Spring 2017 / 17-106

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  • Condition Report

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  • Provenance

    Private Collection, Asia

  • Catalogue Essay

    One of the most significant post-Dansekhwa artists, Nam Tchun Mo sets himself apart from his predecessors through his masterly technique of combining three dimensional elements with the two dimensional. Through the repetition of simple lines in natural oriental colours, rendered dynamically and rhythmically and using traditional ink and hand-dyed fabric, he creates works that skilfully break down boundaries between painting and sculpture where light and shade collide.

  • Catalogue Essay

    作為後單色畫運動中最為重要的藝術家之一,南春模擁有融合三維元素與二維平面的精湛技藝,張顯出與前輩藝術家們與眾不同。通過運用傳統水墨與手工暈染的紡織物,他以天然的東方色彩作簡易線條的無限重複,賦予作品活力感與韻律感,手藝精巧地打破繪畫與雕塑之間的邊界,讓光影相互碰撞。

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152

Spring 2017 / 17-106

2017
signed, titled and dated 'Nam Tchun Mo "Spring 2017 / 17-106" 2017' on the reverse
acrylic on coated fabric
115 x 100 cm. (45 1/4 x 39 3/8 in.)
Executed in 2017.

Estimate
HK$140,000 - 260,000 
€16,000-29,700
$17,900-33,300

Place Advance Bid
Contact Specialist
Isaure de Viel Castel
Head of Department, 20th Century & Contemporary Art

Charlotte Raybaud
Head of Day Sale, 20th Century & Contemporary Art

20th Century & Contemporary Art & Design Day Sale

Hong Kong Auction 26 May 2019