Damien Hirst - Contemporary Art Part I New York Thursday, May 13, 2010 | Phillips

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  • Provenance


    Private collection, New York

  • Catalogue Essay


    During the past decade, Hirst has experimented with butterflies as a medium. Using them like kaleidoscope pieces, he created large, stainedglass- like patterns and mandalas that referenced religion and ceremony, vanity and luxury, and the delicacy of life. Eventually these solid surfaces of butterflies gave way to solid panels painted with vibrant gloss and stuck with butterflies as though captured in air while flying. The present lot is an exciting example of this series, which continues Hirst’s artistic legacy of applying a moralizing spin on delicate or expensive objects. Referencing at once romance, commercialized love, and the history of scientific cataloguing, the candy-pink heart is a startling momento mori, reminding of inevitable mortality and the randomness of life. Beautiful and soulful, the butterflies speak to the fragility of nature. Captured, admired and adored, the dead butterflies are trapped in the dried veneer—their bodies representing everlasting marks on the canvas, an infinity that will outlast our lives. “I used to walk into a room and get on the table and go “Hee-hah!” I used to believe I was going to live forever. And then you suddenly become aware that you’re not. You’re celebrating the fact that nothing can stop you… You’re kind of like that and celebrating every moment in that way.”
    (Damien Hirst in A.H. Guest, “Damien Hirst,” Interview Magazine, New York, December 2008/January 2009, p. 150)

  • Artist Biography

    Damien Hirst

    British • 1965

    There is no other contemporary artist as maverick to the art market as Damien Hirst. Foremost among the Young British Artists (YBAs), a group of provocative artists who graduated from Goldsmiths, University of London in the late 1980s, Hirst ascended to stardom by making objects that shocked and appalled, and that possessed conceptual depth in both profound and prankish ways.

    Regarded as Britain's most notorious living artist, Hirst has studded human skulls in diamonds and submerged sharks, sheep and other dead animals in custom vitrines of formaldehyde. In tandem with Cheyenne Westphal, now Chairman of Phillips, Hirst controversially staged an entire exhibition directly for auction with 2008's "Beautiful Inside My Head Forever," which collectively totalled £111 million ($198 million).

    Hirst remains genre-defying and creates everything from sculpture, prints, works on paper and paintings to installation and objects. Another of his most celebrated series, the 'Pill Cabinets' present rows of intricate pills, cast individually in metal, plaster and resin, in sterilized glass and steel containers; Phillips New York showed the largest of these pieces ever exhibited in the United States, The Void, 2000, in May 2017.

    View More Works

110

Untitled

2002

Household gloss with butterflies on shaped canvas.

84 3/4 x 84 3/4 in. (215.3 x 215.3 cm).

Estimate
$700,000 - 900,000 

Sold for $782,500

Contemporary Art Part I

13 May 2010
New York