







當代家族珍藏系列
253
Frank Stella
《宏都拉斯彩券公司》;《卡托莊園》;《大開羅》–來自「五彩方塊 I」(A. 76, 78 & 81)》
1972年作
三組石版畫 J. Green模製紙本(全包邊)
所有 I. 10 1/4 x 10 1/4 英吋(26 x 26 公分)
所有 S. 16 x 21 3/4 英吋(40.6 x 55.2 公分)
所有 S. 16 x 21 3/4 英吋(40.6 x 55.2 公分)
款識:簽名、日期、24/100
尚有100版、20版藝術家試作版,由倫敦Petersburg Press Ltd.出版,全為已裱。
尚有100版、20版藝術家試作版,由倫敦Petersburg Press Ltd.出版,全為已裱。
完整圖錄內容
"The title Cato Manor refers to racial disturbances in South Africa, as the sites of a riot and a massacre of sixty-nine black protestors in 1960 during apartheid. Louisiana Lottery Co. names a disreputable later nineteenth-century American lottery, which, when the United States Congress banned lotteries, moved its de jure headquarters to Honduras and illegally issued lottery tickets in the United States. Gran Cairo refers to the Spanish conquest of the Yucatán in the sixteenth century: Gran Cairo was a Maya city so named by conquistadors because of its pyramids." - Richard Axsom, Frank Stella: Prints, p. 141
Frank Stella
American | B. 1936 D. 2024Frank Stella is recognized as the most significant painter that transitioned from Abstract Expressionism to Minimalism. He believed that the painting should be the central object of interest rather than represenative of some subject outside of the work. Stella experimented with relief and created sculptural pieces with prominent properties of collage included. Rejecting the normalities of Minimalism, the artist transformed his style in a way that inspired those who had lost hope for the practice.