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'David had always said to me that he wasn’t a dog person, but when he met Heinz, he completely fell in love with him, so we took him to the breeder and he picked out Stanley' —Ian Falconer
Giacomo Balla, Dynamism of a Dog on a Leash (1912). Image: Albright Knox Art Gallery/Art Resource, NY/Scala, Florence, Artwork: © DACS 2022 Ian Falconer’s dachshund Heinz takes centre stage in this home-made print by David Hockney. Reminiscent in composition of the Futurist painting Dynamism of a Dog on a Leash (1912) by Giacomo Balla, Hockney’s home-made prints similarly celebrate a technological advancement. Balla’s Dynamism of a Dog on a Leash was inspired by the developments in chronophotography that took place from the late 1880s onwards. Improvements in the sensitivity of photographic emulsions allowed photographers like Eadweard Muybridge to produce studies of animals in motion. Futurists such as Balla were inspired by these images and used them to inform their depictions of movement, encapsulated in his 1912 painting of a dachshund. In contrast, Hockney’s home-made prints commemorate the multi-function printer which rose to prominence in the 1980s. Allowing him to photocopy and print sheets repeatedly, Hockney was able to replicate the process of colour printmaking without the need to visit a workshop. The spontaneity that this process afforded the artist is exemplified in Ian and Heinz through the simplified forms and textured surface of Ian’s leg, as Hockney sought to quickly capture the endearing companionship between pet and master.
Falconer and Hockney had first met in 1980. They enjoyed a romantic relationship between 1981 and 1983, living together in Los Angeles, before splitting in 1983. Despite this, they remained friends, with Falconer living just down the road from Hockney in Los Angeles for a time. Heinz the dachshund was the push that Hockney needed to get a dog of this own, and he welcomed Stanley and Little Boodgie over the next few years. This home-made print of Heinz anticipates Hockney’s later work Dog Days (1995), a tribute to his two beloved dachshunds, comprised of 45 paintings. Hockney’s depictions of Heinz, Stanley and Little Boodgie are in good art historical company, as Pablo Picasso and Andy Warhol both immortalised their pet dachshunds – called Lump and Archie respectively – through their artworks too.來源
倫敦Knoedler畫廊（框背標籤）
倫敦，佳士得，1999 年 6 月 2 日，拍品編號 198
現藏者購自上述拍賣文學
Museum of Contemporary Art Tokyo 292
藝術家簡介
大衛．霍克尼
David Hockney (b. 1937) is one of the most well-known and celebrated artists of the
20th and 21st centuries. He works across many mediums, including painting, collage,
and more recently digitally, by creating print series on iPads. His works show semi-
abstract representations of domestic life, human relationships, floral, fauna, and the
changing of seasons.
Hockney has exhibited at the Museum of Modern Art in New York, the Royal
Academy of Arts in London, and the Van Gogh Museum in Amsterdam, among many
other institutions. On the secondary market, his work has sold for more than $90
million.
約克郡私人收藏
52
《伊恩和亨氏，1986年7月 (M.C.A.T. 292)》
1986年作
辦公室彩色複印機手製版畫 Arches Text 紙本（全紙本）
紙本：21.5 x 27.5 公分 (8 1/2 x 10 7/8 英吋)
已裱：45 x 50 x 4 公分 (17 3/4 x 19 5/8 x 1 5/8 英吋)
款識：簽名、日期、25/34
鈴印：藝術家
由藝術家出版，此作裱於藝術家原裝指定鍍金木框。
估價
£15,000 - 20,000 ♠
成交價£37,800
Robert Kennan
版畫部歐洲區主管
T +44 20 7318 4075
M +44 7824 994 784
rkennan@phillips.com
Rebecca Tooby-Desmond
拍賣主管暨專家
T +44 207 318 4079
M +44 7502 417366
rtooby-desmond@phillips.com
Anne Schneider-Wilson
資深國際專家
T +44 207 318 4042
M +44 7760 864 748
aschneider-wilson@phillips.com
David Hockney
倫敦拍賣 2022年9月13日
49
大衛．霍克尼
《絲莉亞眼看 (Gemini G.E.L. 1650, M.C.A.T. 247)》
估價 £6,000 - 8,000 ♠
成交價 £16,380
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