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Jules Chéret is considered the father of the color lithographic fine art poster. Due to his skills as an artist and printer, this form of printmaking became a valid artistic movement with social and aesthetic influence. Andre Mellerio, editor and publisher, recalled Cheret's large scale posters as 'the frescoes, if not of the poor, at least of the crowd.'
The Surprise (La Surprise), about 1718-1719, Jean-Antoinne Watteau, The J. Paul Getty Museum 來源
紐約私人收藏
文學
Lucy Broido 62
Catalogue Essay
Chéret was both a technician and an artist, an essential combination for the aesthetic development of the medium. Little is known of his early training, and even less of the influences upon his work. At the age of thirteen Chéret is said to have become apprenticed for three years to a commercial lithographer...During these years, frequent Sunday visits to the Louvre, where he was particularly impressed by the eighteenth century colorist Antoine Watteau (and Tiepolo), inspired him to study drawing under Lecoque de Boisbaubran, mentor of Auguste Rodin and Puvis de Chavannes.
2
《舞蹈 (B. 62)》
1891年作
石版畫 編織紙本 麻布底（包邊）
圖像：47 1/4 x 31 3/4 英吋 (120 x 80.6 公分)
紙本：49 3/4 x 34 1/2 英吋 (126.4 x 87.6 公分)
此作由巴黎Chaix印刷，已裱。
估價
$1,500 - 2,500
成交價$3,276
212 940 1220
Editions Southampton
紐約拍賣 2022年6月25日