Collection of Elaine de Kooning, by descent from the artist Acquired from the above by the present owner
Exhibited
Munich, Galerie Thomas, Ernst Ludwig Kirchner & Willem de Kooning Drawings: The Expressionist Line, September 14 - November 3, 2012 Berlin, Akim Monet GmbH, Side by Side Gallery, The Aggressive Line: Seminal Drawings of Women - de Kooning, E. L. Kirchner, January 18 - March 9, 2013
Literature
Ernst Ludwig Kirchner & Willem de Kooning Drawings: The Expressionist Line, exh. cat., Galerie Thomas, Munich, 2012, plate 7 (illustrated) The Aggressive Line: Seminal Drawings of Women - de Kooning, E. L. Kirchner, exh. cat., Akim Monet GmbH, Side by Side Gallery, Berlin, 2013, pp.32-33 (illustrated)
Catalogue Essay
Willem de Kooning’s rapid progression from representational to non-representational painting occurred during the late 1950s into the early 1960s. His legendary Women series over, he began to find inspiration from sources other than the human form, namely that of landscape. In addition, the sharp lines and geometric patterns that had categorized his earlier work began to smooth out into curvatures and fields of space and color. This gave de Kooning’s new work a more reflective element, as it no longer contained the anger and rigor of his earlier paintings and drawings. De Kooning also began to venture into the realm of sculpture, bringing his newly found fluidity and softness into the third dimension. In his works on paper, de Kooning followed the same trajectory: definite figure began to morph into indefinite shape, smoother yet more mysterious than before.
This is precisely the moment in which de Kooning created Untitled, conceived in the early 1960s. While the general outline of his human figure is clear, we strain to see the shapes of the torso and head that so characterized his earlier paintings. The figure’s left foot even disappears entirely, as if dissolving into abstraction. Though the figure’s left hand bears a resembles to the claws of his past subjects, the gentle waves and soft shapes that make up the figure’s right arm prefigure de Kooning’s period of absolute abstraction that was to come. Through the shadings and smudges of his charcoal, de Kooning gives us a perfect demonstration of an artistic mind mid-evolution, experimenting with approaches to his work. De Kooning was a believer in the intimacy that exists between an observer and a picture, and, through creating a private and quiet moment of charcoal on paper, de Kooning is able to give us a glimpse of his ever-evolving mind.
PROPERTY FROM AN IMPORTANT INTERNATIONAL PRIVATE COLLECTION