trademark linear style scrawled in white chalk on the black unused advertising spaces in subway stations. Haring developed and disseminated these icons far and wide, in his vibrant and dynamic style, from public murals and paintings to t-shirts and Swatch watches. His art bridged high and low, erasing the distinctions between rarefied art, political activism and popular culture.
瀏覽藝術家Throughout his tragically brief career, Haring refined a visual language of symbols, which he called icons, the origins of which began with his trademark linear style scrawled in white chalk on the black unused advertising spaces in subway stations. Haring developed and disseminated these icons far and wide, in his vibrant and dynamic style, from public murals and paintings to t-shirts and Swatch watches. His art bridged high and low, erasing the distinctions between rarefied art, political activism and popular culture.