William Eggleston - Photographs New York Tuesday, October 4, 2011 | Phillips

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  • Provenance

    Private Collection, Chicago

  • Literature

    Eggleston, Ancient and Modern,p. 47; Scalo, William Eggleston: Los Alamos, p. 41; Thames & Hudson, William Eggleston, pl. 145; Yale University Press, William Eggleston: Democratic Camera, cover and pl. 50

  • Artist Biography

    William Eggleston

    American • 1939

    William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.

    At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.

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Untitled from Los Alamos

Color coupler print.
10 x 15 in. (25.4 x 38.1 cm).
Signed in ink on the verso.

$7,000 - 9,000 

Sold for $7,500


4 October 2011
New York