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Double Coded: A Sculpture Front Screen by Paul Evans
by Glenn Adamson
A fascinating fact: forty years ago, Paul Evans founded a company called Zoom, Inc. The venture, a collaboration with his son Keith, was devoted not to telecommunications but to newfangled, electronically-activated furniture, which bore a strong resemblance to contemporaneous kinetic sculpture. The enterprise was not ultimately a success, but it certainly attests to this designer’s restlessly inventive nature. Throughout his long career, he wondered what the Home of the Future might look like, and then actually set out to create it, using all the technical and artistic possibilities at his command.
“No work from Evans’ oeuvre demonstrates this better than the present screen, made in 1966, when he was at the zenith of his creative powers.”
—Glenn AdamsonNo work from Evans’ oeuvre demonstrates this better than the present screen, made in 1966, when he was at the zenith of his creative powers. It is a masterwork of his widely admired Sculpted-Front idiom, which he had begun five years earlier, initially for a two person show with— Philip Powell at America House in New York City. The works in the series have rectilinear façades that are sub-divided into discrete compartments, each of which holds a unique geometric motif. These elements, suggestive of some code or rebus, are incredibly varied – some forged, some cast, either polished or matte, massive or linear – a fully developed lexicon, with the graphic character of an ideographic language.
The screen, then, is a syllabary of metalwork, literally bursting with ideas. It is also exceptional within the series due to its large scale, all the more impressive because it is double-sided. The original client is unknown, but the work was obviously a major commission, presumably intended to serve as a room divider. A period photograph, taken in the garden outside Evans’ home and shop on Aquetong Road in New Hope, shows that it once hung in a steel frame; the great, articulated monolith would have hovered in free space. One thinks, perhaps, of Stanley Kubrick’s 2001 – which was in production in London, as the screen was being made – and the comparison points up just how futuristic Evans’ furniture would have looked at the time. Like so much good science fiction, he pushed at the boundaries of the known, reframing ideas from the past to forge new, speculative possibilities.
The present screen in the garden outside Paul Evans home, circa 1966. This was, of course, also a key theme of Abstract Expressionism, a formative influence for any artist of his generation. Works like Jackson Pollock’s Guardians of the Secret (1943) and Adolph Gottlieb’s Augury (1945) and The Seer (1950) all reflect the influence of ancient Egyptian hieroglyphs, while also, in their titles, proclaiming a visionary potential.
Evans was hardly alone in transposing these barely contained energies to three dimensions. As scholars Edward S. Cooke, Jr., and Robert Slifkin have pointed out, his works strongly resemble those of sculptors like Jan De Swart, David Smith, and Louise Nevelson, all of whom also created gridded structures and then populated them with diverse gestures of signification.i
Evans’ background and motivations, however, gave him a distinctive perspective on the making of such abstract vocabularies. He had been trained, between 1950 and 1952, at the School for American Craftsmen in Rochester – founded, as America House was, by Aileen Osborn Webb – and, briefly, at Cranbrook Academy. These institutions instilled in him the approach of a “designer-craftsman.” (The first major exhibition to feature his work was, in fact, Designer-Craftsmen U.S.A., another Webb initiative, which opened at the Brooklyn Museum in 1953.) In this context, there was no inherent conflict between avant-garde aesthetics and repetition. Artisans thought of themselves as making progressive prototypes by hand, which could then be adopted for mass manufacture.
Adolph Gottlieb, Augury, 1945. Artwork © 2023 Adolph and Esther Gottlieb Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY With the exception of a few textile and ceramic designers, this philosophy proved mostly aspirational, as it was difficult to achieve in practice. The premise was foundational for Evans, but he interpreted it in a very different way from most of his peers. Instead he followed in the footsteps of Harry Bertoia – who preceded him at Cranbrook, and also lived in Pennsylvania – maintaining full control of his artistic production, with each piece created from beginning to end in his own studio, while also implementing a set repertoire of generative techniques. This “theme with variations” methodology defined the major idioms – Forged Front, Argente, Cityscape, and the rest – which in turn defined Evans’ career. His creations were typically comprised of handmade modular parts, achieving a degree of efficiency while also ensuring that every piece would be unique. The strategy had the further advantage that customers could order various forms – a cube-shaped chair, table, bed, cabinet, or screen – in a range of different styles.
It was arguably in his Sculpted Front furniture that the advantages of this approach reached their maximum impact. The works’ complex façades were executed by shop foreman Dorsey Reading (who, incidentally, owns a screen from 1969 that compares closely to the present example, though it is only one-sided). Evans would first sketch the motifs he had in mind for each work, establishing the specific techniques to be used, including the all-important matter of patination, which was to his work what oil paint was to Pollock or Gottlieb. Reading and the team would then get to work, enjoying a certain amount of improvisation in the process.
Louise Nevelson, Dawn’s Landscape, 1975. © Artwork 2023 Estate of Louise Nevelson / Artists Rights Society (ARS), New York. The results speak for themselves. In the domain of handmade modernist furniture, arguably only Wendell Castle and Evans’ fellow New Hope resident, George Nakashima, achieved a similar combination of prodigious output and outright adventurousness. When Evans was at his very best, his work transcended design as it was then understood. The two-sided screen is the perfect embodiment of his work, which was itself Janus-faced, oriented both to everyday functionality and to monumental sculpture. By making things that inhabited both of those worlds simultaneously, Evans implied that the conventional boundaries between them were arbitrary. He showed that it was eminently possible for a metal workshop to make sublime art, and conversely, that ambitious abstraction could fit organically into a domestic setting. In all these ways, we are still catching up to him now. Increasingly, we see the world of creativity just as he did: undivided.
i See Edward S. Cooke, Jr., “Fashioning Craft/Crafting Fashion,” and Robert Slifkin, “Paul Evans and the Legacy of Modern Welded Sculpture,” both in Constance Kimmerle, ed., Paul Evans: Crossing Boundaries and Crafting Modernism (Arnoldsche/James A. Michener Art Museum, 2014).
Provenance
Alice and Douglas Brownell, California, circa 1996
Bruce Quarto, California, acquired from the above, circa 2006
Acquired from the above by the present ownerLiterature
"Old Crafts Fine New Hands," LIFE, July 29, 1966, p. 35 for a similar example
Jeffrey Head, Paul Evans: Designer & Sculptor, Atglen, Pennsylvania, 2012, illustrated p. 46
Constance Kimmerle, ed., Paul Evans: Crossing Boundaries and Crafting Modernism, Doylestown, Pennsylvania, 2014, p. 60 for a similar example
Property from a Private American Collection
47
Rare two-sided “Sculpture Front” screen
1966
Painted and patinated steel, bronze, gold leaf.
83 7/8 x 36 1/8 x 6 3/4 in. (213 x 91.8 x 17.1 cm)
Executed by Paul Evans Studio, New Hope, Pennsylvania. Interior edge welded Paul Evans 66.
Estimate
$70,000 - 90,000
Benjamin Green
Associate Specialist
Associate Head of Sale
bgreen@phillips.com
+1 917 207 9090
Design
New York Auction 8 June 2023
1
Max Ingrand
"Dahlia" chandelier, model no. 1563A
Estimate $25,000 - 35,000
Sold for $48,260
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2
Piero Fornasetti
"Piccolo Coromandel" cabinet
Estimate $18,000 - 24,000
Sold for $40,640
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3
Gio Ponti
Armchair
Estimate $5,000 - 7,000
Sold for $9,525
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4
Gio Ponti
Pair of wall lights, from the Time & Life Building, New York
Estimate $30,000 - 50,000
Sold for $76,200
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5
Gio Ponti
Armchair
Estimate $5,000 - 7,000
Sold for $9,525
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6
Ico Parisi
Rare coffee table, model no. 2183, from the "Modern by Singer" series
Estimate $12,000 - 18,000
Sold for $20,320
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7
Seguso
Pair of wall lights
Estimate $5,000 - 7,000
Sold for $19,050
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8
Gio Ponti
Rare dining table
Estimate $20,000 - 30,000
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9
Gio Ponti
"Diamond" flatware service for 24
Estimate $18,000 - 24,000
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10
Max Ingrand
Pair of wall lights
Estimate $20,000 - 30,000
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11
Gabriella Crespi
"Cubo Magico" coffee table, from the "Plurimi" series
Estimate $25,000 - 35,000
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12
Max Ingrand
Pair of wall lights
Estimate $20,000 - 30,000
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13
Ico Parisi
Pair of lounge chairs, model no. 865
Estimate $10,000 - 15,000
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14
Studio B.B.P.R.
Ceiling light, model no. 2045/p, from the Jane and Gerald Gidwitz residence, Highland Park, Illinois
Estimate $20,000 - 30,000
Sold for $60,960
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15
Carlo Mollino
Bunk bed, from the Casa del Sole, Cervinia
Estimate $10,000 - 15,000
Sold for $30,480
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16
Gio Ponti
Desk, designed for the Altamira showroom, New York
Estimate $25,000 - 35,000
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17
Gio Ponti
Armchair, model no. 589
Estimate $10,000 - 15,000
Sold for $12,065
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18
Gio Ponti
Low table
Estimate $6,000 - 8,000
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19
Venini
Mirror, model no. 241.2
Estimate $6,000 - 8,000
Sold for $12,700
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20
Gio Ponti
Dining table, designed for the "Conte Grande" ocean liner
Estimate $25,000 - 35,000
Sold for $31,750
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21
Gio Ponti
Settee
Estimate $12,000 - 18,000
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22
Venini
Large wall or ceiling light
Estimate $12,000 - 18,000
Sold for $12,700
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23
Osvaldo Borsani
Wall-mounted console table
Estimate $6,000 - 8,000
Sold for $8,255
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24
Angelo Lelii
Ceiling light
Estimate $6,000 - 8,000
Sold for $12,700
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25
Joseph-André Motte
Lounge chair
Estimate $7,000 - 9,000
Sold for $19,050
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26
Jacques Adnet
Adjustable table lamp, model no. 7706
Estimate $2,500 - 3,500
Sold for $7,620
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27
Mathieu Matégot
"Cap d'Ail" table and set of four armchairs
Estimate $15,000 - 20,000
Sold for $19,050
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28
Serge Mouille
Pair of "Antony" desk lamps
Estimate $12,000 - 18,000
Sold for $12,700
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29
Jean Prouvé
Set of four “Semi-Metal” chairs, model no. 305
Estimate $30,000 - 50,000
Sold for $63,500
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30
Jean Prouvé
Pair of “Semi-Metal” chairs, model no. 305
Estimate $15,000 - 20,000
Sold for $30,480
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31
Jeff Zimmerman
Unique "Vine" ceiling light
Estimate $20,000 - 30,000
Sold for $60,960
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32
José Zanine Caldas
Rare dining table
Estimate $70,000 - 90,000
Sold for $133,350
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33
This lot is no longer available.
34
Sergio Rodrigues
"Mucki" bench
Estimate $5,000 - 7,000
Sold for $7,620
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35
Lina Bo Bardi, Marcelo Ferraz and Marcelo Suzuki
Pair of "Girafa" chairs, designed for Casa do Benin, Salvador de Bahía
Estimate $10,000 - 15,000
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36
Martin Eisler
Side table
Estimate $4,000 - 6,000
Sold for $13,970
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37
Babs Haenen
"Paysage au solstice d'hiver"
Estimate $2,000 - 3,000
Sold for $3,302
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38
Harry Bertoia
Untitled (Sonambient)
Estimate $50,000 - 70,000
Sold for $63,500
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39
Vladimir Kagan
"Contour" armchair
Estimate $7,000 - 9,000
Sold for $12,700
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40
George Nakashima
Set of eight "New" dining chairs
Estimate $15,000 - 20,000
Sold for $30,480
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41
George Nakashima
"Frenchman's Cove II" extendable dining table
Estimate $20,000 - 30,000
Sold for $20,320
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42
George Nakashima
Two-door cabinet
Estimate $20,000 - 30,000
Sold for $40,640
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43
Diane Itter
"Winter's Web"
Estimate $2,000 - 3,000
Sold for $1,905
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44
Diane Itter
"Red Over Blue Fan"
Estimate $2,000 - 3,000
Sold for $1,905
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45
Gloria Kisch
"In The Mirror"
Estimate $6,000 - 8,000
Sold for $7,620
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46
Sam Maloof
Pair of early "Hueter" armchairs
Estimate $8,000 - 12,000
Sold for $9,525
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47
Paul Evans
Rare two-sided “Sculpture Front” screen
Estimate $70,000 - 90,000
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48
Joyce Anderson and Edgar Anderson
Wall-mounted cabinet
Estimate $4,000 - 6,000
Sold for $5,080
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49
Wendell Castle
“Sonny Boy”
Estimate $25,000 - 35,000
Sold for $33,020
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50
Doyle Lane
Weed pot
Estimate $4,000 - 6,000
Sold for $10,160
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51
Doyle Lane
Clay painting
Estimate $4,000 - 6,000
Sold for $7,620
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52
This lot is no longer available.
53
Doyle Lane
Weed pot
Estimate $4,000 - 6,000
Sold for $15,240
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54
This lot is no longer available.
55
Axel Einar Hjorth
Library table
Estimate $7,000 - 9,000
Sold for $7,620
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56
Märta Blomstedt
Armchair
Estimate $10,000 - 15,000
Sold for $12,700
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57
Paavo Tynell
Rare hanging candelabrum
Estimate $15,000 - 20,000
Sold for $48,260
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58
Fritz Hansen
Pair of armchairs, model no. 1669
Estimate $10,000 - 15,000
Sold for $19,050
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59
Poul Henningsen
"Artichoke" ceiling light
Estimate $4,000 - 6,000
Sold for $5,715
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60
Fritz Hansen
Sofa, model no. 1669a
Estimate $6,000 - 8,000
Sold for $16,510
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61
Claggett Wilson
Extendable dining table
Estimate $15,000 - 20,000
Sold for $19,050
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62
Claggett Wilson
Set of twelve dining chairs
Estimate $40,000 - 60,000
Sold for $50,800
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63
Claggett Wilson
Sideboard
Estimate $15,000 - 20,000
Sold for $18,415
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64
Nils Fougstedt
Two nesting tables, model no. 423
Estimate $6,000 - 8,000
Sold for $10,160
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65
Daniel Cottier
Side chair
Estimate $4,000 - 6,000
Sold for $20,320
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66
Tiffany Studios
Vase with lilies and buttercups
Estimate $12,000 - 18,000
Sold for $24,130
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67
Émile Gallé
Lotus table lamp
Estimate $20,000 - 30,000
Sold for $101,600
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68
Eugène Gaillard
Set of five nesting tables
Estimate $10,000 - 15,000
Sold for $21,590
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69
Daum Frères and Louis Majorelle
"Nénuphar" table lamp
Estimate $120,000 - 180,000
Sold for $152,400
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70
Georges de Feure
Pair of side chairs
Estimate $3,000 - 5,000
Sold for $12,700
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71
Daum Frères and Louis Majorelle
"Magnolia" table lamp
Estimate $30,000 - 50,000
Sold for $63,500
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72
Louis Majorelle
Pair of rare sellettes
Estimate $6,000 - 8,000
Sold for $40,640
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73
Établissements Gallé
Flowering maple table lamp
Estimate $6,000 - 8,000
Sold for $16,510
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74
Émile Gallé
"Libellules" guéridon
Estimate $30,000 - 50,000
Sold for $40,640
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75
Émile Gallé
Table lamp
Estimate $6,000 - 8,000
Sold for $25,400
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76
Louis Majorelle
Guéridon
Estimate $3,000 - 5,000
Sold for $10,160
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77
Émile Gallé
"Ombelle" table lamp
Estimate $25,000 - 35,000
Sold for $50,800
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78
Louis Majorelle
"La Cascade" cabinet
Estimate $60,000 - 80,000
Sold for $76,200
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79
Georges de Feure
Chaise longue
Estimate $4,000 - 6,000
Sold for $20,320
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80
Maurice Bouval
"Chardon" table lamp
Estimate $12,000 - 18,000
Sold for $82,550
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81
Georges de Feure
Armchair
Estimate $2,000 - 3,000
Sold for $27,940
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82
Gilbert Poillerat
Firescreen
Estimate $10,000 - 15,000
Sold for $40,640
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83
Albert Cheuret
"Heron" console table
Estimate $120,000 - 180,000
Sold for $215,900
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84
Simonet Frères
Ceiling light
Estimate $15,000 - 20,000
Sold for $35,560
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85
Louis Cane
Pair of "David" table lamps
Estimate $4,000 - 6,000
Sold for $5,080
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86
Attributed to André Arbus
Carpet
Estimate $4,000 - 6,000
Sold for $9,525
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87
Hervé van der Straeten
Pair of "Pirouette" wall lights
Estimate $5,000 - 7,000
Sold for $20,320
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88
Console table
Estimate $25,000 - 35,000
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89
Claire Cormier-Fauvel
Ceiling light
Estimate $8,000 - 12,000
Sold for $35,560
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90
Marc du Plantier
Table lamp
Estimate $6,000 - 8,000
Sold for $6,985
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91
Max Lamb
Chair, from the "Delaware Bluestone II" series
Estimate $12,000 - 18,000
Sold for $20,320
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92
Scott Burton
"Semi-Circle Table"
Estimate $15,000 - 20,000
Sold for $16,510
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93
Scott Burton
"Two-Cube Table"
Estimate $18,000 - 24,000
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94
Ruth Duckworth
Wall-mounted sculpture
Estimate $15,000 - 20,000
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95
Martin Szekely
Two-part "F.D.G." console table
Estimate $25,000 - 35,000
Sold for $25,146
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96
Scott Burton
"Low Piece"
Estimate $15,000 - 20,000
Sold for $21,590
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97
Zaha Hadid
"Gyre" lounge chair, from the "Seamless" series
Estimate $12,000 - 18,000
Sold for $38,100
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98
Gaetano Pesce
Set of four "543 Broadway" chairs
Estimate $5,000 - 7,000
Sold for $11,430
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99
Mattia Bonetti
"Miami" coffee table
Estimate $25,000 - 35,000
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100
Marcel Wanders
Rare "Henna" side table
Estimate $6,000 - 8,000
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101
Studio Wieki Somers
"Jin (Compassion)" floor lamp, from the "Mitate" collection
Estimate $15,000 - 20,000
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102
Bodil Manz
"Oval Form with Yellow, Black, Blue, Japanese Red and Green"
Estimate $2,000 - 3,000
Sold for $6,985
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103
This lot is no longer available.
104
Jeroen Verhoeven
"Cinderella" table
Estimate $60,000 - 80,000
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105
Geert Lap
Vase and bowl
Estimate $4,000 - 6,000
Sold for $12,700
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106
Studio Job
Floor lamp, from the "Robber Baron" series
Estimate $50,000 - 70,000
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107
Studio Job
"Pharmacy" table lamp
Estimate $5,000 - 7,000
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108
Jonas Bohlin
"Concrete" armchair
Estimate $8,000 - 12,000
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109
Marcel Wanders
"Bon Bon Gold" chair, from the "Personal Editions" series
Estimate $20,000 - 30,000
Sold for $22,860
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