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In the present work, three canvases are positioned next to one another, each depicting strange and seemingly disparate scenes – a metal spool being formed at a factory in the far left, a dog walking down a set of stairs in the center, and a doll’s head positioned against a pale green background in the right square canvas. Self-described by the artist as “bleak” images, the paintings which make up James Rosenquist’s seminal Dog Descending a Staircase, 1979, reflect a surrealist interpretation of a domestic scene – the doll symbolizing a wife, the dog, the husband, and the tin mill image, his job. Imbuing the scene with a Pop-like sensibility rendered by hand, Rosenquist creates a commentary on everyday objects and subjects, instilling them with new meanings. First shown to the public at Castelli-Feigen-Corcoran Gallery in 1980, the painting was later reproduced in the form of a lithograph, created in an edition of 33.
James Rosenquist, F-111, 1964–1965 / Image: © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY, Artwork: © 2023 James Rosenquist Foundation / Licensed by Artists Rights Society (ARS), New York. Dog Descending a Staircase, was included in the artist’s groundbreaking retrospective at the Menil Collection and The Museum of Fine Arts, Houston, which then traveled to the Solomon R. Guggenheim Museum, New York, and the Guggenheim Bilbao in 2003–2004. On the occasion of this exhibition, Frances Colpitt referred to the work as a “marvelous stepped triptych,” calling Rosenquist’s 1970s output “less experimental but with a sophisticated, complex and deeply resonant range of color.” These works “showed Rosenquist to be more facile in technique and comfortable with his style.”i Just over nine feet long, the triptych showcases Rosenquist at his strongest. A museum quality piece, this work relates in scale and composition to other monumental, multi-part works by the artist held in renowned museum collections around the world, including the massively impressive F-111, 1964–1965, in the permanent collection of the Museum of Modern Art, New York.
James Rosenquist in Times Square, 1958. Courtesy of Acquavella Galleries. Using expressive brushstrokes like those of his contemporaries Willem de Kooning and Franz Kline in his earliest paintings, Rosenquist abandoned those upon moving to Coenties Slip in Lower Manhattan in 1960, pulling from his experience as a billboard painter to inform his burgeoning Pop style. Though a seminal figure within the Pop movement, Rosenquist continued to paint by hand rather than rely on the mechanical techniques of Andy Warhol and Roy Lichtenstein. Rosenquist’s painterly approach is particularly evident in the left canvas of Dog Descending a Staircase, where a sunset lit sky is rendered with a swirl of cool into warm hues, beneath which the reflective surface of the machinery is built up with layer and layers of brushstrokes. This is illustrative of Colpitt’s claim that these 1970s works indeed possess a “deeply resonant range of color.”
“The essence is to take very disparate imagery and put it together and the result becomes an idea, not so much a picture. It’s like listening to the radio and getting your own idea from all these images that are often antidotes—acid—to each other. They make sparks or they don’t.”
—James RosenquistReferencing Marcel Duchamp’s Cubist masterpiece Nude Descending a Staircase, 1912, Philadelphia Museum of Art, in its title, the present work relies on the left to right orientation of the work to inform the composition, using the staggered canvases, which are an extension of the three steps in the center panel. As a reference, this equates Duchamp’s nude to Rosenquist’s titular dog. However, in Rosenquist’s rendition, the movements of the dog are rendered flat. Rosenquist was inspired by many of the Surrealists, as demonstrated by this painting’s fragmented imagery placed across the three canvases, broken up by color and scale. The result disrupts the reading of the painting and distorts the viewer’s understanding of the narrative, while instilling suspense. “One waits for the dog to move, the doll to blink, the spool to wind.”ii
Marcel Duchamp, Nude Descending a Staircase, 1912 / Philadelphia Museum of Art / Artists Rights Society (ARS), New York / ADAGP, Paris / Association Marcel Duchamp. Exploring the idea of peripheral vision, Rosenquist painted this work on a grand scale, in which the canvas, like a billboard, is too large to see in one glimpse. By placing three offset canvases to create an atypical landscape, Rosenquist was exploring the ways in which he could connect these fragments into one, cohesive and enticing painting. As noted by the artist, “I had a real thrust and thought—how can I use these magnified fragments to make an abstract painting? I thought I could change people’s heads around by forcing them to identify these fragments at a certain rate of speed. It was a way to put mystery into my art... Everyone [else] was smearing and splashing. I knew that whatever I did my art wasn’t going to look like everyone else’s.”iii Indeed, Rosenquist’s oeuvre and Dog Descending a Staircase in particular places him in a league of his own, providing both a contrast to and referral back to the early beginnings of the Pop movement, in which artists strove to challenge the way we process and interpret the images in front of us.
i Frances Colpitt, “James Rosenquist,” artUS, November–December 2003, p. 46.
ii Elizabeth Frank, “James Rosenquist at Castelli-Feigen-Corcoran,” Art in America, November 1980.
iii James Rosenquist, quoted in Judith Goldman, James Rosenquist: The Early Pictures 1961–1964, exh. Cat., Gagosian Gallery, New York, 1992, pp. 91, 98–100.
Provenance
Private Collection, London (acquired directly from the artist)
Sotheby's Parke Bernet, New York, May 12, 1981, lot 60
Acquired at the above sale by the present ownerExhibited
New York, Castelli-Feigen-Corcoran Gallery, Rosenquist, May 17–June 14, 1980
New York, The Whitney Museum of Art, 1981 Whitney Biennial Exhibition, February 4–April 5, 1981, p. 95
Houston, The Menil Collection and The Museum of Fine Arts; New York, Solomon R. Guggenheim Museum; Guggenheim Museum Bilbao, James Rosenquist: A Retrospective, May 17, 2003–October 2004, no. 92, pp. 184–185 (illustrated, p. 185)Literature
"Goings on about Town: Art," The New Yorker, vol. 56, no. 14, May 26, 1980, p. 11
"Goings on about Town: Art," The New Yorker, vol. 56, no. 15, June 2, 1980, p. 14
"Goings on about Town: Art," The New Yorker, vol. 56, no. 16, June 9, 1980, p. 13
"Goings on about Town: Art," The New Yorker, vol. 56, no. 17, June 16, 1980, p. 12
Nina French-Frazier, "A New York Letter: James Rosenquist," Art International, vol. XXIV/1-2, September–October 1980, p. 82
Elizabeth Frank, "Review of Exhibitions: James Rosenquist at Castelli-Feigen-Corcoran," Art in America, vol. 68, no. 9, November 1980, p. 137
Les Krantz, ed., The New York Art Review, New York, 1982, p. 68 (illustrated)
Valerie F. Brooks, "Rosenquist's Market: Pop Art Performs," ARTnews, vol. 83, no. 3, New York, March 1984, p. 27
Judith Goldman, James Rosenquist, New York, 1985, p. 165 (illustrated)
James Rosenquist, exh. cat., Denver Art Museum, Denver, 1985, pp. 165, 188 (illustrated, p. 165)
Mary Anne Staniszewski, "Corporate Culture," Manhattan, Inc., July 1986, p. 127 (illustrated)
Holland Cotter, "Advertisements for a Mean Utopia," Art in America, vol. 75, no. 1, January 1987, pp. 88–89 (illustrated, p. 89)
James Rosenquist: Welcome to the Water Planet and House of Fire 1988–1989, exh. cat., The Museum of Modern Art, New York, 1989, p. 15
Susan Brundage, ed., James Rosenquist The Big Paintings, Thirty Years Leo Castelli, New York, 1994, n.p. (illustrated)
William Jeffett, James Rosenquist: Paintings, James Rosenquist: Selects Dali, St. Petersburg, Florida, 2000, pp. 12, 15 (illustrated, p. 12)
Emily Braun, "Sex, Lies, and History," Modernism/modernity, vol. 10, no. 4, November 2003, p. 748
Frances Colpitt, "James Rosenquist," artUS, November–December 2003, p. 46
Richard Kalina, "James Rosenquist at Full Scale," Art in America, February 2004, p. 135
James Rosenquist and David Dalton, Painting Below Zero: Notes on a Life in Art, New York, 2009, pp. 241–242 (illustrated, p. 242)
Ο◆129
Dog Descending a Staircase
oil on canvas
85 x 113 3/4 in. (215.9 x 288.9 cm)
Painted in 1979.
Estimate
$500,000 - 700,000
Sold for $736,600
Annie Dolan
Specialist, Head of Sale, Morning Session
+1 212 940 1288
adolan@phillips.com
20th Century & Contemporary Art Day Sale, Morning Session
New York Auction 15 November 2023
101
Alma Woodsey Thomas
Untitled
Estimate $120,000 - 180,000
Sold for $120,650
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102
Anne Truitt
6 Sept '87 No.3
Estimate $30,000 - 40,000
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103
Alice Baber
Untitled
Estimate $40,000 - 60,000
Sold for $95,250
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104
Joan Brown
Untitled
Estimate $25,000 - 35,000
Sold for $33,020
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105
Lynne Drexler
Untitled (Dark)
Estimate $40,000 - 60,000
Sold for $50,800
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106
Lynne Drexler
Sporadic Spring
Estimate $150,000 - 200,000
Sold for $228,600
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107
Gerhard Richter
Studie für ein abstraktes Bild
Estimate $200,000 - 300,000
Sold for $304,800
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108
Gerhard Richter
Untitled (20 OKT. 92)
Estimate $200,000 - 300,000
Sold for $215,900
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109
Sam Francis
Untitled
Estimate $180,000 - 250,000
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110
Sam Francis
Sky Forms
Estimate $120,000 - 220,000
Sold for $114,300
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111
Jane Piper
Study II
Estimate $15,000 - 20,000
Sold for $27,940
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112
Vivian Springford
Untitled (VSF 533)
Estimate $60,000 - 80,000
Sold for $69,850
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113
Helen Frankenthaler
Watch
Estimate $200,000 - 300,000
Sold for $304,800
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114
Ed Clark
Untitled
Estimate $70,000 - 100,000
Sold for $76,200
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115
Vivian Springford
Untitled (VSF 733)
Estimate $70,000 - 100,000
Sold for $88,900
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116
Gerhard Richter
Abstraktes Bild
Estimate $350,000 - 550,000
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117
Milton Avery
Flower
Estimate $50,000 - 70,000
Sold for $69,850
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118
Marc Chagall
Bouc rouge lisant au-dessus des amoureux au repos
Estimate $300,000 - 500,000
Sold for $381,000
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119
Pierre-Auguste Renoir
Nature morte aux raisins, figues et grenades
Estimate $300,000 - 500,000
Sold for $279,400
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122
Maurice Brazil Prendergast
Study St. Malo
Estimate $50,000 - 70,000
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123
Max Pechstein
Alte Fischerhütten
Estimate $80,000 - 120,000
Sold for $82,550
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124
Horace Pippin
Man Seated Near Stove
Estimate $100,000 - 150,000
Sold for $171,450
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125
Ernie Barnes
The Vanishing Breed
Estimate $350,000 - 500,000
Sold for $406,400
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126
This lot is no longer available.
127
Keith Haring
Red-Yellow-Blue #16 (Portrait of Adolpho)
Estimate $100,000 - 150,000
Sold for $88,900
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128
James Rosenquist
First Place
Estimate $200,000 - 300,000
Sold for $184,150
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129
James Rosenquist
Dog Descending a Staircase
Estimate $500,000 - 700,000
Sold for $736,600
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130
Andy Warhol
Kimiko Powers
Estimate $300,000 - 400,000
Sold for $952,500
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131
Robert Indiana
LOVE (Blue and Red)
Estimate $250,000 - 350,000
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132
Carmen Herrera
Untitled Estructura (Blue)
Estimate $400,000 - 600,000
Sold for $457,200
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133
Chung Sang-Hwa
Untitled 80-4-8
Estimate $80,000 - 120,000
Sold for $190,500
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134
Robert Mangold
Curved Plane/Figure VIII, Study
Estimate $300,000 - 500,000
Sold for $381,000
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135
Kenneth Noland
Blind Passage
Estimate $200,000 - 300,000
Sold for $241,300
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136
Dan Flavin
untitled
Estimate $100,000 - 150,000
Sold for $177,800
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137
This lot is no longer available.
138
Jim Dine
Hope & Eyes
Estimate $60,000 - 80,000
Sold for $69,850
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139
Neil Jenney
Window #6
Estimate $80,000 - 120,000
Sold for $91,440
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140
Lois Dodd
View through Broken Tree
Estimate $12,000 - 18,000
Sold for $27,940
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141
Tom Wesselmann
Smoker Study #41
Estimate $180,000 - 250,000
Sold for $330,200
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142
Tom Wesselmann
Double Study for Bedroom Painting #2
Estimate $100,000 - 150,000
Sold for $139,700
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143
Kenny Scharf
Drivedala
Estimate $120,000 - 180,000
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144
Kenny Scharf
Controlopuss II
Estimate $250,000 - 350,000
Sold for $279,400
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145
This lot is no longer available.
146
Keith Haring
Untitled
Estimate $200,000 - 300,000
Sold for $190,500
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147
Ernie Barnes
Untitled
Estimate $100,000 - 150,000
Sold for $215,900
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148
Ernie Barnes
Pool Hall Scene
Estimate $30,000 - 40,000
Sold for $53,340
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149
Ernie Barnes
Study Sketch for Tennis
Estimate $40,000 - 60,000
Sold for $76,200
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150
Wayne Thiebaud
Untitled (Study for "City Police Car")
Estimate $250,000 - 350,000
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151
Richard Diebenkorn
Untitled
Estimate $60,000 - 80,000
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152
Milton Avery
Autumn Hills
Estimate $20,000 - 30,000
Sold for $57,150
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153
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
El Morro #66M
Estimate $20,000 - 30,000
Sold for $19,050
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154
Willem de Kooning
Woman – Lipstick
Estimate $50,000 - 70,000
Sold for $73,660
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155
Edgar Degas
Trois danseuses
Estimate $250,000 - 350,000
Sold for $279,400
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156
Auguste Rodin
Frère et Soeur
Estimate $70,000 - 100,000
Sold for $63,500
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157
Maurice de Vlaminck
Fleurs dans un pichet blanc
Estimate $30,000 - 50,000
Sold for $30,480
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158
Henri Matisse
Le Turban
Estimate $40,000 - 60,000
Sold for $40,640
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159
Fernand Léger
Visage à la main
Estimate $60,000 - 80,000
Sold for $63,500
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160
Alexander Calder
Four Creatures
Estimate $50,000 - 70,000
Sold for $88,900
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161
Alexander Calder
Brothers, right
Estimate $50,000 - 70,000
Sold for $88,900
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162
Ed Ruscha
IS
Estimate $30,000 - 40,000
Sold for $69,850
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163
Ed Ruscha
3/4
Estimate $30,000 - 40,000
Sold for $40,640
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164
Brice Marden
Untitled (For Mary Happy Birthday 1985)
Estimate $70,000 - 100,000
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165
Alighiero Boetti
Segno e Disegno
Estimate $50,000 - 70,000
Sold for $114,300
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166
Sigmar Polke
Untitled
Estimate $40,000 - 60,000
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167
Gerhard Richter
Untitled (1.8.89)
Estimate $30,000 - 50,000
Sold for $57,150
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168
Gerhard Richter
Untitled (13.4.08)
Estimate $60,000 - 80,000
Sold for $63,500
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169
Friedel Dzubas
Aurora
Estimate $50,000 - 70,000
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170
Paul Jenkins
Phenomena Natchez Trace
Estimate $30,000 - 50,000
Sold for $48,260
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171
Beauford Delaney
Wine
Estimate $40,000 - 60,000
Sold for $40,640
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172
Robert Motherwell
Souvenir de Californie
Estimate $50,000 - 70,000
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173
Toshimitsu Imai
Victoire
Estimate $30,000 - 40,000
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174
Sam Francis
Untitled
Estimate $18,000 - 25,000
Sold for $44,450
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175
Alexander Calder
Cobblestones
Estimate $30,000 - 50,000
Sold for $40,640
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176
Tom Wesselmann
Two works: (i) Study for Reclining Nude; (ii) Study for Nude Lying Back
Estimate $25,000 - 35,000
Sold for $60,960
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177
Alex Katz
Nude
Estimate $40,000 - 60,000
Sold for $53,340
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178
Susan Weil
Bathers
Estimate $8,000 - 12,000
Sold for $24,130
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179
Arshile Gorky
Portrait of Helen Austin
Estimate $30,000 - 50,000
Sold for $25,000
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180
David Park
Boy in Colored Cap
Estimate $30,000 - 40,000
Sold for $107,950
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181
Hector Poleo
Mujer con pañuelo
Estimate $18,000 - 25,000
Sold for $22,860
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182
Sandú Darié
Untitled
Estimate $15,000 - 20,000
Sold for $35,560
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183
Ilya Bolotowsky
Yellow Tondo
Estimate $12,000 - 18,000
Sold for $20,320
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184
Ilya Bolotowsky
Relief
Estimate $30,000 - 40,000
Sold for $88,900
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185
Ilya Bolotowsky
Vertical Diamond in Black
Estimate $30,000 - 50,000
Sold for $48,260
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186
Thomas Downing
Untitled
Estimate $15,000 - 20,000
Sold for $19,050
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187
Richard Anuszkiewicz
Trans Gray
Estimate $25,000 - 35,000
Sold for $38,100
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188
De Wain Valentine
Concave Circle Blue Green
Estimate $40,000 - 60,000
Sold for $69,850
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189
John McLaughlin
#7
Estimate $100,000 - 150,000
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190
Robert Morris
Vetti V
Estimate $60,000 - 80,000
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191
Sorel Etrog
War Remembrance
Estimate $70,000 - 100,000
Sold for $69,850
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192
Louise Bourgeois
Germinal
Estimate $100,000 - 150,000
Sold for $152,400
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193
Georgia O'Keeffe
Untitled (Clay Pot and Stand)
Estimate $20,000 - 30,000
Sold for $22,860
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194
Arnaldo Pomodoro
Asse del movimento I
Estimate $50,000 - 70,000
Sold for $50,800
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195
Arnaldo Pomodoro
Colonna
Estimate $150,000 - 200,000
Sold for $152,400
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196
Mathias Goeritz
Clouage
Estimate $40,000 - 60,000
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197
Joel Shapiro
Untitled
Estimate $30,000 - 40,000
Sold for $38,100
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198
Tony Smith
Light Box
Estimate $30,000 - 40,000
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199
Sir Anthony Caro, O.M, R.A.
Open Secret
Estimate $10,000 - 15,000
Sold for $12,700
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200
Carl Andre
Untitled
Estimate $30,000 - 40,000
Sold for $30,480
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201
Carl Andre
arc bin bur cam
Estimate $12,000 - 18,000
Sold for $11,430
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202
Carl Andre
ESSAY ON PAINTING FOR F P STELLA 1965
Estimate $12,000 - 18,000
Sold for $13,970
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203
Lee Lozano
Untitled
Estimate $25,000 - 35,000
Sold for $48,260
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204
Andy Warhol
Three works: (i-iii) Seismograph
Estimate $40,000 - 60,000
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205
Andy Warhol
Plate of Food with Man's Chest
Estimate $25,000 - 35,000
Sold for $40,640
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206
Gottfried Helnwein
Untitled (Red Gun II)
Estimate $50,000 - 80,000
Sold for $63,500
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207
Gottfried Helnwein
Untitled (The Disasters of War 24)
Estimate $50,000 - 80,000
Sold for $63,500
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208
George Condo
Religions of its Time
Estimate $50,000 - 70,000
Sold for $190,500
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209
George Condo
The King
Estimate $30,000 - 40,000
Sold for $63,500
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210
George Condo
Still Life
Estimate $20,000 - 30,000
Sold for $50,800
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211
George Condo
Torro
Estimate $20,000 - 30,000
Sold for $82,550
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212
Leon Kelly
Bird on an Asian Pinnacle
Estimate $10,000 - 15,000
Sold for $6,350
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213
César
La Mouche
Estimate $15,000 - 20,000
Sold for $48,260
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214
Claude Lalanne
Pomme Bouche
Estimate $25,000 - 35,000
Sold for $104,140
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215
Niki de Saint Phalle
Serpent sur ressort
Estimate $10,000 - 15,000
Sold for $12,065
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216
Niki de Saint Phalle
Small Bull Totem
Estimate $40,000 - 60,000
Sold for $69,850
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217
Niki de Saint Phalle
Petit Dragon
Estimate $20,000 - 30,000
Sold for $15,000
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218
Louise Nevelson
Maquette for Monumental Sculpture VII
Estimate $20,000 - 30,000
Sold for $38,100
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219
Arnaldo Pomodoro
Sfera
Estimate $40,000 - 60,000
Sold for $95,250
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220
Arnaldo Pomodoro
Disco
Estimate $30,000 - 50,000
Sold for $31,750
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221
Clement Meadmore
Elaboration
Estimate $12,000 - 18,000
Sold for $22,860
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222No Reserve
Ibram Lassaw
Labyrinth VII
Estimate $4,000 - 6,000 •
Sold for $1,270
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