Andy Warhol - Contemporary Art Part I New York Thursday, May 13, 2010 | Phillips

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  • Provenance


    Private Collection, Switzerland

  • Literature


    F. Feldman and J. Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962- 1987, New York, 2003, pp. 76-77, no. II . 64-73 (illustrated)

  • Catalogue Essay


    Warhol’s garish and brilliantly colored flowers always gravitate toward the surrounding blackness and finally end in a sea of morbidity. No matter how much one wishes these Flowers to remain beautiful they perish under one’s gaze, as if haunted by death.
    J. Coplans, Andy Warhol, New York, 1978, p. 52
    Andy Warhol’s iconic flower screenprints are a hallmark of the artist’s career. Vibrant and lush, they were the most abstract works the artist produced in the 1960s and ‘70s, layering contrasted colors in a graphic, flattened grid. Warhol deliberately rejected hierarchical composition by choosing a square format, embracing the simplicity of the symmetrical form and positioning it as a building block for a larger network of images. The device of repetition was Warhol’s most significant instrument for image branding. His gridded portraits of celebrities, commercial items, popular moments in time, and ordinary people were an ongoing comment on the ubiquity of fame, while visually equalizing all his subjects. Likewise, his series of monumental flower prints has become a recognizable brand in itself.
    Referencing the long tradition of painted flowers in art history, Warhol’s flowers both reflect and confront nature: unnatural and synthetic, they are emblematic of artificial virility. The artist’s obsession with death was a prime force in his art, and his bold flower prints allude to the immortality of celebrity, even as it often kills the individual. Coolly detached symbols of vitality, the fabricated prints contain a moment commoditized and preserved in time. The present lot is an exciting and rare example of this series. Delighting in an intensely electric palette, this set of ten prints hints toward eminent decay while ebulliently celebrating life.

  • Artist Biography

    Andy Warhol

    American • 1928 - 1987

    Andy Warhol was the leading exponent of the Pop Art movement in the U.S. in the 1960s. Following an early career as a commercial illustrator, Warhol achieved fame with his revolutionary series of silkscreened prints and paintings of familiar objects, such as Campbell's soup tins, and celebrities, such as Marilyn Monroe. Obsessed with popular culture, celebrity and advertising, Warhol created his slick, seemingly mass-produced images of everyday subject matter from his famed Factory studio in New York City. His use of mechanical methods of reproduction, notably the commercial technique of silk screening, wholly revolutionized art-making.

    Working as an artist, but also director and producer, Warhol produced a number of avant-garde films in addition to managing the experimental rock band The Velvet Underground and founding Interview magazine. A central figure in the New York art scene until his untimely death in 1987, Warhol was notably also a mentor to such artists as Keith Haring and Jean-Michel Basquiat.

     

    View More Works

139

Flowers

1970

Portfolio of ten screenprints on paper.

36 x 36 in. (91.4 x 91.4 cm) each.
Each signed and numbered of 250 on the reverse. Each work is from an edition of 250, plus 26 artists proofs.

Estimate
$400,000 - 600,000 

Sold for $458,500

Contemporary Art Part I

13 May 2010
New York