330
Gerhard Richter
《金絲雀景觀 I (B. 39)》
- 估價
- £6,000 - 8,000‡♠
£11,340
拍品詳情
全組6幅彩色凹版印刷 象牙白牛皮紙（全包邊）原裝印刷紙製文件夾
1971年作
全部圖像：各有大小
全部紙本：40.1 x 50.2 公分 (15 3/4 x 19 3/4 英吋)
文件夾：52.5 x 42.5 公分 (20 5/8 x 16 3/4 英吋)
全部紙本：40.1 x 50.2 公分 (15 3/4 x 19 3/4 英吋)
文件夾：52.5 x 42.5 公分 (20 5/8 x 16 3/4 英吋)
共有100版、10版樣本版，由慕尼黑 Heiner Friedrich 畫廊出版，全部未裱。
款識： 92/100（每組鉛筆、文件夾背）
款識： 92/100（每組鉛筆、文件夾背）
專家
完整圖錄內容
文學
Gerhard Richter
German | 1932Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016.
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