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“Visible brushstrokes in a painting convey a sense of grand gesture; but in my hands, the brushstroke becomes a depiction of a grand gesture.”
—Roy LichtensteinInspired by both the art historical canon and the scenes of his imagination, Roy Lichtenstein combined cartoonish and realistic brushstrokes for the monumental prints of his Landscape Series. Published by Gemini G.E.L., Lichtenstein’s lithographic and screenprinted brushstrokes retain a certain fluidity, reminiscent of the visible brushstrokes of Impressionism; this naturalism is balanced by the hard edges of the woodcut brushstrokes, which echo the solid, bold lines of Lichtenstein’s comic book interpretations. The great number of colors in each print, as well as the large size of the paper, result in landscapes that echo the multifaceted and textural canvases of Cézanne or Renoir.
Paul Cézanne, The Brook, c. 1895-1900, The Cleveland Museum of Art. Image: The Cleveland Museum of Art, Bequest of Leonard C. Hanna, Jr. 1958.20 來源
紐約，蘇富比，1990 年 5 月 19 日，拍品編號 1263
現藏者購自上述拍賣文學
Gemini G.E.L. 1255
Mary Lee Corlett 213
101
《樹林前路–來自「風景系列」(G. 1255, C. 213)》
1985年作
石版畫 木刻版畫 絲網印刷 Arches紙本（全包邊）
I. 37 1/8 x 52 1/4 英吋（94.3 x 132.7 公分）
S. 40 x 55 3/8 英吋（101.6 x 140.7 公分）
款識：簽名、日期、32/60
鈴印：洛杉磯Gemini G.E.L.畫廊（畫背）
尚有11版藝術家試作版，由洛杉磯Gemini G.E.L.畫廊出版，此為已裱。
估價
$60,000 - 80,000
成交價$114,300
editions@phillips.com
212-940-1220
限量版畫及紙本作品
紐約拍賣 2024年4月16至17日
