108
Francis Bacon
《鬥牛三聯作 (S. 29, T. 37)》
- 估價
- £15,000 - 20,000♠
£27,720
拍品詳情
彩色石版畫 Arches 折疊紙本 內頁附凸版文字（全紙本）
附《鬥牛鏡》標題頁、版權頁、文本、原裝布料包裝文件夾（散頁）
附《鬥牛鏡》標題頁、版權頁、文本、原裝布料包裝文件夾（散頁）
1990年作
全部紙本：47.9 x 35.9 公分 (18 7/8 x 14 1/8 英吋)
文化夾：51.2 x 38.5 x 4 公分 (20 1/8 x 15 1/8 x 1 5/8 英吋)
文化夾：51.2 x 38.5 x 4 公分 (20 1/8 x 15 1/8 x 1 5/8 英吋)
共有150版及5版羅馬數字樣本作，由巴黎勒隆畫廊出版，不包括《Michael Leiris 畫像 (S. 30)》，此作為第57版，全部未裱。
款識：57（版權頁鉛筆）
款識：57（版權頁鉛筆）
專家
完整圖錄內容
文學
Francis Bacon
Irish-British | B. 1909 D. 1992Francis Bacon was a larger-than-life figure during his lifetime and remains one now more than ever. Famous for keeping a messy studio, and even more so for his controversial, celebrated depictions of papal subjects and bullfights, often told in triptychs, Bacon signified the blinding dawn of the Modern era. His signature blurred portraits weren't murky enough to stave off his reputation as highly contentious—his paintings were provocations against social order in the people's eye. But, Bacon often said, "You can't be more horrific than life itself."
In conversation with yet challenging the conventions of Modern art, Bacon was known for his triptychs brutalizing formalist truths, particularly Three Studies for Figures at the Base of a Crucifixion, which Bacon debuted in London in 1944, and Three Studies of Lucian Freud, which became famous when it set the record for most expensive work of art at auction at the time it sold in 2013.
瀏覽藝術家In conversation with yet challenging the conventions of Modern art, Bacon was known for his triptychs brutalizing formalist truths, particularly Three Studies for Figures at the Base of a Crucifixion, which Bacon debuted in London in 1944, and Three Studies of Lucian Freud, which became famous when it set the record for most expensive work of art at auction at the time it sold in 2013.