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Painted in 1960, Hans Hofmann’s Snow White is a masterful example of the artist’s late work. Snow White presents the viewer with a composition that seems to emerge from a halo of white, hovering above the taupe backdrop of the unprimed canvas. Swirling layers of oil paint electrify the composition, puckering up from the canvas as Hofmann molds paint almost sculpturally, defying the picture’s flatness. Illustrative of Hofmann’s color and spatial theories of “push and pull,” this work beautifully exemplifies how Hofmann continued to push his abstract painterly practice—so seminal to the development of Abstract Expressionism—to new limits in his twilight years.
Hans Hofmann in Context
Hofmann was of the most important characters of post-war American art, not just for his own renowned career but importantly also as an influential teacher to such artists as Helen Frankenthaler, Lee Krasner, Joan Mitchell, Louise Nevelson, and Frank Stella. Born in Germany in 1880, Hofmann first studied math and science before becoming active in avant-garde circles, where he found contemporaries in artists including Henri Matisse, Pablo Picasso, and Georges Braque. While working in Paris, Hofmann was highly influenced by the forms of the Cubists and Paul Cézanne and the color of Wassily Kandinsky and Vinvent van Gogh, as he synthesized elements of Symbolism, Neo-Impressionism, Cubism, and Fauvism. After immigrating to the U.S. in 1932, Hofmann put his artistic theories into practice. The 1940s saw a turn to near total abstraction as Hofmann experimented with methods of drip painting and gestural spontaneity, pushing the limits of his canvas.
Hofmann’s oeuvre from then on was defined by the overarching question of how to render an image through color, and how to realize depth on a flat surface. In Snow White, roughly painted patches of color predominate, each serving to elaborate the boundaries of Hofmann’s composition. Comprised of two fields of azure and red placed opposite one another and bisected by a triangular wedge of crimson, the painting does not immediately resolve into a systematic abstraction. Surrounding the color fields are slashing drips of white paint, which infringe on the background as well as the composition’s dominant blue and red forms, ultimately blending with the primary colors. All these elements are perhaps, formally, at odds with each other, but one of Hofmann’s prevailing artistic techniques is the idea of achieving coherence within chaos.
“Push and Pull”: Towards A New Mode of Painting
As early as 1948, he indeed put forward in the text Search for the Real in the Visual Arts: “Just as counterpoint and harmony follow their own laws, and differ in rhythm and movement, both formal tensions and color tensions have a development of their own in accordance with the inherent laws from which they are separately derived. Both, however, aim toward the realization of the same image. And both deal with the depth problem.”i
Hofmann’s “push and pull” theory excavates the creative potential of this tension; it is through color and shape, rather than representational forms, that an illusion of space, depth and even movement is achieved. “Depth, in a pictorial, plastic sense, is not created by the arrangement of objects one after another toward a vanishing point, in the sense of the Renaissance perspective, but on the contrary (and in absolute denial of this doctrine) by the creation of forces in the sense of push and pull,” he explained. “Nor is depth created by tonal gradation (another doctrine of the academician which, at its culmination, degraded the use of color to a mere function of expressing dark and light).”ii
"'Depth’ is not created on a flat surface as an illusion, but as a plastic reality. The nature of the picture plane makes it possible to achieve depth without destroying the two-dimensional essence of the picture plane."
—Hans HofmannBringing this push and pull theory of construction to bear on Snow White—predicated upon a “balanced state of expansion and contraction…a positive produces a negative-a high, a low, a right, a left – a push a pull and vice versa”iii—Hofmann’s arrangement is guided by an understanding of the interplay between the tonal and spatial elements of a work and the animating qualities of this exchange.And so each of Hofmann’s individual brushstrokes carries time and action with it—the memory of the moment of contact between the paint-laden brush and the blank canvas. The painting is a distinctly material construction, a manipulation of the physical properties of color and space, distilled into pigment and surface. The process of making reveals itself through the painting’s very substance.
i, ii Hans Hofmann, Search for the Real in the Visual Arts, Search for the Real: And Other Essays, Andover, 1948, pp. 44–45.
iii Peter Morrin, “The Education of Hans Hofmann,” Hans Hofmann: Catalogue Raisonné of Paintings, Farnham, 2014, p. 33.Provenance
Mr. and Mrs. Fred H. Olsen, Guilford
Estate of the Artist
Renate, Hans and Maria Hofmann Trust (acquired from the above in 1996)
Ameringer | McEnery | Yohe, New York (2009)
Jack Rutberg Fine Arts, Los Angeles (2009)
Acquired from the above by the present owner in 2009Exhibited
New York, Kootz Gallery, Hans Hofmann, March 7–25, 1961, n.p. (illustrated)
Nuremberg, Fränkische Galerie am Marientor; Cologne, Kölnischer Kunstverein; Berlin, Kongreßhalle; Munich, Städtische Galerie München Lenbachpalais, Hans Hofmann, April 8, 1962–January 13, 1963, no. 78, p. 26 (illustrated; titled Schneewittchen)
Garden City, Long Island Arts Center, American Art Today, June 16–July 16, 1964, p. 10
Syracuse, Everson Museum of Art, Hans Hofmann, February 20–April 7, 1969
New York, Miles McEnery Gallery, Hans Hofmann, January 3–February 2, 2019, p. 50 (illustrated, p. 51)Literature
Robert M. Coates, "The Art Galleries: The Splendid Century," The New Yorker, vol. 37, no. 6, March 25, 1961, p. 128
Irving H. Sander, "Reviews and Previews," ARTnews, vol. 60, no. 2, April 1961, p. 10
Sam Hunter, Hans Hofmann, New York, 1963, pl. 138, n.p. (illustrated)
Suzi Villager, ed., Hans Hofmann: A Catalogue Raisonné of Paintings, Volume III, Surrey, 2014, no. P1259, p. 263 (illustrated)
Donald Kuspit, "Hans Hofmann," Artforum, April 2019, p. 196
140
Snow White
signed and dated "60 hofmann" lower right; signed, titled and numbered "Cat# 1013 snow white 1960 hans hofmann" on the reverse
oil on canvas
84 x 52 1/4 in. (213.4 x 132.7 cm)
Painted in 1960.
Estimate
$400,000 - 600,000
Sold for $516,600
John McCord
Head of Day Sale, Morning Session
New York
+1 212 940 1261
20th Century & Contemporary Art Day Sale, Morning Session
New York Auction 24 June 2021
101
Barbara Hepworth
Maquette, Three Forms in Echelon
Estimate $200,000 - 300,000
Sold for $201,600
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102
Ellsworth Kelly
Burdock
Estimate $70,000 - 100,000
Sold for $119,700
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103
Marcia Hafif
Roman Painting XV
Estimate $15,000 - 20,000
Sold for $22,680
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104
Craig Kauffman
Two works: i) Siniguelas; ii) Granada
Estimate $50,000 - 70,000
Sold for $88,200
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105
Adolph Gottlieb
Untitled
Estimate $50,000 - 70,000
Sold for $119,700
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106
Robert Rauschenberg
Star-Ear (Jammer)
Estimate $20,000 - 30,000
Sold for $63,000
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107
George Tooker
Table II
Estimate $80,000 - 120,000
Sold for $239,400
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108
Martin Wong
Sergio Smoking a Cigarette And Thinks About All That Happened Two Nights Ago
Estimate $60,000 - 80,000
Sold for $478,800
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109
Ed Ruscha
Holloween
Estimate $200,000 - 300,000
Sold for $289,800
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110
Wayne Thiebaud
Untitled (Three Cigarettes and a Cigar)
Estimate $500,000 - 700,000
Sold for $630,000
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111
This lot is no longer available.
112
Roy Lichtenstein
Collage for Interior with Painting and Still Life
Estimate $800,000 - 1,200,000
Sold for $1,421,500
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113
Maurice Brazil Prendergast
Double-sided work: (i) New Hampshire Scene; (ii) Untitled (Trees and Houses)
Estimate $15,000 - 25,000
Sold for $15,120
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114
Maurice Brazil Prendergast
Autumn in New England
Estimate $15,000 - 25,000
Sold for $15,120
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115
Norman Rockwell
The Young Graduate (Big Day) and The Young Graduate: Two works
Estimate $50,000 - 70,000
Sold for $94,500
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116
Norman Rockwell
Vacation! (Country Gentleman)
Estimate $250,000 - 450,000
Sold for $453,600
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117
Joseph Cornell
Homage to the Romantic Ballet
Estimate $8,000 - 12,000
Sold for $11,970
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118
Joseph Cornell
The Sylph
Estimate $8,000 - 12,000
Sold for $6,300
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119
Yayoi Kusama
Butterfly
Estimate $30,000 - 40,000
Sold for $163,800
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120
Jiro Takamatsu
Shadow No. 1398
Estimate $150,000 - 200,000
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121
Henry Moore
Working Model for Animal Form
Estimate $200,000 - 300,000
Sold for $277,200
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122
Lynn Chadwick, R.A.
Pair of Sitting Figures VI
Estimate $100,000 - 150,000
Sold for $170,100
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123
Ben Nicholson
Aug 62 (Copernicus)
Estimate $30,000 - 50,000
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124
Sir Anthony Caro, O.M, R.A.
Rumba
Estimate $25,000 - 35,000
Sold for $22,680
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125
Kurt Schwitters
Oorlog
Estimate $100,000 - 150,000
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126
Kurt Schwitters
Untitled (Verkade)
Estimate $60,000 - 80,000
Sold for $60,480
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127
Kurt Schwitters
Untitled (Duke's Mixture)
Estimate $80,000 - 120,000
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128
Alberto Giacometti
Portrait de la mère de l'artiste
Estimate $400,000 - 600,000
Sold for $441,000
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129
Henri Matisse
Anemones
Estimate $180,000 - 250,000
Sold for $252,000
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130
Joan Miró
Figures
Estimate $150,000 - 200,000
Sold for $107,100
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131
Alexander Calder
Aerialist
Estimate $200,000 - 300,000
Sold for $302,400
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132
Fernand Léger
La Roue (Projet d'affiche pour La Roue D'Abel Gance)
Estimate $200,000 - 300,000
Sold for $277,200
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133
John Chamberlain
Untitled
Estimate $70,000 - 100,000
Sold for $88,200
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134
Willem de Kooning
Untitled #4
Estimate $30,000 - 40,000
Sold for $44,100
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135
Frank Stella
Seppy
Estimate $150,000 - 200,000
Sold for $252,000
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136
Frank Stella
Corpo-senza-l'anima (3.8x)
Estimate $500,000 - 700,000
Sold for $567,000
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137
Ad Reinhardt
Untitled
Estimate $70,000 - 100,000
Sold for $157,500
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138
Franz Kline
Study for Harleman
Estimate $80,000 - 120,000
Sold for $126,000
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139
Conrad Marca-Relli
Black Board 2 L-L-1-84
Estimate $80,000 - 120,000
Sold for $100,800
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140
Hans Hofmann
Snow White
Estimate $400,000 - 600,000
Sold for $516,600
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141
Jean-Michel Basquiat
Untitled (Starvation)
Estimate $250,000 - 350,000
Sold for $315,000
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142
Jean-Michel Basquiat
Untitled (The Athlete)
Estimate $200,000 - 300,000
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143
Keith Haring
Untitled
Estimate $100,000 - 150,000
Sold for $201,600
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144
David Wojnarowicz
USDA Choice Beef
Estimate $50,000 - 70,000
Sold for $50,400
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145
David Wojnarowicz
Dear Russell
Estimate $30,000 - 40,000
Sold for $26,460
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146
David Wojnarowicz and Luis Frangella
Untitled (Genie out of Bottle)
Estimate $50,000 - 70,000
Sold for $44,100
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147
David Wojnarowicz
Untitled (Wolf)
Estimate $40,000 - 60,000
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148
David Wojnarowicz
Untitled (To Luis from David)
Estimate $5,000 - 7,000
Sold for $5,292
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149
Robert Indiana
LOVE (Gold Faces Red Sides)
Estimate $250,000 - 350,000
Sold for $315,000
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150
Roy Lichtenstein and Philip Glass
Modern Love Waltz
Estimate $150,000 - 200,000
Sold for $189,000
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151
Keith Haring
Pyramid
Estimate $175,000 - 225,000
Sold for $252,000
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152
Jim Dine
Twin 6' Heart
Estimate $150,000 - 200,000
Sold for $478,800
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153
Kenny Scharf
Untitled
Estimate $15,000 - 20,000
Sold for $119,700
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154
Rammellzee
Untitled REPRESS (Gargoylian Books of Stock)
Estimate $120,000 - 180,000
Sold for $151,200
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155
Samuel Havadtoy
K. H.
Estimate $10,000 - 15,000
Sold for $15,120
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156
Keith Haring
Writing Table
Estimate $400,000 - 600,000
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157
Allan McCollum
Collection of Five Perfect Vehicles
Estimate $20,000 - 30,000
Sold for $32,760
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158
Alighiero Boetti
Ammazzare il tempo
Estimate $20,000 - 30,000
Sold for $63,000
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159
Jannis Kounellis
Untitled
Estimate $70,000 - 90,000
Sold for $75,600
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160
This lot is no longer available.
161
Victor Vasarely
TSODA
Estimate $120,000 - 180,000
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162
Victor Vasarely
Grilles II
Estimate $100,000 - 150,000
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163
This lot is no longer available.
164
Richard Anuszkiewicz
Temple of Spring Blue
Estimate $50,000 - 70,000
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165
David Diao
Shining Forth
Estimate $40,000 - 60,000
Sold for $132,300
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166
Paul Mogensen
Heat Stealth
Estimate $20,000 - 30,000
Sold for $30,240
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167
Robert Barry
Untitled (Going On)
Estimate $10,000 - 15,000
Sold for $25,200
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168
Suzan Frecon
Light & Earth
Estimate $120,000 - 180,000
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169
Ursula von Rydingsvard
Droga
Estimate $8,000 - 12,000
Sold for $10,080
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170No Reserve
Robert Overby
Square Scrap
Estimate $10,000 - 15,000 •
Sold for $17,640
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171
Frank Gehry
Fish Lamp
Estimate $50,000 - 70,000
Sold for $98,280
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172
This lot is no longer available.
173
Richard Pettibone
Train Destroys Valuable Art Object; Andy Warhol, "Campbell's Soup Can (Pepper Pot)", 1962
Estimate $25,000 - 35,000
Sold for $52,920
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174
Richard Artschwager
Walking Man
Estimate $60,000 - 80,000
Sold for $65,520
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175
Susan Rothenberg
Yellow Studio
Estimate $70,000 - 100,000
Sold for $201,600
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176
Julian Schnabel
Canard De Chaine
Estimate $120,000 - 180,000
Sold for $126,000
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177
David Hockney
House Palm and Pool
Estimate $200,000 - 300,000
Sold for $1,022,200
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178
David Hockney
House Palm and Pool
Estimate $200,000 - 300,000
Sold for $937,500
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179
David Hockney
Frogs in the Garden
Estimate $60,000 - 80,000
Sold for $252,000
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180
David Hockney
Pulchinellos with Garden Clouds
Estimate $60,000 - 80,000
Sold for $126,000
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181
Milton Avery
Tree by the Sea
Estimate $150,000 - 250,000
Sold for $378,000
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182
William Theophilus Brown
Still Life with Geranium Blossom
Estimate $4,000 - 6,000
Sold for $12,600
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183
Paul Wonner
Flowers, Chairs, a Dog and Two Birds
Estimate $15,000 - 20,000
Sold for $201,600
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184
Paul Wonner
Flowers in Bottles: Pansies #3
Estimate $2,000 - 3,000
Sold for $11,970
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185
Elmer Bischoff
River Dam
Estimate $10,000 - 15,000
Sold for $25,200
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186
David Park
Male
Estimate $3,000 - 5,000
Sold for $3,780
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187
Deborah Butterfield
Untitled (#4108.1)
Estimate $50,000 - 70,000
Sold for $88,200
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188
Deborah Butterfield
Untitled
Estimate $20,000 - 30,000
Sold for $52,920
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189
Henri Matisse
Vierge à l'enfant
Estimate $50,000 - 70,000
Sold for $138,600
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190
Elie Nadelman
Portrait of a Girl
Estimate $1,000 - 2,000
Sold for $7,560
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191
William Turnbull
Horse 2
Estimate $200,000 - 300,000
Sold for $365,400
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192
This lot is no longer available.
193
Auguste Rodin
Main crispée gauche avec figure implorante
Estimate $50,000 - 70,000
Sold for $44,100
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194
Auguste Rodin
Cariatide à l’Urne, taille originale dite aussi petit modèle
Estimate $150,000 - 200,000
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195
Auguste Rodin
Étude pour Adam au pilier
Estimate $40,000 - 60,000
Sold for $50,400
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196
Auguste Rodin
Étude pour Eve au pilier
Estimate $40,000 - 60,000
Sold for $88,200
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197
Auguste Rodin
Vase Saigon "Les Limbes et les Syrènes"
Estimate $8,000 - 12,000
Sold for $10,080
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198
Antoine Bourdelle
Cheval avec grand soubassement, étude pour le Monument au général Alvear
Estimate $30,000 - 50,000
Sold for $25,200
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199
Alexander Calder
Tray
Estimate $18,000 - 25,000
Sold for $25,200
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200
Alexander Calder
Fly choker
Estimate $40,000 - 60,000
Sold for $32,760
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201
This lot is no longer available.
202
Fernando Botero
Bowl of Fruits
Estimate $180,000 - 220,000
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203
Edgar Negret
Libélula
Estimate $25,000 - 35,000
Sold for $30,240
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204
Loló Soldevilla
Firmamento no. 3
Estimate $25,000 - 35,000
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205
Alexander Calder
Six, Five, Nine
Estimate $30,000 - 50,000
Sold for $157,500
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206
Alexander Calder
Bubbles on Orange
Estimate $30,000 - 50,000
Sold for $163,800
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207
Karel Appel
Personnage
Estimate $18,000 - 22,000
Sold for $22,680
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208
Manolo Valdés
Retrato de Dorothy IV
Estimate $200,000 - 300,000
Sold for $346,500
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209
Arman
Ali Baba's Stash
Estimate $15,000 - 20,000
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210
Andy Warhol
Anna Magnani
Estimate $70,000 - 100,000
Sold for $201,600
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211
Robert Rauschenberg
Untitled (de Gaulle)
Estimate $150,000 - 200,000
Sold for $163,800
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212
Robert Rauschenberg
Untitled
Estimate $100,000 - 150,000
Sold for $138,600
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213
Friedel Dzubas
Spectre
Estimate $30,000 - 40,000
Sold for $65,520
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214
Ivon Hitchens
Flowers in a Blue Vase
Estimate $80,000 - 120,000
Sold for $75,600
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215
Louise Fishman
Magma
Estimate $25,000 - 35,000
Sold for $65,520
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216
Lee Bontecou
Untitled
Estimate $20,000 - 30,000
Sold for $52,920
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217
Hannah Wilke
S.O.S. Starification Object Series
Estimate $25,000 - 35,000
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218
Ana Mendieta
Three works: (i–iii) Untitled
Estimate $20,000 - 30,000
Sold for $37,800
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219
Vito Acconci
Walkover
Estimate $25,000 - 35,000
Sold for $52,920
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220
Joel Shapiro
Untitled
Estimate $50,000 - 70,000
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221
Lita Albuquerque
Auric Field Solar Flash (Gold au2)
Estimate $20,000 - 30,000
Sold for $44,100
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222
Larry Bell
MSMS 20 (Medium Size Mirage Study)
Estimate $15,000 - 20,000
Sold for $13,860
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223No Reserve
Robert Bechtle
W.C. at Block Island
Estimate $10,000 - 15,000 •
Sold for $6,300
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224
Lee Lozano
No Title
Estimate $8,000 - 12,000
Sold for $34,020
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225No Reserve
Salvador Dalí
Abrazando el poder de mi riqueza comprimiendo los monstruos blandos que persistentemente me atormentan
Estimate $200,000 - 300,000 •
Sold for $315,000
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226No Reserve
Salvador Dalí
Fantasmas del pasado junto a mitos de juventud con huevo frito sodomizado
Estimate $100,000 - 150,000 •
Sold for $252,000
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227
Wifredo Lam
Sans titre
Estimate $25,000 - 35,000
Sold for $40,320
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228
George Grosz
Modell im Studio Stehender Weiblicher Rückenakt
Estimate $12,000 - 18,000
Sold for $21,420
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229
Andy Warhol
Moonwalk
Estimate $60,000 - 80,000
Sold for $107,100
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230
Andy Warhol
Mario Borsato
Estimate $100,000 - 150,000
Sold for $233,100
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231
Andy Warhol
Vito Doria
Estimate $100,000 - 150,000
Sold for $201,600
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232
Andy Warhol
Carlo de Benedetti
Estimate $100,000 - 150,000
Sold for $252,000
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233
Allan D'Arcangelo
Three works: (i) Watertower; (ii) Watertower with Rectangles; (iii) Watertower with Target
Estimate $20,000 - 30,000
Sold for $22,680
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234
Christo
The Gates, Project for Central Park, New York City
Estimate $50,000 - 70,000
Sold for $113,400
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235
David Hockney
Gregory and Shinro, Nara, Japan, Feb. 18, 1983
Estimate $15,000 - 20,000
Sold for $17,640
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236
Larry Rivers
Cubism Today–Broad Stroke (Roy and Dorothy Lichtenstein)
Estimate $18,000 - 22,000
Sold for $40,320
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237
Olga Albizu
Untitled
Estimate $18,000 - 22,000
Sold for $26,460
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238
Sam Francis
Untitled
Estimate $25,000 - 35,000
Sold for $69,300
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239
Robert Motherwell
Basque Suite #50
Estimate $30,000 - 50,000
Sold for $32,760
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240
Conrad Marca-Relli
XM-16-78
Estimate $40,000 - 60,000
Sold for $44,100
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241
Tom Wesselmann
Study for Big Brown Nude
Estimate $60,000 - 80,000
Sold for $69,300
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242
Tom Wesselmann
Stockinged Nude
Estimate $40,000 - 60,000
Sold for $126,000
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243
Andy Warhol
Untitled
Estimate $20,000 - 30,000
Sold for $42,840
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244
Andy Warhol
Flowers
Estimate $18,000 - 22,000
Sold for $20,160
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245
Kenny Scharf
Kozmik Luv
Estimate $25,000 - 35,000
Sold for $60,480
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246No Reserve
Jim Dine
The Yellow Venus
Estimate $40,000 - 60,000 •
Sold for $60,480
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247
Lynn Chadwick, R.A.
Sitting Couple
Estimate $20,000 - 30,000
Sold for $32,760
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248
Joan Miró
Sans titre
Estimate $40,000 - 60,000
Sold for $35,280
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